Former College Station resident, Steve Ellis (far right), is included in two national Honda TV Commerical features for Honda Fit and Honda CR-V models, sings Go-Go's song, "Head over Heels."(Photo credit: Screen grab from YouTube)
This morning checking the Facebook News Feed, there's an "oh, by the way" mention of a new commercial spot for Steve Ellis, as though these things happen everyday. de rigeur for a Monday. Except it's not. I've written about Honda commercials before, because their ad agency is brilliant at using beloved music (often 30+ years old) to evoke great music memories to promote feelings of love for a car. You associate the music you love with the Honda they love, and presto, it's a match made in Heaven, right? It worked well enough in a series of holiday-timed Happy Honda Days spots with the music and face of Michael Bolton. Often with national television commercials, they can be gateways for more opportunities in an acting career that many just dream about.
Many in College Station and Bryan know Steve Ellis--mostly by voice, whether it was from Candy 95 where he did guest stints on the radio whenever he was back in town. Or, if you're in the younger crowd, you'll know Ellis' voice--live from the DJ booth in the many Northgate clubs where he has a standing invitation to guest, whenever he's back. But today, there's two national commercials that include Steve singing "Head over Heels" (a favorite Go-Go's song) amidst stardust and a dream sequence as Honda lovers focus on their 2016 Honda Fit and 2016 Honda CR-V in the Honda Summer Clearance Event. And yet, a very modest Steve Ellis said 'nothing' to anyone, about this national commercial debut as recently as two weeks ago, when he was back in Bryan-College Station to join family and friends.
When Steve Ellis decided to pursue acting as his primary career goal, before he set off for Los Angeles, he took the important first step of seeking the wisdom and counsel of Nikki Pederson, talent agency owner and queen of honest opinions. He went through Nikki's program and then, with her blessing, relocated to Southern California, with opportunities to participate in further workshops run by trusted coaches. Steve also had solid access to multiple talent agents, several of whom were interested, and some who led Steve to auditioning opportunities. Ellis did stand-up comedy (that he wrote) in the usual LA clubs, mostly just to entertain others, as he studied the more serious aspects of script writing. He kept night-owl hours, while honing his craft in workshops but he never gave up. He's already had his first writer's showcase in California as well. That's another secret to success: diversity. Be everything they need to the business, for the business, to help further your opportunities.
It's fun to turn on the TV and see young people whom you've had the privilege of watching since they were 5 years old grow up to be actors on national TV. But, the reality of making it in the California entertainment industry is that no matter how talented you are, breaks don't always come your way. It's the difference between sticking with it and working even harder, even when breaks are flowing others' way, it seems. It's the not giving up part that takes the journey from endless to endlessly joyful (e.g., dessert with friends, right).
That's the part of the journey that most don't see--the day after day that you get dressed, appear early and prepared, with head shots and resumes in hand, and wait for hours for a five-minute window to show what you've got to a group of people who scrutinize people all day long. They don't know the exhilaration of a callback, only to have that hope dashed after a second (or third) table reading and then find out that you have to "wait some more." Work hard, show up, and stay up...focusing on the positive is another key ingredient that determines whether or not you can actually make it. And, respect the talents of others who are working beside you to catch breaks for their dreams to come true as well.
Seven happy actors are featured in this group photo from "Honda Summer Clearance Days" commercials--any one of them could be the next big commercial find (Flo from Progressive, Mayhem from Allstate, Jake from State Farm, J.K. Simmons from "We are Farmers" to "Whiplash"), so stay tuned. Click here to watch the video (Screen grab from YouTube)
What's unique about Steve, to those of us who know him well, is that he acts, he can sing, his oratory and flexibility with voices is singularly special. Plus, he's got a natural sense of humor that makes him a pleasure to be around. He's a Southern gentleman to boot, but with encouragement, he can shift on a dime--going from Optimus Prime to a Hanna-Barbera or Disney character--even channeling Rick Ross if he has to. So, you never know what roles will call him toward one path or the other. He has wisely used his spare time working at his craft, and he's been reading for several commercial spots that require his multiple voice talents, competing with professional voice artists who have been at their craft for over 40 years.
He's about to crack through that market very soon, many believe. He can do any voice, from Optimus Prime (Peter Cullen), to movie trailers, magically nailing "In a World..." by the late Don LaFontaine. So a simple conversation will often have you in stitches when he effortlessly shifts between voices. He's equally talented behind the microphone as in front of a camera, which should serve him well in days to come.
Congratulations to Steve Ellis and the other actors and singers featured in this commercial. It's time to celebrate, Happy Honda Days to all this summer. Watch Steve's (and Honda's) second commercial below.
The “night Restless Heart came to town” is a phrase that will be on the lips of so many residents of the Brazos Valley for weeks to come, thanks to their appearance at the Lakeside Icehouse in Bryan on Saturday, July 2. Barry Ivins and his team have long been lauded for bringing the best in Brazos Valley live music to the scenic vista. The rustic picnic tables and plastic chairs came complete with a down-home, back porch feeling, but this time he served up an especially grand surprise to start off the Fourth of July weekend. Plus, area lakeside campers (independently) threw in a few major fireworks of their own to light up the night.
The Wes Nickson Band opened the show promptly at 8:30 p.m. (don’t you love it when entertainment begins, as advertised, on time?). There were plenty of food and drink stations around because the Texas evening weather promised plenty of heat, and more of the same all night long. But once the sun set over the lake, a gentle breeze took hold in the air and Wes’ clear, strong vocals showed that he and his band were a most professional opening act destined to become headliners, probably faster than they even currently realize. The audience listened appreciatively to the band that calls New Braunfels home. RDM Audio’s James Haislet had perfect sound settings for everyone to truly enjoy the evening.
