Actor David McCallum Dead at 90—U.N.C.L.E.’s Illya and NCIS’s Ducky Has Crossed the Pond

Twenty years ago this week, Donald Bellisario’s and Don McGill’s genius ensemble called “NCIS” premiered on CBS, a shot-in-the-dark gamble of a series based on a complex character of a determined yet troubled Marine, Leroy Jethro Gibbs with Mark Harmon as lead. McCallum was also included on the two-part story on Bellisario’s “JAG,” where the character originated.(Photo permission, CBS Press Express)

Harmon, still a young unknown, had come to their attention thanks to his four-episode role as Allison Janney’s love interest in “The West Wing.” To make “NCIS” come alive, with gravitas, Bellisario knew he could count on David McCallum to be the perfect counterpart to Gibbs, as medical examiner Dr. Donald “Ducky” Mallard.

Who better than the man who embodied cool under pressure, having played Ilya Kuryakin from 1964–1968 on “The Man from U.N.C.L.E.” His repertoire had included Shakespeare, and theatre productions of “The Lion in Winter” and “Julius Caesar.” The Glasgow, Scotland, native won the hearts of Americans in the 1960s with his cool, suave portrayal of Illya Kuryakin, secret agent, in the proverbial black turtleneck cast opposite the ultracool Robert Vaughn.

McCallum had a wonderful means of expressing himself with any dialogue he was given and for exactly the past 20 years, he “was” Ducky to this generation of Americans who adored his brilliant memory, tolerated his penchant for telling a three-minute answer in eight minutes (on the show) and his dapper portrayal of a man whose heart was always with the U.S. Marine, both throughout the show and beyond.

In many episodes of “NCIS” over the years, Ducky’s character provided closure when homeless Marines were killed in assuring that they received full military honors when appropriate. There were several occasions that showed Ducky attending the Marine Military Ball, which was a fund raiser for their scholarship fund.

Far more than a character actor, McCallum was a music professional, having studied oboe at the Royal Academy of Music. Sort of keeping it all in the family, given that his father was first violinist for the London Philharmonic and his mother a cellist.

Even beyond that, the music continues. His family with two women includes four sons and a daughter. With first wife, Jill Ireland, are sons Paul, Jason (d. 1989), and Valentine. With wife Katherine Carpenter are son Peter and daughter Sophie.

Son Val is a guitarist and singer-songwriter who is a veteran of many tours. He also has been a studio musician with Jackson Browne, Sheryl Crow, Lucinda Williams, Bonnie Raitt, and Loretta Lynn. Val noted that “My grandfather actually played on The Beatles’ track A Day in the Life”; “He’s also credited by Jimmy Page for suggesting using a violin bow on the strings of his electric guitar.”

Son Paul is a popular and respected guitarist, songwriter, and performer in Los Angeles, who favors jazz, blues, and some of his own compositions, which you can find on “Jazz Dogs” by the Paul McCallum Trio. Fellow musicians include Tom Buckner, Granville “Danny” Young, and Rod Harbour as well as Dave Smith and Doemenic Genova.

Son Peter told Sky News, “He always put family before self. He looked forward to any chance to connect with his grandchildren and had a unique bond with each of them.”

For 459 episodes McCallum sustained record-setting times for “NCIS,” a season beyond Harmon, albeit not in each episode of Season 19, for CBS and for all of us who know much of the dialogue from any number of these episodes.

More than a TV show, more than a standard entertaining procedural with strong plots thanks to brilliant show runners who assured the characters stayed true to Bellisario’s and McGill’s visions, “NCIS” was a part of family life for many on Tuesday nights (later on the show shifted to Mondays) and was the foundation by which audiences would later come to know and enjoy “NCIS: LA,” “NCIS: New Orleans,” and most recently “NCIS: Hawaii,” which has to be some kind of record for launching multimillion-dollar enterprises for one network. (Photo below by Michael Yarish)

Michael Weatherly shared on Twitter, “David McCallum made every moment count, in life and on set. Let’s raise a jug and celebrate a funny fantastic authentic man. I’ve only got 3 autographs. Connery, Tony Bennett and McCallum. … No one did it better. We were lucky to have him bring us Ducky. Let’s send all the love in the world to his beautiful family. Rest In Peace David.”

