Blest Be the Ties That Bind—The Gravitational Pull of Keystone School

For more than four decades, I’ve been one—of many—who enjoy keeping up with my classmates from Keystone School in San Antonio. Not just my high school classmates, but the activities and whereabouts from many students from classes spanning 1963–1985 have remained important to me all my life. I’m not the only one who feels this way.

High school reunions are nothing new, but for a small private school in San Antonio to have intense loyalty among several generations of students such that it borders on a feverish determination to remain connected is unique. For hours now, on the drive up and back today, I’ve thought about how it came to be that one school could mean so much to so many. It truly reminded me of the gravitational pull of Keystone, drawing so many of us near to it, bringing us back to home base over the course of our lives at different times. [Photo of Main Hall, Keystone School]

In the 1960s, gatherings were typically official holiday functions at the school. There were never blatant overtones of requests for financial support. In fact, it was the exact opposite message communicated by the leadership. They did lobby heavily for some graduates to return to the school to teach when academic studies were completed; they were purposeful and straightforward about that mission. Several graduates did just that, and the school added a broad general dimension to its growth, contributing to its primarily unspoken legacy then.

Later, reunions expanded offsite to favorite restaurants or classmates’ homes, but no matter where or how, for years we took time to meet. Individual class sizes averaged 20 students, but it was not unusual for only 10 or 11 to comprise the complete graduating class. For the next two decades, interest in reunions became more class-oriented for private gatherings. One local alum might include some 70s friends in the 60s-era gatherings but those were limited occasions.

There was no single precipitating cause for trying to reconstruct a schoolwide gathering, but time and opportunity intersected at the 10-year point past my high school graduation. It wasn’t easy to get the first reunion started, but we began in 1984. A dear friend and mentor, Tommye Brennan Howard ’63 (real name Patricia, but don’t ever call her that) and I renewed our friendship that had begun in 1962. She was my first call, and after a brief chat, we were off and running.[Photo of Tommye Brennan Howard]

In 1985 we had our first schoolwide grand reunion (since the 1960s school holiday coffee events in Keystone’s cafeteria). Ours became a two-day gathering at a local hotel ballroom, with dinner, dancing, and DJ, followed by a BBQ at the school campus the next day. The two of us spent our spare time over six months to find alums, recruit them for the weekend, and plan the event. We burned up AT&T Friends and Family calling plan with memories and reminiscences.

The school-based gathering welcomed our alumni parents and/or immediate children for a chance to visit. Some parents attended even if their children could not, having relocated out of town, because there was a great relationship throughout many classes that way. We were all as happy to see others’ parents as we would be their children.

As a five-year-old, fresh into first grade, I believe half my Keystone friends were ages 17 and older. I had a few of my own classmates of interest, but I was constantly pestering the second graders to tell me “what came after” addition and subtraction. Patiently they’d tell me about multiplication, assure me that Mrs. Kumin was wonderful and I'd love her class. I was having the time of my life with Mrs. Lucy Hines in first grade. I just wanted second grade to be as good and thus began my early days as a sleuth of sorts. Thanks to Carla Carter'73 and Marilyn Harper'73, they relieved my anxiety that I would not be disappointed in what came next. [Photos: Clockwise Mrs. Hines, Mrs. Kumin, Carla Carter, and Marilyn Harper.]

What Would Make Your Dreams Come True in 2022?

As we bid farewell to 2021 we tend to reflect and judge our hits and misses over the past year—sometimes harshly. Did we do everything we set out to do? What did we fail to do? Were they goals or dreams? First, there are your goals, but at a more prized level, there are your dreams. Both can come true, and both are important.

Let’s face it. On January 1st, most people set goals for the coming year. You’re either going to address relationships with people, develop material gains, take the long-awaited vacation, or maybe earn that credential or certification for a promotion.

Yes, today is the deadline for the goals we set 12 months ago. Some goals we announced to others; others we kept private. We didn’t know what was ahead 365 days ago. Used to be just hard work and determination would lead to achieving goals. That’s standard with goals, but what about with dreams?

What did you dream about doing last year that you thought would really make you happy? Was it finding a special person, a job title you’d only dreamed of, a particular economic milestone…”If only I had ____” then my dreams would come true.

When life takes a downward turn, sometimes our dreams evaporate as quickly as they came. We start swimming in reality and renegotiating what we’ve dreamed about to simply be survive and make it to the next day. Nothing puts a damper on a dream than someone pouring cold water on the idea and reminding us that the chance of our dreams coming true are slim to none.