After a superfast band changeover (everything going right on a Saturday night), Restless Heart took the stage. Their tour manager had been working in the Texas heat to make sure everything was absolutely perfect and it was. What John Dittrich, Greg Jennings, Paul Gregg, Dave Innis, and Larry Stewart brought to the table last night was the history of 25 chart hits, six of which were consecutive #1 songs, five RIAA Gold albums, multiple Grammy nominations, CMA nominations and being named Top Vocal Group by the Academy of Country Music.
Now, forget the statistics and just consider that from the time the band kicked off the first song, couples began moving right on to the dance floor and didn’t leave the entire time. True to Bryan-College Station style, you saw fathers dancing with young daughters, some little cherubs scooting across the dance floor before the grownups all got out there to mess things up for them, and then you had solid gold couples who’d been married 40+ years doing some serious “boot scooting” entirely oblivious to the fact that the place was packed with every table (reserved and otherwise) filled.
With 33 years’ worth of playing and recording, these gentlemen performed with such pleasant synchronicity that you truly believed they regarded one another as highly offstage as they do onstage, another true element of value.
Larry Stewart is a lead vocalist who plays a mean acoustic guitar and he is the primary motivator to get the audience to sing along (everyone knew all the words and he knew they wanted to sing, so he encouraged it) and when to dance and when to take time out to sing a beloved RH tune, “Long Lost Friend,” just for one couple celebrating a wedding anniversary (the dance floor cleared for them) to have a special moment that night. That’s show business and that’s exactly what they delivered, precious memories all night long.
Dave Innis plays tremendous keyboards and sings; seems the only thing he can’t do, per Larry, is dance. But he can keep his real job, and he is a great songwriter, as actually are all the band members.
Paul Gregg is a bass-playing fool, that is he makes it look so easy but he’s fooling—he’s just that good that he makes it look easy, but he’s a machine. And, he sings as well, and the harmonies these players have are really exceptional and tight, exactly what you’d expect after 30+ years of music.
Greg Jennings is an old soul in a band of gently aging young men; his favorite song is “Over the Rainbow” from “The Wizard of Oz,” but when he plays lead guitar and sings, you’d pay to hear him sing anything he chose to. He’s played with Vince Gill’s band before so he is right at home with Restless Heart.
Singing drummers are definitely a fan favorite, and John Dittrich fills the bill in both cases. Not only is he proficient on his beloved Pearl drums with preferred Pro-Mark sticks, he sings lead on several songs, including “When She Cries."
This is the best thing about Restless Heart—everyone has a specialty and chance to be showcased on lead, sans egos, just great camaraderie and good times and better music for all to enjoy. They performed virtually every hit you’d want to hear, “When She Cries,” “I’ll Still Be Loving You,” “That Rock Won’t Roll,” “Fast Movin’ Train,” “You Can Depend on Me,” and more.
Two very special segments of the concert included a medley of greatest hits for all the headline artists who’d included Restless Heart as their opening act over the years when they were first breaking onto the scene. The brilliant montage of memories reminded you that even though they looked extremely young, they were seasoned recording and touring veterans who simply didn’t look weary for the wear, not one bit.
Then, the highlight of the evening was the performance of “Wichita Lineman,” and they dedicated the brilliant Jimmy Webb composition to Glen Campbell, who first made the song famous (see video).
There was no need for autotune, filters, sweetners or any other artificial secret sauce at the sound board; the voices of Restless Heart filled the air and the dancers filled every available space on the wood-constructed dance floor. Buy the single of “Wichita Lineman” online as you’re going to want to keep this one.
And as occasional fireworks were seen in the sky behind the lake, all was right with the world, a perfect way to begin the Independence Day holiday weekend in the Brazos Valley.
Check their tour schedule to see that they’re en route next to Prince Edward Island, then to Utah, then to Missouri, Mississippi, and back to east Texas and Colorado (and that’s just July). Look for them to return close by, in Caldwell, on September 24 at the Burleson County Fair, among other venues. Special thanks to Lakeside Icehouse in Bryan for bringing Restless Heart here.
A perfect Blue Moon night in the heart of the Live Music Capitol of the World set the stage for the Van Wilks birthday bash at Threadgill's World Headquarters on May 21. With a clear view of Mars, Van celebrated another trip around the sun, Austin blues style, making it all one grand party night. Taking the stage, Wilks commanded the crowd’s instant attention, doing so with southern charm and major skills.
As the audience stood and swayed, or remained in place and kept time nodding their heads up and down, others held hands with their soulmates and remembered the first times they’d loved live music Austin-style. Still other longtime Van fans danced (and danced) like no one was watching, but it was all good as everyone has their own way of appreciating the live concert experience.
Others just smiled back at those next to them, drinking in every moment of the music, in genteel revelry among friends. The diverse crowd had one thing in common above all else—they acknowledged that “their Van” was as grand as always, perhaps better than ever, not just another of his nights to shine. It was, after all, his birthday and for most, it wasn’t their first Birthday Bash to attend either.
Wilks doesn’t have to be billed as Austin’s Favorite Guitarist, because everyone already knows he is, for both electric and acoustic guitars. Whether his distinction by the Austin Chronicle as a member of their Texas Music Hall of Fame, or being voted for yet another new title, Van Wilks is straightforward all about the music. It’s his job and he sets the world on fire every time he goes to work. He keeps his hat on his head and his mind on the music, another aspect of his demeanor as admirable as his sheer talent.
In the photo above here, see how many of these multitalented musicians, poets, legends and kings of Texas this 'n' that you can name. True Texans can name 'em all. True music lovers can name them all. If you score about 75% of them, then you really love your music. If less than 75%, you really need to get out more and here more live music. Austin is calling you. Can't you just hear the whistle of the train a-blowin'?
What’s especially cool is that live music fans, old and new, find Van’s guitar playing as eloquent as the way he tells stories in his songs, complete with a perfect voice for a storyteller. It didn’t matter last night whether you could name every song from his rich nine-CD catalog (and sing along) or whether it was a first time for some to hear Van playing live, birthday enthusiasts fully appreciated the essence of what it meant to be schooled in the blues.