Brian Dietzen, who played Ducky’s mentoree, Jimmy Palmer, shared today on Twitter, “Such a kind soul and a terrific talent. You are missed beyond words, my friend. My heart just breaks today. Thank you for everything. Sending all my love to the McCallum family.” (Photo by Cliff Lipson, 2011, courtesy of CBS)

To anyone expecting a quote from Mark Harmon, they’ll have to wait until morning for the press outlets as neither Harmon, nor Gibbs, are on social media, but you already knew that.

As the character of Ducky was seen to deem, in his discussion with Gibbs about the fate of his massive personal fortune, it was to be given to the Marine Corps Scholarship Foundation, and in April 2015, the U.S. Marine Corps invited him to be the official starter for the Marine Corps Historic Half race. It is poignant and caring that the McCallum family “asks that donations be made to the Marine Corps Scholarship Foundation at http://www.mcsf.org — just as Ducky would have appreciated.

David penned his first novel “Once a Crooked Man” in 2016 and “recorded four albums for Capitol Records comprised of instrumental versions of hits at the time.” If that’s not enough, McCallum was a prolific actor and voice character for various movies, video games, and TV series. He was born September 19, 1933 in Glasgow, Scotland; the premiere of “NCIS” was September 23, 2003, which they are rerunning tonight on CBS—the episode is “Yankee White” and features Sasha Alexander at FBI Agent Caitlin Todd. And, he died September 25, 2023 in New York City at the age of 90. Wouldn’t you know it?

Today, by long-ago plan, CBS had declared this day and evening “NCIS Day” in honor of the 20th anniversary of the show’s debut. They are airing 3 episodes of the show tonight beginning at 7pm CST, “Yankee White,” “SWAK,” and “All Hands.” Longtime fans of “NCIS” already know what those episodes are all about.

Everything seems to have come full circle then, and right on time for airtime tonight.

Thank you and good night, David. God bless you.

ABC is Oblivious to Potential of “The Company You Keep”

For some unknown reasons, Vicki Dummer, the whiz-bang exec at ABC programming land, and her team in charge of current series programming has “opted not to renew for a second season” of their new drama “The Company You Keep,” as reported in Deadline Season.

Given its entry at 10pm EST Sunday nights, it was up against the final season of the beloved NBC series “The Blacklist,” so it was barely given a flying chance of survival from the onset. The cast of “The Company” is solid: Milo Ventimiglia has the lead, William Fichtner, Catherine Haena Kim, Polly Draper, and Tim Chiou. However, the competition is really tough: "The Blacklist" has (said in William Shatner voice ala Denny Crane: "James Spader." so there's that.

But they're concluding the series run after 10 years, and at the exact right time. Spader himself knew when to close the doors: I think if the show went beyond this year, it would turn into a very different show, and I think the thing that has been nice about this show was that we've never really had a clear paradigm for the show. Tonally the show shifts a lot from episode to episode, and I think even the show has taken strange turns, and I suspect that the show, if it went much further, would just become something that would be less recognizable to me." Ah, if only the "NCIS" folks were self-aware of where they are.

WILLIAM FICHTNER, SARAH WAYNE CALLIES, POLLY DRAPER, MILO VENTIMIGLIA, FELISHA TERRELL, CATHERINE HAENA KIM, TIM CHIOU, FREDA FOH SHEN, JAMES SAITO166161_PR_Comp_V4 THE COMPANY YOU KEEP – ABC’s “The Company You Keep” stars William Fichtner as Leo, Sarah Wayne Callies as Birdie, Polly Draper as Fran, Milo Ventimiglia as Charlie, Felisha Terrell as Daphne, Catherine Haena Kim as Emma, Tim Chiou as David Hill, Freda Foh Shen as Grace Hill, and James Saito as Joe Hill. [Photo: ABC/Brian Bowen Smith]

The plot is fresh, albeit as an American adaptation of an already hit show (“My Fellow Citizens”) on South Korean television. You have an Italian American family with a skill for working as a family on high-level con jobs while running the neighborhood favorite bar. No staffing issues required for the job to hire out, just immediate family, down to the youngest teen. Young adult male falls for a model-lovely young female CIA agent, from “an Asian American political dynasty.”