Children have all kinds of dreams from the time they’re able to talk. One day they might announce they want to fly a spaceship. Others say they might like to travel all over the world, helping people feel better. Still others say they want to own the tallest building in the city. A few say they want to play a professional sport. What do adults tell the children? At least 75% of parents and adults encourage children to dream. Others tell them not to focus on "such nonsense."

Encouragers affirm the concept that their child can be or do anything they want. They might even make them a cape when they announce they want to be a superhero. If the child is lucky, their dreams come true because no one has managed to throw cold water on what may seem to others to be unrealistic goals or expectations.

When do we as adults stop dreaming? Probably as soon as we find there was a dream we couldn’t accomplish. One failure must surely predict another, right? Those who achieve greatness never give up on their dreams. They sacrifice time, money, friendships, whatever it takes to do what they want that others deem “impossible” or “pie-in-the-sky” unattainable.

Why is it that adults feel the need to “bring reality” to children, to suggest they choose another path? To drop out of their dream and re-enter normal life and get used to dreams not being attainable? Maybe it's to cushion them from the grim reality they faced long ago back when they were dreaming "big" and their dream wasn't realized. No matter the reason, it’s the children who don’t let adults dampen their dreams who actually achieve them. How do they do it?

Maybe it’s just a matter of tuning out anyone who tries to dissuade them, and maybe if they’re lucky, along the way, they find mentors who help them achieve their dreams.

The year 2022 offers many opportunities for things to get better than last year. Yes, it’s true we begin on a few notes of uncertainty. There are some standing challenges in the way in all of our lives, but they don’t define us. They don’t have to last the entire year. Those challenges don’t have to rob us of our joy.

When we dream, I’m sure some scientific study or other will show that our body releases endorphins to make us happy. Perhaps holding that dream close to us in our hearts can perpetuate that happy feeling. In the 1960s we were told that one day we might all propel through the sky in rocket belts, or we might have a car like George Jetson did, or a little machine that prepared hot food at the push of a button.

The ironic thing is people possibly assume The Jetsons was the pacesetting dream concept that inspired today's electric cars. In actual fact, you can thank Ford and their 1954 "dream car concept" called the FX-Atmos as the inspiration for the Jetsons' car. You can read more about it here. However, I think we can thank Hanna-Barbera and their writers for the ability to push a button and have the car turn into George's briefcase.

Remember, even Dick Tracy had a cool watch he talked into, and be sure to smile into your iPhone watch a little more as you catch up with a loved one on FaceTime.. Maybe when you win the lotto, you’ll be closer to a ride on the Blue Origin, you might get into your electric car and travel home and warm up your frozen dinner in the microwave. Each of these things started with a dream.

Never give up on your dreams. So often, we are closer than we think and the solution is just one good night's sleep away from reality.

Poet Langston Hughes wrote:

Hold fast to dreams

For if dreams die

Life is a broken-winged bird

That cannot fly.

Hold fast to dreams

For when dreams go

Life is a barren field

Frozen with snow.

Perhaps while you’re at it, take a moment to encourage a youngster that they, too, can follow their dreams to fruition if they don’t give up. You may be that one person who believes in them and the result will be tomorrow’s newest best idea. That’s just part of what you can in 2022. The rest is up to you. Happy New Year!

Aaron Sorkin’s “Being the Ricardos” Reveals Lucy’s and Desi’s Real Love in Real Life

It’s always easy to be loved by lightning in a bottle; from within its confines, it reaches out, holds you, captivates you, becomes obsessed with you, and never lets you go. It has captured you. It is harder to love lightning in a bottle because it shines so brightly it blinds you; it projects warmth that you fear will one day leave you. It owns you; you don’t own it. Individually you are important; together you are magic.

This film from Aaron Sorkin and Amazon Studios is the story of a week in the life of Desi Arnaz and his wife Lucille Ball—a film of passion, turmoil, love from above the elemental plane of earth and sorrow that is resolute and inconsolable. [Photo credit: ft.com]

Having waited for two months after learning of the December 21st debut of Aaron Sorkin’s latest work of genius truly gave me something to look forward to. At one minute past midnight on December 21, I opened Amazon’s website to check if it was available.

Christmas came early this year, because all I had to do was click, and instantly I was transported back to my 1950s childhood. The opening scene introduces Walter Winchell’s breaking news that Lucy (referred to only as “the redhead” had been a member of the Communist Party. The second scene introduces the full cast and crew of “I Love Lucy,” and there’s brilliant dialogue that will delight TV trivia fanatics who definitely know, even if they hadn’t known before, who Rusty Hamer was.