It’s most fitting that Van was on the cover of April’s “Buddy Magazine”; a few guests found a spare copy or two in Threadgill’s newspaper display for patrons. Legends flow in and among the bands and gigs and players that were (and are) part of Van's rich history to date. Accolades don't overwhelm him as he cares only about the music. Wilks and has held the title of “Best Blues-Rock Band” four consecutive years in Austin, as noted by the Austin Chronicle Music Poll, it’s always about playing with the best musicians who love the genre as much as he does, including Charlie Fountain on drums and Dave Ray on bass. Together they’re just perfect. Pictured below is the lovely Lisa North, music and PR specialist, who keeps folks in the know about many fine Austin-based artists.
Wilks opened with “Strange Girl” from his ninth and best, latest CD, “21st Century Blues,” a must-have album, if you don’t have it already. “Golddigger” was another crowd favorite that kept the fans at total attention. At the end of the song, Van said, “You know it’s my birthday, you don’t have to be quiet here,” and then the crowd let out an appreciative roar into the Austin night.
Phone videos were launched, selfies to prove that people had actually been there were flying, and the crowd flowed gently around between old friends, new friends, and the generously placed bar areas. The perfect Austin evening weather was another present to Van, as earlier in the day, central and east Texas had high winds, hail, and ridiculously wild weather mid-afternoon. But it was clear 21st century skies, full moon, and Travis County’s finest music backyard in time for the party. Standards, originals, covers and more of the best music played on to a crowd that was filled with people who really didn't want it to end.
Speaking of the CD “21st Century Blues,” you can catch San Antonio native and Grammy winner/songwriter Christopher Cross and Austin treasure Malford Milligan as guests on the track, “She Makes Me Crazy,” (written by Cross). Another distinctive track on “21st Century Blues” is “Drive By Lover,” co-written by Van and Billy F. Gibbons, member of a little Texas band called ZZ Top. Yes, it’s the same Mr. Gibbons who so respects Van Wilks that, years ago, he gifted with a custom guitar with Van’s name logo engraved in the guitar neck. Try and follow that gift! You can’t.
Typical of a man who is at the top of his game, Van also generously embraced newer talent to Austin's scene, The Cuckoos, who opened for their good friend's birthday. First listen to the hauntingly good vocalist, true that you could think Jim Morrison was alive and well in Kenneth Frost. The Brothers North excelled also on original music, highlighted by funky bassist Devin North and scary-good guitarist Dave North, and rounded out with a solid Aaron Primeaux on drums.
The Cuckoos are catching fire quickly in Austin’s live music scene and with good reason. Their original music also shows great promise, and their version of “When Doves Cry” did Prince proud last night as well. Frost introduced the song succinctly with, “Y’all get ready for this!” Solid crowd favorites, start paying attention now so you can say later that “you knew them when.” They’re in the recording studio now.
As a special guest, Tommy Shannon came on stage celebrate Van's birthday with bass so smokin' hot that --together with Van's guitar genius made for, well, Double Trouble on “Keep Your Bird In the Cage and Your Monkey on a Chain,” another Wilks’ live favorite. Tommy and Van go way back, to say the least. Last night Van talked of a time that they played together in an early band. Van said, “Tommy and I toured all over the place, even in some silly places like ice skating rinks or hockey arenas, pretty fun days, and then he joined another band….”
Shannon may have played with Johnny Winter, Stevie Ray Vaughn, and Rick Derringer, for example, but when he played last night with Van, you felt like you were back in high school. Their music made you feel young again, possibly like the first time you heard these songs. These days you can catch The Tommy Shannon Blues Band most Wednesdays at Antone’s Night Club.
Van has been playing popular acoustic sets pre-show at Austin’s One World Theatre, so just don’t forget about his skills as an acoustic player, too. In the next month you’ll find him in downtown Houston, downtown Shiner, back in Austin, and on the boardwalk at Kemah. Check his web site for gig info. Treat yourself to a copy of 21st Century Blues and if you order from his web site, he’ll autograph before his team sends them out.
When Van has a birthday, we all get to celebrate. Mark your calendars for next year because if you miss it, you really will get the blues.
Crowds will show up anytime Van is there but the b-day bash was special. Amateur video captured fun of those who danced "like no one was watching" among hundreds just happy to be part of the groove. Happy birthday Van, & thanks for the music.
Viewers only thought they said "Farewell forever" to certain characters from "The Good Wife." A spinoff series is slated with Christine Baranski and Cush Jumbo for Spring 2017 for CBS All Access channel. (Photo by Dimitrios Kambouris/Getty Images)
Just ten days after CBS Sunday night prime time fans said goodbye to Alicia and Peter Florrick, and all of their friends and slightly wacky family members, most television viewers might have thought that was the last word on the characters created by the inventive minds of Robert and Michelle King. But it wasn’t. Too many great stories to tell and too talented an ensemble cast to really let that be the last word on the subject. On May 18, Michael Ausiello of TV Line reported that CBS announced the Spring 2017 launch of an official “Good Wife” spinoff.
So far the unnamed show will star Christine Baranski (Diane Lockhart) and Cush Jumbo (Lucca Quinn). Set to launch in Spring 2017, the timeframe for the show picks up one year after the “last slap” Diane applied to Alicia. However, don’t look for it on prime time quite yet. You’ll be able to watch it on CBS All Access, which is the most brilliant strategic move the network can use to get viewers to pay $5.99 per month for more content. Surely, the show will build viewership for a while and then make the move back to prime time on Sunday nights.
The talented and versatile Christine Baranski portrayed the self-assured and creative Diane Lockhart so well that her return will be welcome on whatever frequency CBS chooses to launch the show. Fans will be left to guess what happened in the year following the parent series’ finale but that should make for great follow-up stories for the next year.
