Monday, May 22, 2023

The Eagle Begins a Rapid Descent Into the Abyss

Keeping score of “Unpopular business decisions in Bryan-College Station,” today’s announcement in the opinion column of The Eagle zoomed to Number 1, but two more run a close second and third. More on those others later.

Since 2020 when Lee Enterprises took over The Eagle and others of Warren Buffet’s giant media sources, it joined what today is the “family” of “nearly 350 weekly and specialty publications serving 77 markets in 26 states,” seemed at first to be a good thing to be in the family with the St. Louis Post-Dispatch, the Omaha World-Herald, and nwi.com among other of their brands. And yet, it’s been a disaster.

Never mind the soap opera through the years but when The Eagle’s editor, Darren Benson, was laid off one month ago and Steve Boggs, the editor of the Waco Tribune-Herald took over as Regional Editor of BOTH the Waco Tribune-Herald and The Eagle, one promise was “The Eagle Media Company’s newsroom and advertising teams will remain at The Eagle and not oursourced to the Waco Tribune-Herald.

It was just March 14 when I called the local number for The Eagle as I’d received an e-mail that my digital subscription renewal price of $5.00/mo to $14.07/mo with the explanation: “The new price reflects our value as the unmatched No. 1 source for local news and sports coverage of the city and surrounding region.”

I dialed and the person answered, “Waco Tribune-Herald, how may I direct your call?” I said, “I called The Bryan Eagle, I’d like to talk to them.” She said, “Yes, this is the Waco Tribune-Herald and we can handle your question.” I said, “For The Eagle?” and she said, “Yes.” I said, "I’d like to cancel my digital subscription to the paper because of the 150% price increase." She said, “Let me connect you with online subscriptions.”

“Waco Tribune-Herald,” the new operator said, and I repeated “I’d like to cancel my digital subscription when it’s up at the end of May.” She replied, “What’s your phone number and address?” I gave her those items, and added my name, not that she was interested. I had a minute to reread The Eagle e-mail’s list of promises for what they were “continue to” deliver in the new price structure:

• Breaking news as it happens • Award-winning photography and slideshows • New Podcasts and video stories • The latest food and dining reviews • Best-in-class coverage of your favorite sports teams

I shook my head to think that I’d stopped buying copies of the daily paper at $2.00/issue and then the Sunday paper at double that (at first before going up again) after they'd been $.75/issue and $1.25 on Sundays.

A five-minute negotiation session began when I simply asked them not to renew my digital subscription for $14.07/mo as I’d been paying $52 for the prior year’s digital subscription. From $52 to $168.84? She offered me three lower rates over the phone each time I did not agree to continue my subscription. She even took me back to the same rate that I had now as an offer for a year. I declined, noting that it was unfair to correct the bills of only those who called to cancel. Why not leave the rates as they were and try to build new followers at a similarly fair price? I was not contentious or sarcastic.

And, I noted they were not even a local accounting office to speak with. We’re the home community to Texas A&M University, by enrollment the second largest college in the United States, and we don’t even merit the regional office location? Fascinating. Today, on p. A11, Steve Boggs claimed that “in the Brazos Valley, they’d grown their digital customers more than 35% over the past 12 months alone!” That was before the big digital price increase. Let’s watch what happens to their numbers with today's announced price changes.

Waco’s population is estimated as 141.997 (the 24th largest city in Texas). Bryan’s population is estimated at 89,017 (46th largest) and College Station is 121,009 (29th largest) and together, B-CS is 268,248 people without students per the 2020 census. Check the math but it doesn’t make sense. Why is the regional leadership in Waco, not in Bryan-College Station?

Today, when the Steve Boggs’ opinion column (on p. A11) announced the new plan to print three days a week, deliver by U.S.P.O. vs. a friendly, longtime carrier who wakes up at 1 am to support their family with their route, a price increase of 150% over last year for the digital (you can’t blame this on the price of ink and paper as bandwidth isn’t that expensive), and what did, let’s Regional Editor Steve, promise? Not that we know Steve, have ever met Steve, or have even once seen Steve, because he neither lives nor works here; what did he promise?