The plots are fresh, the writing is solid, and the pace is strong. Scene to scene, you don’t flip the channel during commercials as you might miss something when you return late. The acting is strong from all cast members, major to minor. Action sequences abound at breathtaking pace, and then you relax at the corner bar; no. the bar owned by the Nicoletti family really is called “The Corner Bar” in the show. Kudos go to Ben Younger, who serves as director and executive producer for the 20th Television show.

Writer and Executive Producer Julia Cohen brings together a great cast, solid sets, and just the right blend of scripts, serving as showrunner, to keep audiences coming back each week. Co-showrunner and co-Executive Producer is Phil Klemmer ("DC's Legends of Tomorrow" for seven seasons). This is Cohen’s largest task to date, but she earned her stripes after years as co-executive producer for a season of “Quantico” and “A Million Little Things” for three seasons. Given the nature of shows being posted and pulled as quickly from prime time slots as a teenage fisherman learning to cast with rod and reel, having one season of a solid show should indicate potential. And the fact that you can stream the show on Hulu is an added bonus for those with busy schedules. It has all the right elements but is just waiting until "The Blacklist" concludes its tenth and final season this month.

Yes, there’s Amazon and Sony Pictures and other independent venues out working for viewing time. I have to confess to waiting for another season of “Leverage: Redemption” to appear on Freevee television. The successful reboot of the old TNT original “Leverage” is actually stronger than the first, thanks to Dean Devlin’s fresh take on the show he created. Again, plots were fresh, bright and the actors were dynamic in their approach to what could have been predictable dialogue. There was a family atmosphere there as well. Waiting for hopefully more shows with "the hitter, the hacker, the grifter, and the thief," and if you want to know what that means, just visit Freevee.

Another Freevee original is the Canadian “Pretty Hard Cases” that pairs two previously unknown actresses as an unlucky pair of detectives and it works. The show has humor, brains, and they get it all done neatly, thanks to strong writing by Tassie Cameron and Sherry White, and two actresses, Meredith MacNeill and Adrienne C. Moore, who bring the energy to each episode. Still waiting on more shows to drop, if they're in production yet. That happens with non-prime-time network shows where they don't tell you on every media outlet they own what's going on behind the scenes.

It is that same fresh-show quality that “The Company You Keep” has, in a dramatic procedural where audiences meet, learn, know, and grow along with the show. Donald Bellisario was a genius at developing these shows that featured humor along with detective work, action sequences, some aspect of military life, and yes, family. Bellisario brought us “JAG,” “NCIS,” “Quantum Leap” and then spinoffs happened. Some were good; others, without Bellisario involved, were and are dreadful.

The starpower that Milo Ventimiglia brings to any show shouldn’t be in question. After all, his was the character you recall best from “This is Us,” the NBC staple that gave them a ratings win for the slot each week from 2016-2022 and won four Primetime Emmys among their awards. No one should be comparing Milo’s acting to “Gilmore Girls” any longer, which they could have done had they only known that show and missed out on “This is Us.”

It's doubtful that anyone watching “The Company You Keep” thinks of “Team Jess” once during the show. Actors can morph into anyone you need them to, and Ventimiglia and Kim do a great job in carrying the load.

Kim already had experience as a fed—she played Special Agent Emily Ryder on a season of “FBI” shows. A strong supporting cast is the great addition to the mix and this show has something special that doesn’t bore you to death the way so many other series can. No one is tired of their role or has been permanently cast into predictability. It's another trip back to childhood to see recurring guest Geoff Stults (remember the hearthrob with the almost twin lookalike brother in "Seventh Heaven" who wound up with the sisters?).