Cush Jumbo played attorney Lucca Quinn and easily assumed the role of Alicia’s first true best friend that she’d had in, conceivably, the entire life of the show. Working in the trenches of intake with Alicia, Lucca offered wise counsel, thorough research, and true caring for the well-being of her friend. Last October, Chris Harnick of “E News” went so far as to name Ms. Jumbo “the fan who became its breakout star.”
There was a major talent team in place for all seven seasons of “The Good Wife,” and “series creators Michelle and Robert King” chose Phil Alden Robinson to be the series’ first named Executive Producer. It will be fun to speculate if viewers will see others from the law firm formerly known as Lockhart et al. (too many variations of the partner names to list) will appear, whether as guests or regular characters, but it’s probably a safe bet that they will.
Nice to see there’s new life breathed into the “Good Wife” and it’s even better that CBS didn’t make viewers wait more than 10 days before issuing encouraging news. One more thing the network did was the brilliant move to give faithful viewers the opportunity to watch a successful launch of Michael Weatherly’s new show, “Bull,” based on the real-life jury selection practice of now-famous psychologist and motivational expert, Dr. Phil McGraw.
The network cradled “Bull” in the rocking chair between “NCIS” and “NCIS: New Orleans,” really showing Weatherly, and his fans, all the love (thank you Les Moonves, but watch how they'll change his time slot after 6 weeks and I predict it will be to Thursday nights to see how it 'really' does wihtout the Bellisario-McGill-Glasberg-Harmon-born cushion). Now, it’s a safe bet that once the show is on a safe trajectory, they’ll move it to another night, much as they do with “The Big Bang Theory” as the eternal power lead-in, but not at first. That’s really sort of brilliant, don’t you think? Network programming strategy is not for beginners. Stay tuned for more information as it develops.
Sunday, May 8, 2016
Seven years is a long time in TV life. Still, "The Good Wife" is gone too soon.
(Jeff Neumann, Courtesy of CBS, used with permission.)
If you’ve been one of the millions who, for seven seasons now, have followed along the story of Alicia Florrick, mother, attorney and “good wife,” then on May 8, you could finally close the covers on the virtual book you were reading, put it on the table next to your chair, and perhaps replenish your wine glass. Her story was completely wrapped up, sort of, into a grand finale. You knew what she’d been through and you saw where she was headed.
Or, you could have thrown the empty wine glass straight into the fireplace, smashing it into shards and shreds representative of the completed puzzle that no longer had any missing pieces. With this ending of “The Good Wife,” CBS has just had sledgehammer taken and a gaping hole knocked into the anchor wall of their Sunday night programming.
The devastating emptiness on Sunday night wasn’t a shock; it was programmatic and anticipated. And, so it began as it ended, “The Good Wife”—tonight, it all came to a close with a slap, one that brought tears as a growth cycle in life came ‘round to complete itself. The first slap that brought the show to life was when Alicia slapped Peter, right after having stood by his side when he was convicted the first time.
And a lot of things happened in the past seven seasons. The growth of law firms, the growth of attorneys’ careers, and life, love, death, and law all were bent, broken, twisted, faded, and rediscovered all flowed and ebbed for 165 episodes.
Immediately after the end of tonight’s finale, a quick trip over to the CBS show web site provided a great video from Michelle and Robert King, who offered their insider perspective on tonight’s finale. “We started with this feeling that it should begin with a slap and end with a slap.”
And it did, reflecting “the transition of the character of accountability and power attained” by Alicia Florrick over seven years of this show. Juliana Margulies is the only actress who could have brought Alicia to life properly. Similarly, Christine Baranski is a brilliant character actress who is concurrently portraying Dr. Leonard Hofstadter’s mother, on another CBS show, “The Big Bang Theory,” but that’s just a measure of her versatility. She can do anything. You could say similar things about each of the major character actors who ensured the storytelling would truly come to life. Matt Czuchry was able to remind you there was character life in Cary Agos with far greater depth than Logan Huntzberger, a character he is reprising after much fan demand over at the long-awaited "Gilmore Girls" reboot.
But, back to Alicia. “The victim becomes the victimizer,” offered the Kings. Alicia starts out as the insecure, undetected victim of her husband’s larger-than-life scandal. Privacy dies, peace of mind flies out the window, and her husband is off to jail. She gets to go to try and find a job. She does, and she finds Will Gardner.
Then the middle happened. So, final question posed and answered: “What is the next stage for Alicia’s life?” The Kings offered that Alicia was definitely not going back to support Peter; she was searching for Jason as she was strolling up (and back down) the hallway, encouraged by the virtual memory of Will Gardner to go on and move forward for the sake of her happiness.
The Kings explained, “If Peter had gone to prison, Alicia would have been tied to him forever, and to save her daughter…Alicia would be considered collateral damage staying with Peter, and so, too, would Grace be considered the same (Zach's character was brushed off in a weird way last week, out of sight, out of mind). So, Alicia’s decision came down to saving Grace, literally. Diane Lockhart had to be the collateral damage this time. Curt McVey (Gary Cole) was key to the prosecution and the defense, but the information that came out on the witness stand destroyed the relationship between Curt and Diane, and then between Diane and Alicia, irreparably. Alicia didn’t hold the knife, but she was the one who instructed Lucca to cross-examine him and essentially destroy his credibility. Hence, the genesis of the final slap.
Who does Alicia end up with? They said, "It’s clear she is going after Jason. We wanted it to be a little ambiguous. Three things in her life, Peter (weighted down with concerns, she's the good girl who likes to take care of others), Jason (representing weightlessness, giving her property on Mars. Not a person to take things seriously), and Will Gardner (we were fortunate to get Josh Charles back). He’s fantasy, the love that got away." That's their story and it's appears to this writer that they'd written the end of the story just about as quickly as they'd dreamed up the beginning, likely over a bottle of wine, since at least one bottle would make an appearance per episode.