Next, you see all the CBS executives and too many representatives of the show’s sponsor, Philip Morris in Desi’s office at Desilu Productions. Finally, we’re back on set for Day 1’s Table Read. Background music begins and triggers the process by which the show’s director, producer, and two writers along with the stage director interact. And for the next two hours, you will lose all track of time because there’s no place but the world of the Ricardos and the Arnazes that matters.

In the first 18 minutes, you’re about to learn the backstory of Desi as singer, movie star, and mesmerizing lady killer. For every pre-movie crank who claimed there was no chance that Javier Bardem would be believable as Desi Arnaz, pay up whomever you bet with because no better actor could portray Desi than Bardem.

Nicole Kidman’s portrayal of Lucy goes straight to the heart. Her presentation of the range of emotions that Lucy experiences in a week’s time is the height and depth of real-life angst and satisfaction from delivering what she knows she is capable of bringing. Not once during the movie did it occur to me that I wasn’t watching the “real” Lucy. Note: to those who think this movie reflects the TV show, there are multiple scenes that would never have made it past the CBS censors in olden days, but don’t let that be a reason not to watch.

J. K. Simmons has proved over and over again what a brilliant actor he is. He is so good that he managed to reveal the true heart and spirit of Bill Frawley, who virtually every fan of the show considers to be the lesser light and grumpy old man. In fact, Simmons’ Frawley is brilliant, insightful, compassionate, and actually funny.

So far that’s three Academy Award winners so who do we get for Vivian Vance? A Tony Award winner, Nina Arianda. This may be the first you’ve heard of her but not seen. You After numerous successful Broadway plays, Arianda brings accolades from movies and television as well. Her portrayal of Vivian is superb and explores the story thread that Lucy always wanted Viv to be more like the average American housewife than movie star, especially in a contract that specified her minimum weight.

As seen multiple times, Lucy’s skill in envisioning full comedy scenes from one line pitched by a writer to full scene is part of the brilliance of the show: “Lucy stomps the grapes” was written on an index card on the corkboard; how it “became” the “stomping the grapes” episode happened in Lucy’s mind.

Three writers and one dreamer added up to magic. Lucy was a stickler for detail in set design, show flow, use of scenery, lines that didn’t work, and the “moving parts of physical comedy.” As you progress in the film, you won’t “hear” Nicole; you hear the range and timber of Australian Nicole as the real Lucy.

Desi Arnaz received the credit he was due and the respect as a businessman he so greatly deserved. Sorkin made sure to show the behind-the-scenes role that Desi played as he functioned literally and substantially as Desilu studios’ President. He had no trouble leading (wait until you see how he handled “the Red Scare.”) No hints, no spoilers.

The dialogue flows: (Lucy to Bill Frawley) “Let me tell you something about Desi. He runs this show, every creative decision goes through him. Every business decision, the network, Philip Morris, and if that wasn’t enough, he is camera ready on Monday. Takes me five days to get a laugh. He’s killing at the Table Read. And believe me, that man is nobody’s second banana.” (Bill to Lucy) “And how many people know that? That Desi runs the show?”

Therein is the key to the major struggle in the Arnaz family at home. Home is a word that Lucy used often, wistfully, and it meant to her that it was a sanctuary for her and her family. For Desi, home was “the boat,” his home without her, as well as the stage at Ciro’s and everywhere he toured.

Once again, Javier Bardem kills as Ricky in his prime as a bandleader and performer. Whether or not Javier ever played the congas before this movie, thanks to coaching by the iconic Walfredo Reyes, Jr. (Chicago, Santana, Traffic), his playing of “Babalu” was perfect, down to the detail of loosening his bow tie during the “Ole, Ole, Ole, Ole” call-and-answer with the band. Later on, his version of “Cuban Pete” is another showstopper.

One unique aspect of the film is Sorkin’s inside look at the relationship between Jess Oppenheimer (writer and producer), Madelyn Pugh Davis (who just died this past April at age 90) and Bob Carroll, Jr., the three brains that wrote the dialogue that America memorized each week. Lucy and Desi brought life to the words, but a surprise reveal was the snarkiness and almost ridicule bordering on contempt that the brilliant writers showed Lucy…to the point of Desi having to have serious discussions with them about how disrespectful they were to her.

It was a bonus to see Linda Lavin portraying Madelyn Pugh Davis. Trivia fans will love that Madelyn Pugh was also known as Madelyn Martin from 1955–1960, as she was married to producer Quinn Martin, producer of “The FBI,” “Barnaby Jones,” and “The Fugitive, among at least 12 weekly shows he produced, another show-biz couple in the exact same business.