You’d think that summer would be a great time to re-introduce the show and meanwhile order some more episodes for fall. Everyone is about “American Idol”-ed, “The Voice”-ed and “America’s Got Talent”-ed out at this point and Netflix, Hulu, and Amazon are sitting there with fresh programming just waiting to be enjoyed. Come on ABC, think about it.

If not, CBS you are overdue for fresh shows. Look at the mess they made of “NCIS,” keeping the original (now sleep-inducing) show for the 21st year, cancelling the still interesting one (“NCIS: “LA”), and renewing the banal “NCIS-Hawaii” for reasons known only to them.

However, they hold the distinction of “America’s Most-Watched Network in Primetime” for 15 years now, so they know something NBC doesn’t. Hmm, could be the next home for “The Company You Keep”?

Is that your final answer for “The Company You Keep,” ABC? Change your mind and perhaps be pleasantly surprised. It would also be good news for Ventimiglia, who together with his company, DiVide Pictures and Russ Cundiff and Deanna Harris are co-producers. That was very "Jess" of him to be smart enough to invest in his own work from the beginning.

There’s more than one story of a show being tanked and saved to come back for another try, only to gain a Top 10 ratings spot and foothold for years and massive dollars in syndication: “Friends,” “Seinfeld,” and “The Big Bang Theory.”

Who knows? It could happen.

[photos Friends and Seinfeld: NBC Universal; NCIS: Paramount Press]

Pauley Perrette’s exit as “Abby Sciuto” from “NCIS” is well timed

Devotees of “NCIS” know well that the No. 1 most popular procedural in America and beyond was created in the mind and from the heart of Donald Bellisario, a gifted writer and showrunner whose tendency toward perfectionism and temperament as Pater Familias caused more than occasional chaos and frustration in producing new dialogue for the actors to learn with 15 minutes until shooting. Or, so goes the legend and myth around his eventual exit after four seasons.

Bellisario, despite being the heart and soul of “Magnum, P.I.” (with co-creator Glen A. Larson), “Airwolf,” “Quantum Leap,” “JAG” and “found himself on the outside looking in" one day after four seasons, with his brainchild being entrusted to different talented personnel. After Bellisario left, Shane Brennan took over in Season Five, moving on to his own show with “NCIS: LA” and scoring a hit there. I still miss Bellisario's brilliant sense of humor and creativity. (Note: All photos by Cliff Lipson/CBS, courtesy of CBS)

It was Don's voice that was the "whoof" that you would hear at the beginning of the shows of the first season at least, indicating the scene changes. Bellisario actually placed his own photo on the "Most Wanted" wall of the NCIS squad room as one of the top enemies to search for, and he was also noted for his occasional on-camera appearances walking through. Remember the episode, "Call of Silence," which won an Emmy for actor Charles Durning? Don walked right past "Kate" before the "big dance" scene to his own amusement.

After all it was Bellisario's own father, Albert Jethro Bellisario, who became the A. J. of JAG Admiral Albert Jethro Chegwidden, and then using his father's and grandfather's names for Leroy Jethro Gibbs is oh-so-Bellisario. So much time has passed that it's relevant to remember who it was who created all this wonderment in his very creative mind.

Gary Glasberg then assumed leadership of “NCIS” and in his tenure before his untimely death at age 50 (in 2016) found a way to steer the show, despite the exit of both Cote de Pablo as “Ziva” and Michael Weatherly as “Anthony DiNozzo, Jr.” When Cote left, I remember well all the interviews that Pauley Perrette gave where she referenced “The Core Four” as having been integral to the show.

"The Core Four," of course, are Mark Harmon, David McCallum, Michael Weatherly, and Pauley Perrette. In the interim, the show stayed strong, and viewers welcomed, ultimately, Emily Wickersham as “Ellie Bishop,” who was clearly not intended as a replacement for NCIS Special Agent Ziva David, but the comparisons and emotional flailing about of some fans for a season or two eventually showed that Bishop could have a place in Gibbs’ heart, so why not give her a second chance.