He said, “They” are:

• “Still a team of dedicated local journalists who work for a local news company. • Still care deeply about our readers. • We live here, we work here, we are part of the fabric of this community. And. • We couldn’t do this vital work without you and your financial support of local news. • Every dollar counts—for you, and for our news organization—and your commitment allows us to sustain and grow local journalism in this community.”

Breaking news overnight will not appear in the morning’s paper unless it occurs on Monday, Wednesday or Saturday nights. But wait, that’s not really the case. Recently the way that funeral homes could submit obituaries to appear in the paper for families changed. They stopped staffing that office on weekends, so death notices and obituaries would not appear until at least Tuesday after the weekend unless you got it in before Friday. Good luck to those in the in-between gap periods. That’s just not right.

In fact, it was ridiculous, and every funeral home in town has been inconvenienced by that change, not to mention their ever-rising costs that the families have to pay for what used to be a public service at no charge. Wedding announcements and funeral notices used to be a courtesy—remember that? Remember when the publisher of The Eagle would grant amazing amounts of space to advertise upcoming fundraising events as community partners and media sponsors? It wasn’t that long ago.

Times change and prices change. That’s understandable. An online subscription to the Houston Chronicle is $20/month. The Dallas Morning News is similarly $20/mo. But they still have daily carrier-delivered newspapers, they have not wrecked their choice of comic strips, nor have they removed the all-important TV grid from the daily listings, three reasons we had to look forward to the paper. We’d already had the loss of the TV guide for several months now.

Forget saying happy birthday to the young athlete whose photo appears on the sports pages each day. KBTX-TV will still include that for you on the morning show. Forget looking for coverage of local sporting events on non-print days Mondays, Wednesdays, Fridays, and Sundays. They promise more “watchdog journalism” on their three print days—Tuesdays, Thursdays, and Saturdays and a reading experience “bursting with local news and opinions.”

Letters to the Editor, of course, will be hit or miss with spotty reading depending on your subscription path. Any chance to hold local officials accountable for decisions and votes might drift over to TexAgs or MyBCS or other new local bulletin board site for news that could pop up in weeks/months to come.

In my more than four decades of Eagle readership here as a community resident and citizen, no matter who has owned the newspaper before, I truly believe that everyone did their best to bring the news and reflect the community values of our special combined cities that comprise the entire Brazos Valley — until now.

This entire traumatic development did not occur overnight. It’s been particularly in the last ten years of the Warren Buffet-led demise. Buffet’s Berkshire-Hathaway bought The Eagle in 2012 with a circulation of 20,000 and close to 100 employees. At the time it had been an important community presence for the preceding 123 years.

In 2020, Lee Enterprises bought 30 papers from the Berkshire-Hathaway Media Group after Buffet had helped bail Lee Enterprises out of bankruptcy some years prior and then still retained a level of ownership in Lee Enterprises, though to a lesser extent. At the time TV station KXXV reported Buffet as saying he was a “lifelong fan of newspapers but …expects most of them to continue on their declining trajectory, save for a handful of national papers.” Sort of like throwing the candy wrapper over the edge of your boat while you’re sailing, you don’t care what happens to the water after you’re back on land.

The only employee that I can think of who has lasted throughout the duration of some three decades, whose presence used to identify The Eagle to the community is Robert Borden. Since October 1986, Robert Borden has worked at The Eagle; that’s almost 37 years, friends…he’s the Opinions Editor, you know him as head writer for the Sunday Arts Watch (after longtime staffer Jim Butler left), he’s on the Editorial Board.