The character of Bob Carroll, Jr. was not a pleasant one--he eternally tried to take credit for any good idea the cast liked, unabashedly and unbelievably narcissistic. Perhaps the writers' slight jealousy was understandable as your face, name, and existence are known only to faithful credit watchers, and it’s beyond real to have anyone give the writers a standing ovation, even if they win an Emmy or an Oscar. And yet, great dialogue in the hands of the wrong actors, simply is not funny, no matter what. As has been said, all the stars in the sky must line up properly for the magic to happen. Here, magic was built on respect.

Respect was everything to Desi, not as much for himself, but for his wife and her talent. Sorkin’s dialogue captures that point and brings it home multiple times. That one tenet of faith that, at least professionally, was made clear was the unquestioned respect Lucy and Desi had for another and that’s where the love began. Offstage, it was easy to see where the love faded.

Lucy (with or without husband Gary Morton’s consent) stayed dear friends with Desi and his wife Edith. The two wives were very close and the blended families were often at Lucy’s home, so that everyone could visit with Lucie, Desi, Jr., and the grandchildren. Everyone had access to unconditional love in real life.

And yet, the acting and producing was also their real life. Lucy’s gift was comedy, not the Rita Hayworth and Judy Holiday stars that shone brightly on the dramatic screen. She resigned herself to that because she had a chance, one she demanded from CBS, to work with her real-life husband on a quality program that America fell in love with and shared with the rest of the world. The show was groundbreaking in so many ways, yet it remains fresh each time you see an episode today, even if it is the 34th time you’ve seen “Vitameatavegimen.”

When they worked together, they built an empire. It was Desi’s idea for the three cameras to shoot scenes more completely and the live audience would have an unobstructed view of the action. Occasionally Lucy’s dialogue would include stage directions and only then were you reminded that this was not real life you were watching.

Desilu Productions also produced “Star Trek,” whose shows remain almost as iconic today as “I Love Lucy,” and their reach is worldwide as well. Their “Mission Impossible” was the precursor to virtually every governmental secret agency show that would be developed for the next 60 years. For just three of their productions, that’s hundreds of millions of viewers amassed.

In its debut, “Being the Ricardos” is available on Amazon Prime today in the United States, Germany, Latin America, Paris, Poland, Portugal, Spain, and Italy. It’s a free film to Amazon Prime members, but I would have willingly paid $20 to watch it tonight. The Arnaz children, Lucie Arnaz and Desi Arnaz, Jr., are two of the Executive Producers of this film. Along with other key producers, we had “one more chance” to be with a favorite couple from our Baby Boomer childhood. Aaron Sorkin is once again synonymous with brilliance in show flow, dialogue, and comedy.

In 2017 Amazon Studios won its first three Oscars for their film “Moonlight.” Someone better make room at headquarters, because this film is bound to bring home trophies. Thanks for an early Christmas, Aaron, Amazon, and the Arnaz family.

Zach Calzada Was the Right Young Man for Texas A&M; It Was Just the Wrong Decade

For the five decades I’ve watched Texas Aggie football, for at least the first four of them, it never seemed like big business, a corporation, or anything other than a wonderful opportunity for young men with skill to earn a college education and potential gain entry to the NFL, with substantive hard work, sacrifice and difficult training. [Photo credit: 247sports.com]

During the days of Bear Bryant and Gene Stallings, Aggies gave their all for their coaches. Quarterbacks, tight ends, running backs, and many other players would limp back into the lineup after having been crushed and ground and left for roadkill under a bruising opponent. If they were going to leave a game, it would be on a stretcher.

It was the heart and soul of the Aggie spirit to “give your all” for your team, your teammates, and your school. The 12th Man stood in every space in the student section on the ready, having been taught by tradition what it meant, and cost, to be a part of the proud 12th Man tradition. That was before concussion protocols were developed. Times have changed.

It was disheartening to read the various headlines on social media surrounding Zach Calzada’s decision to enter the transfer portal. To wit:

Houston Chronicle Sports

Zach Calzada is entering the transfer portal and won't play in the Gator Bowl, potentially leaving Texas A&M Football without a healthy scholarship quarterback.

Texas A&M Aggies Football Fans (not an official Aggie affiliated page)

Calzada isn't a fit with the Aggies anymore, but he'll generate interest elsewhere.