That’s the key. The fans of “NCIS” have been loyal to this show for, now, 15 seasons, and CBS has inked the lifeline for Season 16, assessing a “let’s see how it goes” attitude for the one-year commitment. Fans read assorted blog posts, comment frequently on, and care deeply about the future of “NCIS.”

When Michael Weatherly first showed signs of looking around to his future, it came as an appearance as a smooth-talking felon on an episode of “Major Crimes,” a cable-TV favorite. His role was too much like the personality of wiseacre DiNozzo for comfort, so no one raved about it.

Then CBS decided to explore the fans’ loyalty to their individual characters, and they went musical. Yes, they did. Perrette and Weatherly each released a song, courtesy of the CBS Press Team, showing Perrette’s versatility as songwriter and singer, and Weatherly’s love of music going far beyond his performance of filing a report “reggae style” curbside to then NCIS Director Jenny Shepherd via earpiece. Neither found fame or further acclaim from the singing stint, but it could be that it was a programmatic attempt to keep fans aware that Michael is not “Tony,” and Pauley is not “Abby,” and that these are simply extremely talented actors portraying perfectly the characters who say the dialog written by people you never see and will never meet.

The secret to these beloved characters has always stemmed from the creative mind of Don Bellisario, and Brennan and Glasberg followed the path of the characters to play out the roles. Brennan was in for a year, one and done, onto his own show, “NCIS: LA,” which continues to be fresh, funny, and a same-but-different family feel that holds its own just as much as the original. Pauley Perrette and Mark Harmon as well as Chris O’Donnell, crossed over between the two shows, playing their same characters.

A failed pilot, “NCIS: Red” showed no ratings magic and the cast was as generic as “CSI: Kalamazoo,” or “Law and Order: Ice Cream Truck”…same base franchise name, no real variation. Then came “NCIS: New Orleans,” with Mark Harmon and Gary Glasberg taking a chance on developing a third show that would “stick” at least into five seasons to guarantee syndication. But then Glasberg died unexpectedly in 2016 at the young age of 50.

After the shows produced by Glasberg that were already in the can were released, CBS execs announced that “NCIS” would be run by veteran writers and executive producers George Schenck and Frank Cardea, who should be “any fan’s first choice” if Exec. Producer, Chas. Floyd Johnson didn’t want the job. Speaking personally, Johnson worked with Bellisario on so many shows, if anyone knew the hearts of these characters, it would be him. Yet, Schenck and Cardea wrote some of the strongest storylines and scripts over the course of the show, that they’re the “right” choice for the job.

And yet, the dimensionality of the show was up for grabs the season after “Bishop” came in. Weatherly likely saw the writing on the wall that if ever he were going to be known as anyone but DiNozzo, it better be “now.” When he left, it was to the guaranteed hit slot between two “NCIS” shows, and in a project that showed him looking and acting nothing like DiNozzo as the ersatz creation of former jury consultant Dr. Philip McGraw, aka “Dr. Phil.”

America loved Weatherly and it is through “Bull,” that his fans actually focus on his real name. They ‘know’ a real Dr. Phil, aka “Dr. Jason Bull,” so now the fans see Michael and know “Weatherly.” Smart move.

Cote de Pablo had likely left for the same reason so people would forever not be calling her Ziva. Wonder how well that has worked for her. An initial CBS project was a nice one-shot but not a series. She will return to the screen no doubt, but maybe film vs. TV. And so, what about Pauley?

After Cardea and Schenck blew up Ziva’s home (maybe Ziva, maybe not Ziva) and Tony went off to raise Tali in unidentified job, fans still tuned in to see the (now) core 2.5: Harmon, Perrette, and somewhat less of Ducky (McCallum). David McCallum continues to bring dignity and grace to whatever role he’s given fans over 50+ years, and he is a stellar actor. He was not pegged as Illya Kuryakin when he became Dr. Donald Mallard. Everyone has had plenty of time to watch Brian Dietzen grow and stretch perfectly in the role of Dr. Jimmy Palmer to be accepting of McCallum’s absences this season and potential retirement next season.