The Kings offered that lessons Alicia learned included: “…Zealously represent your client, despite what the truth is…As Alicia has changed, she’s gained great strength, great confidence, done wonderful things for her clients and her family.” One curious observation: where were Jackie Florrick (Mary Beth Peil) and Veronica Loy (Stockard Channing) in the courtroom audience? Two of the most versatile character actresses in the show portfolio were missing; oh well, it was just a one-hour finale, but still you'd think they'd be there with lines or furrowed brows. They'd shown up before, for far less good reason.
The master storytellers offered sincere and repeated thanks to the fans and then they thanked CBS, in the same sentence, "because they both allowed us to tell a complicated story."
As the final cameras position themselves for the very end of the very end, Alicia Florrick finds herself walking down a kitchen hallway toward her future. Josh Charles’s character, Will Gardner, reappearing tonight was poignant, relevant, and not the least bit cloying. It was, in fact, quite sweet and fit right into what Robert King described as the trinity of people in Alicia’s life. It was actually a triune-pronged fire of decisions she had to walk through between Peter, Will, and Jason in her growth phase, was it not?
As Michelle said, “We hope that you can feel for that ending, that ending that is emotional and still embraces what Alicia’s future will be. I hope you have had even half as much fun as we’ve had.” We have.
And now what’s ahead for next year? Tea Leoni’s “Madam Secretary” may have to be retitled, “Madam Vice President,” and Sherlock Holmes will have to deal with the dull, deceptive relatives. Aw, who cares? “The Good Wife” is over, and the new brainchild from the Kings, “Brain Dead,” certainly doesn’t promise to fill that "Good Wife" gap. It's new, it's supposed to be a "comic thriller." That notwithstanding, we’ll give it the old CBS try, just for good measure.
Thanks to Robert and Michelle King for great writing, colorful characters, sassy dialogue and thanks to Mark Saks for casting, which was literally superb. Every character was brought to life by a brilliant contingent of actors. And how about our running series of “interesting” judges? “In my opinion,” they were the most fun of every episode. That, and the number of times Louis Canning (Michael J. Fox) and Colin Sweeney (Dylan Baker) were the characters you loved to detest added another layer of incredulity weaving in and out of the focused and directed law firm with the ever-changing name.
It’s been a solid run for all 156 episodes, and the creators were the ones to pull the plug rather than the network, so there’s that. We’ll all just be sitting here waiting for 1,000 days until you write us a reunion episode, and then we’ll call it even. Sound fair? The series had, at one time, at least nine executive producers: co-creators Michelle and Robert King, Ridley Scott and the late Tony Scott (2009–2012), David W. Zuker, Brooke Kennedy and Ted Humphrey, along with Leonard Dick, Keith Eisner, for over 100 episodes each.
Even actor Julianna Margulies became a producer in 2011, and was credited for 98 episodes. Yet, there are 20 more people who served as producers in some abbreviated, but relevant capacity. That’s just the tip of the iceberg. Hundreds of people worked to make these seven seasons happen. Then, there’s the sterling group of actors who took characters on paper and brought them to life, as only they could. Many will be forever tagged with their character’s name when someone recognizes them in public, for a while anyway.
So, whether you’re refilling your wine glass or sweeping up glass shards from the fireplace, the end is the end is the end. Go to "The Good Wife" web site on CBS.com and hear from the Kings for yourself. You'll be glad you did. To borrow a line from Edward R. Murrow, “Good night, and good luck, ‘Good Wife’ and thanks so much, Robert and Michelle King.” It’s been a grand ride.
The opportunity to meet Los Angeles cabaret and special event producer Clifford Bell arrived two weeks ago. He was, as usual, in the thick middle of things up to all kinds of good and he was surrounded by eleven people whom he had gathered to donate their time and talents in behalf of Project Angel Food in Los Angeles, California. The occasion was the 17th Annual Gathering of Angels on April 9, a brunch celebrating all the volunteers for Project Angel Food, held at The American Legion Hollywood Post 43 in downtown Los Angeles.
So many people are aware of this exceptional organization and its mission, but for those who are new to its purpose, back in 1989, at the height of the HIV/AIDS crisis, so many people wanted to help, but didn’t know what to do. Before fear was replaced with education, and prior to medicines, money for research, and various optimistic and progressive medical treatments were being developed, there was a sense of chaos and crisis among those affected by the disease and all who knew and loved them.
Marianne Williamson, a petite and powerful woman of action who possesses supreme motivational gifts and the ability to think clearly in any crisis, had “the” answer to the question on everyone’s minds: “What can we do to help?” Her answer: “Food. Everyone needs food. That’s what we can do,” as Clifford Bell explained that day.
Starting from the name Los Angeles Center for Living, Marianne, together with spiritual publisher and beacon for positivity, Louise Hay, and David Kessler held the initial fundraiser and generated $11,000 instantly, sufficient to launch lunch programs for drop-ins, and to begin the process of taking the food to the homebound. The following year they began their kitchen operating out of Crescent Heights Methodist Church.
Now, some 25 years later, Project Angel Food can be proud of having served its 10,000,000th meal to anyone who has a terminal illness, in addition to AIDS.
Through the years, as the nonprofit’s name officially changed to Project Angel Food, virtually every Hollywood luminary (from Elizabeth Taylor to Barbra Streisand to David Geffen to Barry Diller, who gave lead gifts for a new kitchen in 1994), has been a part of philanthropic giving to this effort.
As just one example, actress Pauley Perrette of CBS’ number one prime time drama, “NCIS,” has been a prolific and supportive Board of Directors member, as she regularly posts on her Twitter account about the group and has encouraged donations to the organization on many talk shows where she is a guest.