San Antonio Express-News That leaves the Aggies potentially without a healthy scholarship quarterback against Wake Forest in the Gator Bowl.

This after just two weeks ago reading the TexAgs.com laudatory post regarding the “almost win” vs. LSU:

“After a tough, 3-TD performance that included two second-half scoring drives to give the Aggies the lead, quarterback Zach Calzada is this week's Overnight Sensation:”

And that, just 9 weeks after the first loss Alabama has had since 2019, under the arm of Zach Calzada, the hero of the night, the week, and the next 56 or so days….until the loss at LSU. [Photo credit: KBTX.com]

All of a sudden, people began inquiring as to the health of Haynes King, the former starting quarterback, and then there was the news story about the Aggies signing of a premiere 5-star prospect, yada yada.

And just like that, yesterday’s hero is an afterthought; no mention of Zach Calzada or his future potential as a quarterback who’d been not only a successful backup who led the team with dignity this year, but a true 12th Man who came in and took not one, not two, not three, but multiple beatings, both on and off the football field.

Yesterday’s news and then today, a guy, who according to some headlines, left A&M without a starting quarterback for the “big” bowl game coming up. I think I’ve seen it all now.

Has social media really created all the ingrates or it is instead a place where bullies who buy the Aggie hats get to join in and pile on when someone wants to rag on the one they decided is the cause of all their problems?

It was never this way in the old days—yes, there was the “what have you done for us lately?” attitude in sports, but it was never as visceral. Back then, there was no Facebook, Instagram, TikTok, or other instant means of trashing a person, instantly, as there is today. Players back then were different, too.

Under Emory Bellard, in the 70s, the top football players were also on the (then) GTE (today Verizon) Southwest Conference for Academic All-Americans as well as for football prowess. Ed Simonini ’78, Civil Engineering master’s, Baltimore Colts, Bubba Bean, ’75, Industrial Education grad, Atlanta Falcons, and the tradition of academic strength continued.

Under R.C. Slocum we had more of the same, and then many players found their way into the NFL and would return after their pro careers to get their degrees and get on with life.

We’ll skip Dennis Franchione and zip right to Coach Jimbo Fisher. Pluses about Jimbo include his inevitable good humor, willingness to appear on TV commercials and support anything that brings Aggies to Kyle Field, and he can brighten any game loss with his smiles and promises that the next week, the team will execute the plan and get back on track and get down to business and make all those working parts come together and be the team he knows they can be.

All season long the Aggies had highs and lows, and yet we weren’t breaking through to beat teams we should have handled easily. That’s the “any given Saturday” reason, because some teams simply aren’t as bad as their antagonists think. Others have reputations that far exceed their abilities.

The Aggies bring heart and soul to every game they play and there’s those 12th Man kids in the stands, screaming their heads off for the Aggies to win. Aggies never lose, they’re only outscored.

This season, though, reminded me a little too much of Coach Fisher’s final season at Florida State. Back then, he had the future Heisman Trophy winner to be in the media crosshairs because of some “youthful indiscretions” and “personal matters” that if you actually took the time to read the constant details of the “indiscretions,” well, you wouldn’t be impressed.

No matter how many times he got in trouble, he was the QB leading the #1 team in the nation and was a shoe-in for the Heisman. Jimbo tolerated, placated, and kept talking and they won the national title and the wild child won the Heisman. Win-win, right? Or not.

Before this season started, two Aggie football players got in some “trouble” and the infraction for one of them was such that there was a question whether he would play this season. After a one-game suspension the young man was allowed to play and did pretty well for the team, and the football press called it his “offseason personal matters” that he’d be dealing with after the season was over.

But of course. Two weeks ago, the local paper ran a laudatory article about that player being a mentor for the younger players this season, advising them on learning from his mistakes because he'd really grown up (in 12 weeks). Fine, fine.

Sadly, if you can do something to help the school win a football game, you are golden. It’s hands-off, we love ‘em, and it’s probably always the way it’s been. It’s just that no one talks about it out loud. If you question it, you will hear from social media that you are a “2-percenter” or a “bad Aggie” or “a hater,” a term that came to life during the Johnny Manziel era, where people who questioned his off-the-football field antics were considered haters and “good” Aggies hated the haters and loved their Johnny Football.

Except for one thing. Had any coaches been able to look past their win/loss record to bring some stability and reality into his world, that young man might still be playing professional football today, as he had unparalleled spirit, talent, and a desire to win.