But in Season 14, if Pauley Perrette was ever going to feel her role diminished, it was proven so with the addition of three new NCIS agents (presumably to take the place of one Tony DiNozzo) in Alex Quinn (Jennifer Esposito), Nick Torres (Wilbur Valderrama), and MI6 agent Clayton Reeves (Duane Henry). That season was mostly a friendly clusterstorm of “remember how much you love ‘NCIS’…well hang in there with us while we figure it out.”

Esposito left and Maria Bello was brought in as a new character, Jacqueline (Jack) Sloane, who Gibbs can resonate with. FBI agent Tobias Fornell was weaved in and out of a few episodes and now that you’ve been reading for three paragraphs, where the heck was Abby Sciuto? Right? Entirely forgotten, dismissed, and irrelevant as the unnecessary but necessary forensic scientist in a role that anyone could play.

Abby had had no real major storylines in months and months, at least in my perception. And Perrette may have, wisely, seen that being a “favorite beloved character” all the time meant being forgotten. Her early announcement that Season 15 would be her last gave Schenck and Cardea plenty of time to give her a two-part season finale exit.

But, on Tuesday night, had I had an object in my hand to throw at the TV set, I would have tossed it that direction, given what the writers did to Abby’s character as the episode closed out. The “plan” and plot and dialogue was absolutely off-base, misguided and beneath the intelligence of the character Bellisario created.

Thanks to media access, I had seen a photo of the “Two Steps Back” (Part II after this week’s “One Step Forward”) finale. Abby’s not going to die. That much I know. Even so, the entire premise of the week’s cliffhanger is off target. Remember the show again. The show revolves around the true-life need for assistance to our nation’s veterans in multiple ways, which continues to not be met commensurate with need. The softer side and more back story to introduce viewers to more of Clayton Reeves’ nature set the predicate for Abby’s choosing him to go to the dinner she’d “won” mysteriously at the descriptively noted “Igloo” restaurant supposedly booked months in advance.

No one, not one person, questioned the way the pop-up came onto Abby’s screen, telling her she was the winner of this dinner for two? Abby is supposed to be a forensic scientist with particularly special computer hacking/restoring/repairing/recovering skills and she didn’t question a pop-up? Nope. The entire show drifts along leading viewers to wonder who she’d be taking as her escort. Remember they had her prior love interest as Bert, the very nice park ranger? No one had seen or heard about Bert since no one had seen or heard about Abby much. And, so…here we are after leaving Igloo, the one place she was easily going to be predictably found.

And this well dressed robber with carefully coiffed hair has a gun at both Reeves and Abby; Reeves sort-of steps in front of her to protect her, yet he moves away from shielding her to allow her to both interact with the robber and be in his perfect shot sight. An MI6 agent doing that? No, just no. C’mon George and Frank, you know better! Then, it’s not clear that the robber is homeless. But Abby talks to him about wanting and offering to get him help. Several seasons ago, Abby had interactions with a young homeless woman whom she was able to help, but “this” wasn’t “that.”

Fade to black. Commercials. Return to preview next week’s season finale. Gibbs whispers: “I know I let you down, Abbs. I said that I would always keep you safe.” Concerned looks on faces. Gurney with Abby entering hospital “She’s coding,” an offscreen voice says. Now, Frank and George…seriously? That’s the best you can do? Even caused E! Online to write the headline “Will Pauley Perrette’s Abby Die in Her Final NCIS Episode?”

Now, next Tuesday more will be revealed, and here’s a picture proving that Abby is alive. (Note: Photo by Patrick McElhenney/CBS, courtesy of CBS)

But if the premise for Abby’s leaving the only people she has as true family (Gibbs, McGee, and Ducky) is even the least bit hokey, the fans will likely let the showrunners hear about it. But, they didn’t have to shoot Abby to prepare viewers for her exit. Everyone knows she’s leaving. Imagine if she could have just grown up and moved on to a career position of her dreams somewhere so compelling that she would willingly leave her safe family behind?