The organization’s Board of Trustees includes founder, Marianne Williamson, Chantal Westerman, David Geffen, David Kessley, Edward L. Rada, Elizabeth Taylor (in memoriam), Judith Light, Loreen Arbus, Paris Barclay, Ron de Salvo, Ronald W. Burkle, Sandy Gallin, Sheryl Lee Ralph, and Vicki Iovine.
Now, forget the celebrities. Forget the who’s who of philanthropy, and focus on the people who are the clients of this dynamic organization. That’s what everyone’s goal is who serves this organization in any capacity, whether volunteer or stellar performer at musical fundraisers that Clifford Bell directs. Sit for a moment and reflect about what it means for this group to have served 10,000,000 meals to those in need. Twenty-five years, 10,000,00 meals, or 400,000 meals per year, roughly 1,095 meals each day.
That’s why 17 years ago, the organization began honoring their volunteers as the true stars of the organization and its amazing achievements. The organization’s permanent administrative home is located at 922 Vine Street, thanks to lead gifts from Wallis Annenberg, Wells Fargo Foundation, Keck Foundation, MAC AIDS Fund, and the Ahmanson Foundation.
None of the major donors seek nor need attribution, but still it’s most important to know that as many people who are out in front of an organization being the workforce can only operate when funding is in place from supportive, visionary leaders, not all of whom may understand what it’s like to be sick or hungry but who do understand how to give from their hearts, generously.
This, then, brings us back to the heart of Clifford Bell, who was born a do-gooder from the very start but who prefers being the kingmaker behind the scenes. From San Diego to Los Angeles to parts in between Bell has a rich history as an entertainer, manager, and show producer. His own creation, “Cabarabia” is a relatively new moniker to some, but to those deeply seated in the LA Jazz world, it’s the intersection of cabaret and jazz, which Clifford contends is the perfect home to showcase established celebrity singers as well as introduce fresh new faces to audiences before anyone else does. And he does.
Take for example the “Gathering of Angels” thank-you to volunteers event for Project Angel Food held two weeks ago at the American Legion. Clifford made a few phone calls requesting some of his friends to join him downtown on a Saturday afternoon, and starting with Musical Director Steve Rawlins, he featured Kiki Ebsen, Keith Borden, Tiffany Bailey, Jane Kinsey, Steve Masterson, Alex Boling, Emma Weisbach, and Alex Mohajer, plus Tim Butterworth brought all the backline for the artists as his gift.
On hand from Project Angel Food were Robert Boller, Richard Ayoub, Interim Executive Director, and Joe Mannix, Board Member. The focus was on the volunteers who made the difference “six days a week, whether cooking or delivering meals, making bracelets, filling cookie containers, or helping with administrative work.” Master of Ceremonies was Mark Cirillo, who told a very moving story about performer Keith Borden.
Borden is host of his own show, “Soulful Sundays with Keith Borden & Friends,” but he is also a longtime volunteer driver and meal deliverer for Project Angel Food. It was not much before the volunteer recognition event that Borden had been called into the home, by family members, of one of his regular clients, who just wanted to spend a little extra time with Keith that day.
The client was, when Keith entered, lying on the floor, all stretched out, rather than sitting upright in a chair. The man said, “Join me down here, please, Keith.” Borden did, and as they both lay there, side by side for thirty minutes, they exchanged some conversation about the usual things, but there was stillness and silence in between.
In those quiet moments, Keith saw what was missing from the client was the usual scarf he had around his neck each time he’d been there before. With the scarf removed, for the first time Borden saw a massive tumor growth on the side of the client’s neck, and knew instantly what that meant.
A servant’s heart and a loving spirit was what Keith Borden delivered to the client’s home that day. Meeting people where they live, looking them in the eyes, rather than at the tumor, seeing them as people of dignity, deserving respect, delivering hope, friendship, and brotherly love without condition or looking at a watch. The client just wanted thirty minutes. He got that time, with love, from Keith.
Later that week, Borden learned that his client had died, and of course he was moved in many ways. So on Saturday, April 9th, as he sang, “God Bless the Child,” it was amazing that Keith Borden could even get through the song but not only did he “get through the song” as you see in the video here, he gave it his all. That’s what volunteers for Project Angel Food do. Each meal costs $5 to make, including fresh ingredients, cooking, and delivery, per the organization’s web site. But Keith Borden’s gift was worth, clearly, priceless that day, when he showed up, as usual, a man who could be counted on to be there for his client.
After the performance, Borden was modest in accepting all the accolades being proffered that day. He said, “My family in our early years had benefited from some assistance and as a child it was my goal to work to help us get out of that and to help others who were in need and set an example that we could be those who help each other.” Borden succeeded on both fronts, and he sings like the angel he is, to the people he serves in entertainment and in Project Angel Food. You have a chance to hear him on Sunday night.
Those who live near Los Angeles have an opportunity to capture the joy and celebrate the endeavor by attending “Our Name is Barbra 2016,” an evening to benefit Project Angel Food, co-hosted by Scott Evan Davis and Clifford Bell. Last week on The Sheena Metal Experience, on LA Talk Radio, Sheena’s guests were Bell, joined by Jason Graae and Tiffany Bailey to discuss the evening and the reason for the event. Jason was Ms. Bailey’s earliest role model and mentor as a performer, and Bell has, at some level, guided both in his career as a producer and early spotter of talent.
The entire evening will be songs by Barbra Streisand, performed by Scott Evan Davis, Catte Adams, Tiffany Bailey, Keith Borden, Joshua Lance Dixon, Julie Garnye, Jason Graae, Jane Kinsey, Steve Masterson, Dana Meller, Mark Arthur Miller, Alex Mohajer, MaryJo Mundy, Kyra Selman, Patricia Whiteman, David Zimmerson and more.
Special featured guest is the supremely talented Mary Wilson of the beloved group, The Supremes. Clifford Bell is directing the show, and he might even sing one number himself; he can and he should. Musical co-directors include Michael Colum, Marc Hugenberger on piano, with dynamic Tom Bowe on drums, and Al Garcia on bass for this superb musical backing.