After he left, and his pro days played out in the media, Aggies welcomed him back for a while, and today, whenever he’s in town, it’s only his true friends who welcome and honor him for being the guy who not only beat Alabama, but who got the Aggies positioned to even seriously consider dreams of the national championship. Alabama is in his rearview mirror, though he graciously did a social media shout-out to Calzada when his never-say-die play led the Aggies to victory.

Zach Calzada made a good choice in entering the transfer portal.

Just as Kyler Murray proved out who he was at TCU, and a Heisman Trophy later, he continues to start for the Atlanta Falcons each week, and A&M is a distant memory in his rearview mirror. Players these days are fortunate to have parents or mentors as advocates looking ahead for their young proteges.

Any “fans” who slammed Zach on social media might read what he posted in response to the slams, excerpted from the edited version on Instagram:

“The overwhelming majority of the 12th Man has given me unwavering support. In exchange I gave you my left ankle against Mississippi State, my left knee against Alabama and my left shoulder against Auburn & again last night, and I will continue to give everything for this team and this University.”

It’s painful to recall watching the injuries Zach sustained, possibly at the inexperience of his offensive line. That we got a bowl game this year, despite his injuries, can be summed up to his willingness to “step into the medical tent,” followed by a worried Jimbo Fisher.

One can only imagine Fisher’s angst as he wondered about the well-being of his player and the outcome of the game that remained to be played. That’s why they pay the big bucks to the coach, to balance their judgments as to when to pull a player or play one who’s been injured a little bit longer.

Each time Zach came out of the tent and resumed play; one can only wonder what pain he had to live through the rest of the week, after the miracle patching up he received in the tent, only to have another injury come his way in subsequent weeks. The adrenaline rush of playing to win surely saw him through the rest of those games. But the minute you might not be useful to the team..."next in line!"

Zach made his choice yesterday, and it was the right one for him, and he’ll be fine after shoulder surgery (he wouldn’t have been able to play in the Bowl game anyway, so he didn’t “leave A&M without a quarterback”). He's been on the sidelines all year as backup and you'll see him in the bowl game. The school that chooses Calzada will benefit from his experience and skills learned this year. Will A&M constantly be chasing that rainbow of the national championship? Yes.

Will Aggies continue to support their team and be the true 12th Man through both wins and being outscored? If the traditions have lasted this long, hopefully they can last a little longer. But will A&M continue to perpetuate a culture that allows cyberbullies to challenge the resounding swell of the 12th Man? One can hope that will go away sooner than later.

TV Commercials and Favorite Songs Move You Into Holiday Spending Spirit

If you’ve been tuned into TV nonstop for football, basketball, or Hallmark movies the past two weekends, subliminal advertising is showing us all “game on!” It may take you a while to recognize who Santa is in the new Capital One TV spot this season, the one with our favorite Samuel L. Jackson popping up on Santa’s laptop as Santa is working through inventory?

“…All right we got 9,000 tins of hot chocolate, 3,000 bags of marshmallows, and 5,0000 World’s Best Elf mugs…”

As Santa and Mrs. Claus dance, the "Pulp Fiction" dance move has likely seeing clearly if the “ho ho ho noooo” didn’t reveal him to you right off the bat.

For the most annoying, most overplayed TV commercial this holiday season? When and if you’re locked in to the Hallmark channel, you will pay for it…with the new projection light feature, Star Belly Dream Lights, and for a reasonable fee, your child's plush stuffed animal will project special lights on the child’s ceiling and comfort them to sleep at nighttime.

And finally, I thought I’d heard just about every version of Sonny Bono’s biggest selling song imaginable…until Walmart came out with a very strange not-rap version of “I Got You Babe.” I vote it a “Bah Humbug” version of a song I love. Harrumph.

How about a feel-good song? There’s one song that Macy’s has used twice in their “Celebrate” campaigns (2016 and 2017) — the most upbeat, emotion evoking feel-good songs, “Happy” by the Canadian group 2C2 (feat. Derek Martin).

Happy Holidays and Happy Hunting in stores. Don't forget to shop local as best you can. It's great for the economy and they actually have a lot of items in stock that your family will love!

James Holvay Offers Healing Holiday Music, Calms a Stormy Week

Late Friday night across some parts of the United States, weather damage to cities and residents was so devastating that if you were in the path of two tornadoes in St. Louis, four tornadoes in Kentucky, or 60 mph winds that ripped through Chicago overnight, you woke up to the aftermath of the fierce but invisible tumult at your door.

Just when the storms were starting to kick up locally, I hoped to see some sign of positivity and goodness.

