Showing posts with label Grammy nominee. Show all posts
Showing posts with label Grammy nominee. Show all posts

Sunday, December 17, 2017

With Love, Remembering Keely Smith

I have never created the popular to-do list before I die, better known as a bucket list. However, two weeks ago, members of a team I belong to were asked what was on our bucket list. At the time, I said, “Nothing. If it all ended tomorrow, I’m good.”

And I felt confident about that profound conclusion…until this morning, when I’d learned that America had lost one of its most priceless treasures, jazz vocalist Keely Smith. She died in Palm Springs yesterday at the age of 89. She’s not a trending topic on Facebook at all today, but in my heart she’s one of the best singers I’ve ever enjoyed in my lifetime.

Learning of her passing reminded me that, apparently, I did have a bucket list, and it had one thing on it: to see Keely live in concert if ever she did one again. A few years ago, she managed to do one concert a year, in Palm Springs, California, but time and circumstances had never jived together for me to be there when she was.

I’d even set a Songkick alert for her, an Internet gem that would conduct a daily scan of concert tours by favorite artists. Alongside all the contemporary searches I had set for artists closer to my generation, Keely was right in there, and I was delighted. Reminder notices every now and then would tell me that the alert was still active but, so far, no concerts were slated.

My first introduction to this amazing song stylist began as a bonus from a holiday party my parents had hosted for family. Adult beverages were limited to eggnog, but there were two bowls, one with and without a kick. The kick of course came from Bacardi rum, and apparently when you bought the bottle of Bacardi, they gave away a free music album. I got the “without” eggnog and custody of the 33 and 1/3 album (score!). Taking my harmless brew back to my room, I put the album on the turntable and found jazz. I found adult contemporary, big band, jazz guitar instrumentalists, and four-part harmony, all on one album.

The first artist featured on the liner notes is my favorite of the group assembled, and yes, mark age four as the time I’d begun reading the liner notes on my albums. (Okay, so maybe I looked at the pictures and stared at the names, but soon, I’d be reading those things.) Keely Smith’s smiling face showed a young woman with short black hair and bangs, wearing a crisp white shirt. When I heard her sing “Fools Rush In,” crisp would be an appropriate way to describe the level of perfection she had when she sang. Her fluid vocals literally lilted their way to the surface and there was strong power within her expert phrasing.

Other artists on the list included Harry James (“Cherry”), Laurindo Almeida (“Fly me to the Moon,” yes please!), Jack Jones (“This Could Be The Start of Something Big,” which it was before he was to become most famous for singing the theme song to TV’s “The Love Boat” a “few” years later. Jonah Jones did “On The Street Where You Live,” and Al Martino crooned the “Painted, Tainted Rose.”

The first ba-ba-ba-ba-ba-ba-ba-ba’s I heard did not belong to the Beach Boys, thank you very much. They came from The Four Freshmen on "The Girl from Ipanema." Woody Herman’s “Woodchopper’s Ball” became an “I can name that song in five notes” piece for me, and I recognized it when Gene, Gene, The Dancin' Machine, came out dancing when Chuck Barris needed a time stretch on "The Gong Show." The album also included Stan Kenton’s “End of a Love Affair”; the great Ray Anthony did “Charade,” and George Shearing offered “September Song.”

There was also a helpful little paragraph about what a Bacardi Party was, but I could have cared less as I was happily ensconced in my ultra hi-fidelity album played through the little child’s record player that was advanced enough to deliver the sound.

But back to Keely. Most of the television shows she would have made selected appearances on, at the time, were past my bedtime, so it would be a few years before I ever got to see her, although many of her songs would play on our adult contemporary stations, alongside Elvis, Andy Williams, Barbra Streisand, Johnny Mathis, et al. The Beatles were still busy in their cave, or cavern, as it were.

In 1970, I read in my vast collection of TV guides that it was former CBS Programming executive Fred Silverman who’d (re-)discovered Sonny & Cher, having seen their live stage act in Las Vegas, and he knew it would be perfect for television. Fred, to our mutual joy, was right and hundreds of hours of happy programming later, we have The Sonny & Cher Comedy Hour, now on DVD.

But, their Vegas act was actually inspired, and to a large extent borrowed, precisely from the style between Keely and her husband, dynamic bandleader Louis Prima. If you watch this one video of “Up a Lazy River,” focus on Keely, her standing in the background while Louis yucks it up and has a blast.

Now, fast forward to 1974, and watch the looks Cher gives Sonny and Sonny’s happy-go-lucky mannerisms and fun while singing. So, the success of their TV show, which began in Las Vegas, owes much of its style and thanks to Keely and Louis, and they said so often in interviews.

All the usual publications will fill you in on the specific Keely Smith details such as being born Dorothy Jacqueline Keely, and she started singing professionally at age 15. Not only did she collaborate with Louis Prima on some of her most famous duets, she sang with Frank Sinatra and released albums with the Nelson Riddle Orchestra and Billy May & His Orchestra.

She won a Grammy award (together with Louis for “That Old Black Magic,” for best pop vocal performance by a duo or group), and she’s in the Grammy Hall of Fame. A 2001 album, “Keely Sings Sinatra,” was also Grammy nominated.

But let’s talk about how this amazing woman had such a crisp, clear, clean voice that made it seem effortless for her to take lyrics and make them come alive. Her beautiful voice took a standard song we knew well, and she made it her own each time.

She had such talent and yet as time and life would come her way, she appeared to remain absolutely the same person, one that fame left untouched. She and Louis had two children together and she seemed to enjoy her life out of the spotlight, but not out of the hearts and minds of those who got to hear her.