Instead viewers are going to have to endure the return of some previous season miscreant who is “targeting ‘NCIS’ personnel” as the reason for this, the first hit of the planned shootings, trying to ruin Gibbs’ happy days, one team member at a time.

Col. Merton Bell is gone. La Grenouille is also, Ziva took out Ari Haswari, Trent Kort is gone, the entire gamut of people who had it out for Gibbs (hurt his family, hurt him) are seemingly gone, or are they? It’s not Benham Parsa. Harper Dearing (Richard Schiff) is dead, and the Phantom Eight went up with the almost-loss of McGee still inside the building, trying to back up the computer before running for his life. Sergei Mishnev was killed by Fornell. But, wait, is Alejandro Rivera (Marco Sanchez) dead or just in prison? The remaining member of the Reynosa cartel had threatened Abby once before. Could be he’s out of jail for good behavior and is ready to try to take revenge, again, against Gibbs for the death of his father, Pedro Hernandez and his sister, Paloma Reynosa. Five days will provide the answer, and you can count on the fact that he’s going down.

Pauley Perrette definitely picked the right time to leave. She’s not typecast forever as the loveable forensic scientist. As to her “real reasons for leaving,” they should be hers to keep. She left with grace and only pleasant things to say about her experiences that propelled her to a position of worldwide fame and acclaim. Life’s been tough on her, as well, during the fame, so there’s nothing wrong with wanting a “normal” life outside the world of flashing light bulbs of surreality.

Her plans aren’t a case to be explored ala “NCIS” style. An in-depth CBS “Sunday Morning” interview didn’t get one new iota of information out of her except she loves being with her chihuahuas and vague projections for the road ahead. Pauley has been a lovable, bright spot on Tuesday nights for 15 years, and she deserves to do whatever she wants to do.

Next season won’t be the last one for “NCIS”—as long as the scripts continue to bear quality. The Bello-Gibbs matchup is good for another season. Won’t miss Jon Cryer (the original “Ducky”) one little bit, seriously. Done and done. There have been hints and myths that Gibbs will leave the heart of the action and take on another more supervisory role, but most of all that is likely the fodder of the myriad of bogus online blogs masquerading as legit news sources. They’re filled with misspellings and incorrect facts, so forget them.

What does need to happen, imho, is for viewers to stop having to spend time on the backstories of Reeves, Torres, and Sloane, as most really, really don’t care. Great acting on the parts of the actors—nothing to criticize but gone are the days of the compelling backstories. Come up with some intricate multi-episode stories as you have been doing. Then, include Gibbs saying, “Grab your gear,” focus on the heart and soul of the primary characters, and let Abby be forever a fond memory and quirky character.

The character, Kasie, portrayed by Diona Reasonover, was introduced a few weeks back probably as a possible replacement. She will be fine and she won’t “name” her equipment (ala Major Mass Spec), but she’ll get the data to the team.

“NCIS” can endure as long as Mark Harmon wants to be there. His is the pivotal character around which the show was built. Without him, there’s no show. Farewell Pauley, and thanks for 352 episodes of fun.

The "real" Pauley, as beautifully captured for CBS "Watch" magazine by photographer Cliff Lipson, shows the lovely actress beneath the character. Pauley Perrette is wisely moving on, and she’ll find success in whatever she does in the future. Viewers have had 15 enjoyable seasons of a quality show, and this is in substantive measure to "The Core Four," who were there at the start. Ooh-rah, Abbs. And then there were two.