And there it was, right after midnight, in the form of a YouTube video released by award-winning singer-songwriter James Holvay (of The MOB and The Buckinghams’ fame).

In a three-minute healing feel-good video, Holvay on guitar, accompanied by popular L.A. jazz bassist, Michael Saucier, offered a tremendous, blended version of “Silent Night” and “Amen.” Mother and daughter Ariana Rogers-Wright and Nala Ruby Rogers-Wright share their joy at being caroled, at seeing all the Christmas lights in the neighborhood, and production assistant Debi Otto captured perfectly the little cherub being so relaxed after a night of caroling, lights, and joy that she went out like a light and was fast asleep in her mother’s arms.

At the end of stormy weeks and tumultuous days and nights this month so far, thanks to a rockin’ yet respectful rendition of a favorite Christmas carol and spiritual (written by Jester Hairston, a famous choral conductor, writer, and actor). Thanks, James, for starting the weekend off in perfect holiday style!

The Life and Career of Michael Nesmith—Singer, Songwriter, and Monkee

With today's death of Michael Nesmith, 78, only one Monkee remains—Micky Dolenz, to sing the songs and carry on the legend of the supergroup, as he remembers it. [Photo credit: Billboard Magazine, 1967 trade ad, in public domain via Wikipedia.]

Of course, if there were four Monkees, you can count on there being four stories (and more) of how this one-time legendary supergroup came together to entertain teenagers and the adults they morphed into for over 50 years in multiple variations of the core four band.

The “boys” that Screen Gems productions advertised for with a simple casting call produced an iconic pop rock group from four complete strangers who came together, some who knew how to play their instruments and sing fairly well, and others who needed some fine tuning to be solo artists. Together they were magic. [Photo credit: Billboard magazine, May 1967, public domain.]

The four guys who made fame and fortune at the guidance of music producer Don Kirshner were indeed The Monkees: Micky Dolenz, Michael Nesmith, Peter Tork, and British actor/singer Davy Jones. As writer Rich Podolsky shares in his book “Don Kirshner: The Man with the Golden Ear,” Kirshner “selected and executive-produced all of their songs.” Of the four, Mike Nesmith was the most business-minded. A native Texan, he was born in Houston and was raised in Dallas for most of his life. Legend was that his mother had been a brilliant creative who invented Liquid Paper (a godsend to anyone with an clerical job) and so he was exposed a normal business life at home during early influential years.

Nesmith’s business inclinations almost destroyed the group as soon as it had skyrocketed to national prominence. Behind the scenes, most TV audiences were not going to see the group in concert for a while. They had recorded their songs under Kirshner’s team including Snuff Garrett and per Podolsky, “Garrett found the foursome so difficult that after just one session he quit and flew to his mother’s home in Texas.” Keep in mind that Snuff Garrett was one of the most brilliant successful calm figures in the music business….he’d already had 24 Top 10 songs to his credit.

Jeff Barry was next on deck as producer—he found them entirely disagreeable to work with too. No one was paying any attention to this among their fan base because copies of “16 Magazine,” “Tiger Beat,” and “Teen Beat” had 50 pages devoted to “Which color does Micky like best?” and “What’s an ideal date with Mike Nesmith like? And few fans cared that recording sessions for Monkees’ records were closed to the public and window shades kept down purposefully so you couldn’t see the legion of studio music professionals playing on the tracks.

Yes, you’re hearing them sing on the albums (in many places), but even the first Monkee albums were enhanced by the additional of professional studio vocalists who could manage to sing “just like” The Monkees should be singing on the tracks. Yes, you are hearing Micky and Davy in many lines but the harmony blends on choruses were impacted for the better. Many fans become infuriated to consider this proven fact but the point was you enjoyed the albums and the music.

It’s just what they did with many groups back then—Gary Puckett’s “Union Gap,” Paul Revere & the Raiders (except Mark Lindsey), the entire Partridge Family (until they found out David Cassidy could sing), and Gary Lewis’s “Playboys” were all studio singers plus the headliners’ voices.

But the four fiery personalities, led most vocally by Mike Nesmith, were not satisfied with that arrangement. Don Kirshner for his part, offered them a major royalty check to make up for it, but the guys weren’t having it. Podolsky noted, “Nesmith said they wanted to play their own instruments and pick their own songs.” Execs reminded them to “read their contracts,” and Mike Nesmith “punched a hole in the wall,” as Podolsky wrote.