In 2008, Keely showed she still had ever that same vocal power, when they paired her with Kid Rock at the Grammy Awards, and he was clearly outclassed vocally, and botched the lyrics and phrasing beyond repair, but as a pro, she stayed right with him. Of course, you’ll notice saxophonist Dave Koz taking Sam Butera’s part for the song.

Reflecting on the life and talent of this wonderful singer, I’ll just share this and leave it right here, as the kids say today. Keely Smith, singing one arrangement of “I Wish You Love,” with Nelson Riddle & his orchestra. Thanks for your sharing your gifts and talent with all of us, Keely. We wish you love, too.

Sunday, July 3, 2016

Restless Heart Delivers Transcendent Memories for Fourth of July in Bryan, Texas

The “night Restless Heart came to town” is a phrase that will be on the lips of so many residents of the Brazos Valley for weeks to come, thanks to their appearance at the Lakeside Icehouse in Bryan on Saturday, July 2. Barry Ivins and his team have long been lauded for bringing the best in Brazos Valley live music to the scenic vista. The rustic picnic tables and plastic chairs came complete with a down-home, back porch feeling, but this time he served up an especially grand surprise to start off the Fourth of July weekend. Plus, area lakeside campers (independently) threw in a few major fireworks of their own to light up the night.

The Wes Nickson Band opened the show promptly at 8:30 p.m. (don’t you love it when entertainment begins, as advertised, on time?). There were plenty of food and drink stations around because the Texas evening weather promised plenty of heat, and more of the same all night long. But once the sun set over the lake, a gentle breeze took hold in the air and Wes’ clear, strong vocals showed that he and his band were a most professional opening act destined to become headliners, probably faster than they even currently realize. The audience listened appreciatively to the band that calls New Braunfels home. RDM Audio’s James Haislet had perfect sound settings for everyone to truly enjoy the evening.

After a superfast band changeover (everything going right on a Saturday night), Restless Heart took the stage. Their tour manager had been working in the Texas heat to make sure everything was absolutely perfect and it was. What John Dittrich, Greg Jennings, Paul Gregg, Dave Innis, and Larry Stewart brought to the table last night was the history of 25 chart hits, six of which were consecutive #1 songs, five RIAA Gold albums, multiple Grammy nominations, CMA nominations and being named Top Vocal Group by the Academy of Country Music.

Now, forget the statistics and just consider that from the time the band kicked off the first song, couples began moving right on to the dance floor and didn’t leave the entire time. True to Bryan-College Station style, you saw fathers dancing with young daughters, some little cherubs scooting across the dance floor before the grownups all got out there to mess things up for them, and then you had solid gold couples who’d been married 40+ years doing some serious “boot scooting” entirely oblivious to the fact that the place was packed with every table (reserved and otherwise) filled.

With 33 years’ worth of playing and recording, these gentlemen performed with such pleasant synchronicity that you truly believed they regarded one another as highly offstage as they do onstage, another true element of value.

Larry Stewart is a lead vocalist who plays a mean acoustic guitar and he is the primary motivator to get the audience to sing along (everyone knew all the words and he knew they wanted to sing, so he encouraged it) and when to dance and when to take time out to sing a beloved RH tune, “Long Lost Friend,” just for one couple celebrating a wedding anniversary (the dance floor cleared for them) to have a special moment that night. That’s show business and that’s exactly what they delivered, precious memories all night long.

Dave Innis plays tremendous keyboards and sings; seems the only thing he can’t do, per Larry, is dance. But he can keep his real job, and he is a great songwriter, as actually are all the band members.

Paul Gregg is a bass-playing fool, that is he makes it look so easy but he’s fooling—he’s just that good that he makes it look easy, but he’s a machine. And, he sings as well, and the harmonies these players have are really exceptional and tight, exactly what you’d expect after 30+ years of music.

Greg Jennings is an old soul in a band of gently aging young men; his favorite song is “Over the Rainbow” from “The Wizard of Oz,” but when he plays lead guitar and sings, you’d pay to hear him sing anything he chose to. He’s played with Vince Gill’s band before so he is right at home with Restless Heart.

Singing drummers are definitely a fan favorite, and John Dittrich fills the bill in both cases. Not only is he proficient on his beloved Pearl drums with preferred Pro-Mark sticks, he sings lead on several songs, including “When She Cries."

This is the best thing about Restless Heart—everyone has a specialty and chance to be showcased on lead, sans egos, just great camaraderie and good times and better music for all to enjoy. They performed virtually every hit you’d want to hear, “When She Cries,” “I’ll Still Be Loving You,” “That Rock Won’t Roll,” “Fast Movin’ Train,” “You Can Depend on Me,” and more.

Two very special segments of the concert included a medley of greatest hits for all the headline artists who’d included Restless Heart as their opening act over the years when they were first breaking onto the scene. The brilliant montage of memories reminded you that even though they looked extremely young, they were seasoned recording and touring veterans who simply didn’t look weary for the wear, not one bit.

Then, the highlight of the evening was the performance of “Wichita Lineman,” and they dedicated the brilliant Jimmy Webb composition to Glen Campbell, who first made the song famous (see video).

There was no need for autotune, filters, sweetners or any other artificial secret sauce at the sound board; the voices of Restless Heart filled the air and the dancers filled every available space on the wood-constructed dance floor. Buy the single of “Wichita Lineman” online as you’re going to want to keep this one.

And as occasional fireworks were seen in the sky behind the lake, all was right with the world, a perfect way to begin the Independence Day holiday weekend in the Brazos Valley.

Check their tour schedule to see that they’re en route next to Prince Edward Island, then to Utah, then to Missouri, Mississippi, and back to east Texas and Colorado (and that’s just July). Look for them to return close by, in Caldwell, on September 24 at the Burleson County Fair, among other venues. Special thanks to Lakeside Icehouse in Bryan for bringing Restless Heart here.