That was the same editorial board where former colleague Margaret Ann Zipp once served with him and penned her fun “It’s Like This” column of local news in addition to being a copy editor—a position woefully long since forgotten, and finally, a reporter, who I won’t name, who had his home broken into and his hard drive stolen once while pursuing a local investigative story, but still stayed there and published stories anyway for another two years. He embodied free speech and investigative journalism at a time when it was not popular to criticize the university for fear of advertising dollars at risk.

Then, there was a young, determined reporter who took on early investigative stories and pursued them relentlessly, won awards, and ultimately became editor–Kelly Brown. She stayed for almost three decades before she saw the handwriting and jumped over to TAMU, and that was the end of hard-hitting stories in The Eagle.

And, my favorite former Editor and Publisher, Donnis Baggett, who wasn’t afraid to print stories that might not be flattering because they were newsworthy and relevant. He was good under pressure and he unnerved more than a few city officials back in the day when all the contracts and agreements saw the disinfecting light of day. So many people have forgotten those days because well...football, and Aggie Park, and well, football.

You know what all four of these named stalwart journalists had in common? You’d see them throughout the community, constantly. They attended the events we read about. They knew the leaders they wrote about. They volunteered countless hours of their own time across numerous key volunteer-driven nonprofits here. Each of us benefited from the work they did off the job as much as the work they did on the job.

Robert Borden, the last one standing, has written countless beautiful obituary tributes and reflections over key citizens in our community, noting with ease their achievements and things that were important to them, because he knew them, had more than just met them. He’s a champion of the Brazos Valley Symphony Orchestra and served in numerous leadership positions, he keeps people aware of the greatness of Brazos Valley Troupe and other organizations that don’t always have automatic audiences without a little help. He’s served on the board of the Brazos Valley Food Bank and countless other things you don’t see or know of. Most of all, he’s survived every administrative change that has been made in the past 37 years.

If things continue at The Eagle the way they appear to be going, with no one rising up as a private citizen to purchase it and set it back on a reasonable, normal course of operation, nor engendering community support vs. community disgust, it will undoubtedly be Robert Borden that writes the final opinion on the last day the paper appears in print. It doesn’t have to be this way. The story doesn’t have to end this way. You just don’t take something that has been “working” continuously since 1889 and project its demise and mumble that it’s just a darned shame things turned out this way.

Surely there is fire in someone’s soul to pursue fixing this problem. Those who believe in a free press, those who know the relevance of reporting the truth before someone like Elon Musk replaces Jack Dorsey and starts ruining everything about the platform his predecessors worked hard to build (and maintain at an appropriate level of oversight); someone must be out there to right this ship before we sing "The Wreck of the Edmund Fitzgerald" again. Ask yourselves who it is that should oversee, and daresay protect, the public from one-sided journalism that just pleases certain elected officials?

Will it now be a mouthpiece of the wit and wisdom of say, Dan Patrick [aka Dannie Scott Goeb], sportscaster turned senior-citizen-intolerant, genius, who wants to upend Texas education by abolishing tenure at Texas state universities? That's a second disaster in waiting...when people who possess no postgraduate academic credentials nor have achieved tenure at a purportedly scholarly university start making decisions about how and when it should be applied or removed, folks, that's trouble in River City.

And, if The Eagle continues on its wildly erratic descent into oblivion, you certainly won't read the opinions of anyone who disagrees with dear old Dan and if you have a complaint, just call...Waco? Surely not. The Faculty Senate has tried repeatedly to point out the dangers, but you're not seeing a vast number of stories that truly bring to light what the genuine issues are and what it means in dollars, reputations, faculty retention, attracting the best and brightest students, and the true future reputation of Texas A&M University. Your most current and newsworthy reporting about this topic of tenure is on WTAW-AM and in its morning headlines in your e-mail boxes.