Meanwhile, America tuned in to NBC for their TV show, they lined up to buy 45s and 33s with The Monkees’ photos all over them, and the band caused collateral damage such that Don Kirshner was fired—after they’d had three million-selling singles and two 3-million selling albums each. That’s not the thank-you one would presume to receive—egos, pride, and attitude in the 1960s, having risen from total obscurity to national prominence.

Smartly, Mike Nesmith had taken the initiative and made sure his own compositions were the ‘B’ side of the hit records all over the radio. Rolling Stone reminds us that four of Mike’s compositions included “Mary, Mary,” “Circle Sky,” “Listen to the Band,” and “The Girl I Knew Somewhere,” all but one considered deep tracks except for the most devoted Monkee fans, who know the words to every song.

Devoted Buckinghams' fans also know that The Buckinghams knocked The Monkees off the number one spot on Billboard's charts where they'd been with "I'm a Believer" when their song, "Kind of a Drag" reached the top spot.

Nesmith worked steadily in the music business after The Monkees. Back in the early 1970s, Carl Giammarese remembers the days when he and Dennis Tufano (as the duo Tufano & Giammarese) opened for Mike Nesmith at a Chicago club called Orphans, located at 2462 N. Lincoln. Orphan’s was a premiere folk club for over 20 years. Giammarese remembers Nesmith as being a sort of cerebral, seriously focused guy, which tracks with his career longevity and success, always concentrating on the music. [Photo credit for Orphan's building: dnainfo.com]

The four musicians were far from a band of brothers, united only when fighting the corporate structure. Reunion tours would show that Mike Nesmith was the only one who never cared to tour with Micky, Davy, and Peter. In 1986, David Fishoff created The Monkees’ 20th anniversary tour, adding Gary Puckett & The Union Gap, Herman’s Hermits, and The Grass Roots, and quoting the LA Times’ review, played “to a crowd of more than 11,000 screaming fans that spanned two generations.” Still, no Nesmith.

However, for a concert on September 7, 1986, Nesmith joined the others at The Greek Theatre:

From May 12, 2011 to July 23, 2011, the 45th Anniversary tour included Dolenz, Tork, and Jones. Forty-six successful shows spanned Europe and North America; talk about staying power. [Photo source: Ticket Sarasota.] Meanwhile Mike Nesmith collected more royalties than the others, whether he was on the road or not. It is why indie artists have learned to own their own publishing rights these days. They learned from those who came before them.

And, it was possibly the final concert appearance for Davy Jones in the 2012 Concerts at Sea Cruise, on board with The Buckinghams, Paul Revere & the Raiders, and Charlie Thomas’ Coasters. During the show I attended, Davy said boldly, yet wistfully, as he sang “Mary, Mary” that it was a song written by Mike Nesmith, the “smart one of us” in the group. Jones passed away unexpectedly the next month.

It could be that Nesmith just preferred not being where Davy Jones was, because he agreed to tour almost immediately after, with Micky Dolenz and Peter Tork.

Nesmith may not be the originator of music videos or MTV, but he was certainly among the pioneers of the genre. The Monkees TV shows were inspirational for that, kooky antics while performing hits, but in 1977, a video called “Rio,” Nesmith’s solo album furnished his label’s request for “a nice promotional clip of Nesmith singing along to the music.”

In 2018, Nesmith (note billing) and Dolenz toured “as the Mike & Micky Show). Peter Tork died in 2019. Mike Nesmith never stopped working.

Four years ago, “he created the music video for Cruisin’ as part of the (1981) Grammy Award winning (for video) “Elephant Parts.” There are over 10,800 subscribers to Michael Nesmith’s Videoranch on YouTube.

Again, he may in some places be credited for an originator of MTV, several people seized early opportunities to put music and film together to promote record sales (today called digital downloads). A story worth reading is in Sean O’Neal’s article in Texas Monthly: “On MTV’s Fortieth Anniversary, Don’t Forget to Thank Michael Nesmith.” [Photo credit: Texas Monthly.]

A final musical legacy that Mike Nesmith leaves include son Christian Nesmith and his wife and music partner, Circe Link. A fun video of two Nesmiths and a Link is here:

Son Jonathan Nesmith is both musician and artist. Check out his Facebook page here.

However you perceive Mike Nesmith, for the majority of Baby Boomers, only wistful memories of our youth continue to flash by as brightly as a neon sign burning a hole through the night. Rather than any Monkees’ songs, a personal favorite of Nesmith’s compositions was one he wrote in 1964, “A Different Drum,” as recorded by the inimitable Linda Ronstadt. And to the one who remains, Micky Dolenz, thanks for keeping the music going as long as you have thus far.