“Our Name is Barbra” takes place at Rockwell’s on April 24 at 7 pm. And for the record, Wayne Elias, of Rockwell Table & Stage, is also on the Board of Directors of Project Angel Food. It all comes around full circle. For tickets, call the box office at (323) 669-1550 or visit www.rockwell-LA.com. Rockwell’s is located at 1714 N. Vermont Avenue, Los Angeles, CA 90027.
It’s Barbra’s birthday, so you should go. She’s personally been a sponsor of this marvelous endeavor. Now you have at least 20 reasons to go. Most of all, it’s for a grand cause, a benefit for Project Angel Food. Make a difference, just like Keith Borden does. Give generously.
Originally published April 23, 2016 on the former news site, www.examiner.com
For a long time now, too long in fact, vocalist and musician Gigi Worth has been content to reside on the other side of the spotlight, but no longer. It’s most fitting for her to be seen and known by more than just the vast community of Grammy-winning multiplatinum recording artists and concert headliners who call on her to tour with them or sing on their records.
Now, you already actually know Gigi, at least her voice, very well in fact. Even if you don’t get to many live concerts, you’ll instantly recognize the standout style of the charming brunette, who graces numerous videos on YouTube as a featured backing vocalist, master percussionist or guitarist.
You might have seen her on tour with Michael McDonald, Kenny Loggins, or years ago when she stepped forward on tour to sing a duet with Christopher Cross on “Open Up My Window.” Gigi is also featured singing with him on Cross’ 1995 CD, “Window.”
Or you’ve possibly watched Gigi playing killer percussion while singing. Yes, drummers can sing and drum at the same time, well many of them at least. Or, sometimes Gigi just brings her own (anonymous) guitar brilliance to support Christopher Cross’ angelic “Words of Wisdom” as in this video.
Ever watch Don Johnson in “Nash Bridges”? From 1996–2000, Gigi was the one singing the theme song at the show’s opening. Remember the Val Kilmer movie, “At First Sight”? The exceptional vocal on the movie theme, “Love is Where You Are” is indeed all Gigi. Others have covered the song, but the best version belongs to Gigi, unquestionably.
The soundtrack from “Mr. Holland’s Opus” also belongs to Gigi. She’s a prolific studio singer who’s been requested by so many heralded artists to sing on their records as she makes those vocals “hers.” That’s a producer’s dream to find a talent who can do that.
You know Worth’s voice even if you can’t see her, because it is “her” voice that undergirds many signature premier television and radio commercial jingles for national accounts like Toyota, IBM, and Ford, but it doesn’t even phase her. What’s more you’ll never hear her discuss it. She may speak of “working on a project” but that’s it, according to friends who know her well.
How many singers would just love being “the voice of a brand” and then be so excited to tell everyone they knew? Not Gigi. That’s part of her professionalism, though. As a working professional singer and musician, she’d almost be content to be on the sidelines just doing her job, but she really belongs out front in the spotlight, for a change, and from the looks of things, she’s on her way. Once you meet her and hear her sing, unplugged, she’s absolutely unforgettable—a gentle dichotomy of bold reticence. And just call her Gigi. That’s really all you need to identify her.
One of the most beautiful songs from Gigi Worth's solo CD, "Skylark" is "Embraceable You." Her exquisite vocals lift the song to a new level of beauty.
Gigi’s debut solo CD, “Skylark” is quite the masterpiece and revisits the most beautiful standards ever recorded by the generation that preceded her. Songs like ‘Tenderly,” “Come Rain or Come Shine,” “Almost Like Being in Love,” “Embraceable You,” and “Moonlight in Vermont” belong to the generation of her mother, the exquisite singer and musician Gisele MacKenzie. In fact, Gigi actually recorded the album as a tribute to her mother, who appeared on television, radio, and in commercials for products in Canada and the United States.
A standout, must-hear track of all the beautiful ones, is “Stranger in Paradise,” on which Sony BMG gave their permission to use her mother’s version so that Gigi could add her harmonies on the song. The result is simply phenomenal, almost bringing tears to your eyes except that it’s so uplifting to hear the familial voices resplendent in crossing over time and space.
Gigi’s unique vocal skills remind you that one minute she can be singing “Cry Me a River,” and the next minute she can strum her guitar exactly like Joni does and sing Mitchell’s “Just Like This Train” to perfection. Her go-to bassist Steven Lawrence is on this CD and did the musical arrangement on “Embraceable You” and “Let’s Make a Go of It” (coauthored by Gigi, Catherine Beck and Steven Lawrence).
The CD, “Skylark,” has a special and poignant story behind it, and how it came to be released some ten years ago. There’s a beautiful story from 2011 shared by Susan Frances in “Jazz Review,” wherein Gigi relates how the earliest works in recording the album with her Executive Producer, arranger and keyboardist, Bobby Zee, were literally destroyed in a fire that burned his home and recording studio.
Imagine the feelings of devastation that followed. And yet, both Zee and Gigi agreed they, like the phoenix, would rise from the proverbial ashes and start over. The end result is outstanding and an important must-have for your collection. It’s available from CD Baby, but suggest you get the CD rather than the download as you will want to read the liner notes for the stories behind the songs, plus have the chance to see Gigi’s beloved horse, Miss Easy Street.
The opportunity to meet Gigi Worth came, thanks to her good friend and fellow musician, Kiki Ebsen, who invited this journalist for a behind-the-scenes look at their collaborative band, Trouble Child. Rehearsals were in progress, and the set list was taking shape for the band’s debut at Kiki’s peace.harmony concert at the Healing Equine Ranch earlier this year.
Gigi Worth sings "Free Man in Paris" in debut of Trouble Child, Joni Mitchell tribute concert.