There is always hope. For those who care about our community and preserving the best of its small-town charm in an ever-growing culture of a once highly regarded academic institution, although it has always been beloved (there's a difference)—someone can make a difference. Asked “what can just one person do?” The answer is PLENTY. Hoping a few of you who are so inclined will band together to save The Eagle before it’s too late and we lose so many of our prestigious faculty who are unknown by name to most folks in town outside the campus. The issue means everything to the future of this university as well as all state universities.

Otherwise, soon the headlines will read: RIP The Eagle and "Texas A&M experiences sudden substantial faculty losses, drop in enrollment expected"

Tuesday, May 16, 2023

ABC is Oblivious to Potential of “The Company You Keep”

For some unknown reasons, Vicki Dummer, the whiz-bang exec at ABC programming land, and her team in charge of current series programming has “opted not to renew for a second season” of their new drama “The Company You Keep,” as reported in Deadline Season.

Given its entry at 10pm EST Sunday nights, it was up against the final season of the beloved NBC series “The Blacklist,” so it was barely given a flying chance of survival from the onset. The cast of “The Company” is solid: Milo Ventimiglia has the lead, William Fichtner, Catherine Haena Kim, Polly Draper, and Tim Chiou. However, the competition is really tough: "The Blacklist" has (said in William Shatner voice ala Denny Crane: "James Spader." so there's that.

But they're concluding the series run after 10 years, and at the exact right time. Spader himself knew when to close the doors: I think if the show went beyond this year, it would turn into a very different show, and I think the thing that has been nice about this show was that we've never really had a clear paradigm for the show. Tonally the show shifts a lot from episode to episode, and I think even the show has taken strange turns, and I suspect that the show, if it went much further, would just become something that would be less recognizable to me." Ah, if only the "NCIS" folks were self-aware of where they are.

WILLIAM FICHTNER, SARAH WAYNE CALLIES, POLLY DRAPER, MILO VENTIMIGLIA, FELISHA TERRELL, CATHERINE HAENA KIM, TIM CHIOU, FREDA FOH SHEN, JAMES SAITO166161_PR_Comp_V4 THE COMPANY YOU KEEP – ABC’s “The Company You Keep” stars William Fichtner as Leo, Sarah Wayne Callies as Birdie, Polly Draper as Fran, Milo Ventimiglia as Charlie, Felisha Terrell as Daphne, Catherine Haena Kim as Emma, Tim Chiou as David Hill, Freda Foh Shen as Grace Hill, and James Saito as Joe Hill. [Photo: ABC/Brian Bowen Smith]

The plot is fresh, albeit as an American adaptation of an already hit show (“My Fellow Citizens”) on South Korean television. You have an Italian American family with a skill for working as a family on high-level con jobs while running the neighborhood favorite bar. No staffing issues required for the job to hire out, just immediate family, down to the youngest teen. Young adult male falls for a model-lovely young female CIA agent, from “an Asian American political dynasty.”

The plots are fresh, the writing is solid, and the pace is strong. Scene to scene, you don’t flip the channel during commercials as you might miss something when you return late. The acting is strong from all cast members, major to minor. Action sequences abound at breathtaking pace, and then you relax at the corner bar; no. the bar owned by the Nicoletti family really is called “The Corner Bar” in the show. Kudos go to Ben Younger, who serves as director and executive producer for the 20th Television show.

Writer and Executive Producer Julia Cohen brings together a great cast, solid sets, and just the right blend of scripts, serving as showrunner, to keep audiences coming back each week. Co-showrunner and co-Executive Producer is Phil Klemmer ("DC's Legends of Tomorrow" for seven seasons). This is Cohen’s largest task to date, but she earned her stripes after years as co-executive producer for a season of “Quantico” and “A Million Little Things” for three seasons. Given the nature of shows being posted and pulled as quickly from prime time slots as a teenage fisherman learning to cast with rod and reel, having one season of a solid show should indicate potential. And the fact that you can stream the show on Hulu is an added bonus for those with busy schedules. It has all the right elements but is just waiting until "The Blacklist" concludes its tenth and final season this month.