It was a cool but sunny afternoon when the longstanding friends arrived simultaneously at the California home of fellow singer-songwriter and music professional, Guy Thomas. As Gigi unlocked the passenger door, a beautiful whippet named Tippy exited gracefully. “Tippy Whippetsworth” was there as I was, to hear the trio rehearse.
Multitalented musician Gigi Worth and her beloved Tippy Whippetsworth, who has an all-access pass and a great view of the stage.
Worth opened up her case, took out her guitar and then placed her coat inside to line the case. Tippy waited patiently while Mom did that and then curled right up in the case and Gigi covered her up. Rehearsal could begin. Thomas’ dogs Woofie and Sadie (whom Gigi insists on calling ‘Cabbagehead’ for fun) took their places and work began. Guy and Gigi have been playing music as a duo in many venues across Los Angeles recently and they work so well together.
Gigi and Kiki are longtime friends who have also worked together as the beautiful, talented bookends framing the stage with Grammy-winner Christopher Cross for several international tours. Check out some of their tour work as they perform “Alibi.”
Now, in previous rehearsals Kiki and Gigi had already carefully reviewed and considered Joni’s abundant catalog to choose 22 songs from which they would create their musical mosaic. So, this work session would determine which songs to which Guy would be bringing his brilliant guitar solos or adding in a third voice on harmonies. He loves Joni Mitchell’s songs possibly even more than Gigi or Kiki, though that’s a pretty high bar to meet.
Let’s just say that each is equivalently versed in every nuance of Mitchell’s collective body of work. The masters working on the masterworks is basically what was observed by this writer (and Tippy, Sadie, and Woofie). The quality was exceptional and the search for perfection was inspirational that afternoon.
The three-octave range that Joni had as she originally composed so many of these songs was met effortlessly by Worth and Ebsen. Give them a song, any song; they have it down. Gigi can sing brilliantly and richly in the highest parts of Joni’s songs, or she can shift right into alto parts and blend wherever it is called for, and she makes it all look easy. Gigi also has a grand time playing all the songs she knows by virtually any artist.
Yet, despite a disarming, genuine smile, Gigi is one of the most highly demanding artists you’d ever hope to meet. Yet, it’s only of herself that she demands it, that perfection she seeks to deliver, and she’s hard on herself at times because she won’t settle when she’s called upon to sing Joni’s songs. It’s touching to see how one amazing iconic talent, Joni, has inspired such devotion and discipline for these amazing professionals to “bring it” to do her music such justice.
Kiki and Gigi cofounded this band to honor and perform the music of Joni Mitchell, whom they revere and respect as iconic, influential, trendsetting and unique, the exact same properties many agree they each have as individual artists. When you put the two singers together, musical magic and harmonies emerged that even Mitchell herself would undoubtedly approve.
The concert was already sold out, but online viewing was going to be provided courtesy of the exciting new collaborative, Alert the Globe, who was filming the event for later broadcast and for some exciting simulcasting. The actual concert day and events preceding the concert are described in related articles regarding Kiki Ebsen's peace.harmony concert series at The Healing Equine Ranch.
After the gift of being able to watch Gigi Worth rehearse and later perform in concert later in the week it must be said that she still does not see what all the fuss is about. To her, it’s just what she does. And she loves what she does. Yet, when the audiences and her music colleagues shared their praise and regard for her gifts, she seemed not to understand why they were making such a big fuss over her vocal talents.
It’s likely because, and they all had this in common, they view their voices as their gifts and instruments, they take care of them, and when they are called upon to use their talents to entertain, they are entirely focused on the work, the music, the perfection in delivering the right notes, and they forget to take the time to hear the accolades.
Fortunately, the Alert the Globe network was on hand, thanks to Gary Bergeson, Southern California radio personality at KSBR Radio (he is also affiliated with Alert the Globe), the premiere Trouble Child concert was filmed for a future broadcast and some video clips are sure to emerge. It will be then, and only then, when she hears herself sing that Gigi Worth will finally understand what all the fuss is about.
Speaking of making a fuss, it can be a challenge for Gigi, having a famous, superbly talented mother (who was a television star, host of her own shows, plus a gifted violinist and concert-caliber pianist to boot). Just ask her good friend Kiki Ebsen, who also is finally being seen as the individual talent she has long been, separate and apart from her father (who was a television star, motion picture actor, vaudeville dancer, music composer and artist) and mother (who was a gifted theatre producer and exquisite writer).
Bassist Steven Lawrence had that in common also, as his parents were well known California studio and television singers for several television programs in the 1960s. And Gisele used to favor Steve with the praise by introducing him as “the talented one.” Gigi jokes about it all the time as Lawrence is like her second brother and he does look out for his little sister, whom he fondly calls “My Geege.”
Steven lost his sister, Jules, whom he called “the joy of my life,” to ovarian cancer far too soon, so it would appear that into that void in his heart, he was gifted with another soul to whom he could be brother (and allowed to pick on her just like any annoying brother is capable of doing). Life is full of grand gifts and surprises in times of the most tragic events. A special spirit is everywhere it is needed, it seems.
It’s not about whose daughter or son you are (anymore) that defines the second-generation progeny first and best. Forget their last names or the body of work of their parents. Instead, focus on the voices and faces in front of you and just know they all had great examples by which to develop a professional work ethic. That’s their big secret advantage: they show up prepared and work.
You can call her Gigi MacKenzie if you want to order the CD, “Skylark” or you can call her Gigi Worth, when she’s touring on stage with the Grammy winners like Michael McDonald or Kenny Loggins most recently. But really, this down-to-earth talent with the ethereal voice and tremendous sense of rhythm is best known by only one name.
She’s the unforgettable artist with a voice that heals by creating harmony in a time and place for audiences in search of reasons to forget their day, their past disappointments or failures, and in search of beautiful music by which their souls can simply be healed.
May her voice be heard, now and always, on records and in concerts, in the front of the stage this time, because she has such tremendous gifts to share, so much to offer music lovers. And, you can just call her Gigi.