Yes, there’s Amazon and Sony Pictures and other independent venues out working for viewing time. I have to confess to waiting for another season of “Leverage: Redemption” to appear on Freevee television. The successful reboot of the old TNT original “Leverage” is actually stronger than the first, thanks to Dean Devlin’s fresh take on the show he created. Again, plots were fresh, bright and the actors were dynamic in their approach to what could have been predictable dialogue. There was a family atmosphere there as well. Waiting for hopefully more shows with "the hitter, the hacker, the grifter, and the thief," and if you want to know what that means, just visit Freevee.

Another Freevee original is the Canadian “Pretty Hard Cases” that pairs two previously unknown actresses as an unlucky pair of detectives and it works. The show has humor, brains, and they get it all done neatly, thanks to strong writing by Tassie Cameron and Sherry White, and two actresses, Meredith MacNeill and Adrienne C. Moore, who bring the energy to each episode. Still waiting on more shows to drop, if they're in production yet. That happens with non-prime-time network shows where they don't tell you on every media outlet they own what's going on behind the scenes.

It is that same fresh-show quality that “The Company You Keep” has, in a dramatic procedural where audiences meet, learn, know, and grow along with the show. Donald Bellisario was a genius at developing these shows that featured humor along with detective work, action sequences, some aspect of military life, and yes, family. Bellisario brought us “JAG,” “NCIS,” “Quantum Leap” and then spinoffs happened. Some were good; others, without Bellisario involved, were and are dreadful.

The starpower that Milo Ventimiglia brings to any show shouldn’t be in question. After all, his was the character you recall best from “This is Us,” the NBC staple that gave them a ratings win for the slot each week from 2016-2022 and won four Primetime Emmys among their awards. No one should be comparing Milo’s acting to “Gilmore Girls” any longer, which they could have done had they only known that show and missed out on “This is Us.”

It's doubtful that anyone watching “The Company You Keep” thinks of “Team Jess” once during the show. Actors can morph into anyone you need them to, and Ventimiglia and Kim do a great job in carrying the load.

Kim already had experience as a fed—she played Special Agent Emily Ryder on a season of “FBI” shows. A strong supporting cast is the great addition to the mix and this show has something special that doesn’t bore you to death the way so many other series can. No one is tired of their role or has been permanently cast into predictability. It's another trip back to childhood to see recurring guest Geoff Stults (remember the hearthrob with the almost twin lookalike brother in "Seventh Heaven" who wound up with the sisters?).

You’d think that summer would be a great time to re-introduce the show and meanwhile order some more episodes for fall. Everyone is about “American Idol”-ed, “The Voice”-ed and “America’s Got Talent”-ed out at this point and Netflix, Hulu, and Amazon are sitting there with fresh programming just waiting to be enjoyed. Come on ABC, think about it.

If not, CBS you are overdue for fresh shows. Look at the mess they made of “NCIS,” keeping the original (now sleep-inducing) show for the 21st year, cancelling the still interesting one (“NCIS: “LA”), and renewing the banal “NCIS-Hawaii” for reasons known only to them.

However, they hold the distinction of “America’s Most-Watched Network in Primetime” for 15 years now, so they know something NBC doesn’t. Hmm, could be the next home for “The Company You Keep”?

Is that your final answer for “The Company You Keep,” ABC? Change your mind and perhaps be pleasantly surprised. It would also be good news for Ventimiglia, who together with his company, DiVide Pictures and Russ Cundiff and Deanna Harris are co-producers. That was very "Jess" of him to be smart enough to invest in his own work from the beginning.

There’s more than one story of a show being tanked and saved to come back for another try, only to gain a Top 10 ratings spot and foothold for years and massive dollars in syndication: “Friends,” “Seinfeld,” and “The Big Bang Theory.”

Who knows? It could happen.

[photos Friends and Seinfeld: NBC Universal; NCIS: Paramount Press]