Fans of ‘The Good Wife’ Get Exciting News: Spinoff Announced for CBS All Access

Viewers only thought they said "Farewell forever" to certain characters from "The Good Wife." A spinoff series is slated with Christine Baranski and Cush Jumbo for Spring 2017 for CBS All Access channel. (Photo by Dimitrios Kambouris/Getty Images)

Just ten days after CBS Sunday night prime time fans said goodbye to Alicia and Peter Florrick, and all of their friends and slightly wacky family members, most television viewers might have thought that was the last word on the characters created by the inventive minds of Robert and Michelle King. But it wasn’t. Too many great stories to tell and too talented an ensemble cast to really let that be the last word on the subject. On May 18, Michael Ausiello of TV Line reported that CBS announced the Spring 2017 launch of an official “Good Wife” spinoff.

So far the unnamed show will star Christine Baranski (Diane Lockhart) and Cush Jumbo (Lucca Quinn). Set to launch in Spring 2017, the timeframe for the show picks up one year after the “last slap” Diane applied to Alicia. However, don’t look for it on prime time quite yet. You’ll be able to watch it on CBS All Access, which is the most brilliant strategic move the network can use to get viewers to pay $5.99 per month for more content. Surely, the show will build viewership for a while and then make the move back to prime time on Sunday nights.

The talented and versatile Christine Baranski portrayed the self-assured and creative Diane Lockhart so well that her return will be welcome on whatever frequency CBS chooses to launch the show. Fans will be left to guess what happened in the year following the parent series’ finale but that should make for great follow-up stories for the next year.

Cush Jumbo played attorney Lucca Quinn and easily assumed the role of Alicia’s first true best friend that she’d had in, conceivably, the entire life of the show. Working in the trenches of intake with Alicia, Lucca offered wise counsel, thorough research, and true caring for the well-being of her friend. Last October, Chris Harnick of “E News” went so far as to name Ms. Jumbo “the fan who became its breakout star.”

There was a major talent team in place for all seven seasons of “The Good Wife,” and “series creators Michelle and Robert King” chose Phil Alden Robinson to be the series’ first named Executive Producer. It will be fun to speculate if viewers will see others from the law firm formerly known as Lockhart et al. (too many variations of the partner names to list) will appear, whether as guests or regular characters, but it’s probably a safe bet that they will.

Nice to see there’s new life breathed into the “Good Wife” and it’s even better that CBS didn’t make viewers wait more than 10 days before issuing encouraging news. One more thing the network did was the brilliant move to give faithful viewers the opportunity to watch a successful launch of Michael Weatherly’s new show, “Bull,” based on the real-life jury selection practice of now-famous psychologist and motivational expert, Dr. Phil McGraw.

The network cradled “Bull” in the rocking chair between “NCIS” and “NCIS: New Orleans,” really showing Weatherly, and his fans, all the love (thank you Les Moonves, but watch how they'll change his time slot after 6 weeks and I predict it will be to Thursday nights to see how it 'really' does wihtout the Bellisario-McGill-Glasberg-Harmon-born cushion). Now, it’s a safe bet that once the show is on a safe trajectory, they’ll move it to another night, much as they do with “The Big Bang Theory” as the eternal power lead-in, but not at first. That’s really sort of brilliant, don’t you think? Network programming strategy is not for beginners. Stay tuned for more information as it develops.

Ralph Waite, actor and television father favorite, dead at 85

America loved actor Ralph Waite on "NCIS" as Jackson Gibbs. But so did so many around the world, including Annie Booker, a dear lady in Australia who made this lovely photo collage tribute. 

On Feb. 13, 2014, television audiences lost another iconic and beloved actor. The New York Times reported that Ralph Waite passed away at age 85. Whether you live in New York, Houston, or in Los Angeles, for so many, learning this news evoked an instant reaction similar to the loss of one of your own family members.

Television is a unique communications medium that allows viewers to share a part of an ongoing (often) fictional world where life is pleasant, simple, joyful, or you’re placed into an environment that shields you from long-term pain because a resolution can be reached in as little as an hour or even half hour. The dynamic of the television father and the actors who portray them is serious business.

From TV shows that included father in the title, “Father Knows Best,” “Bachelor Father” “The Courtship of Eddie’s Father,” to shows that revolved around families, featuring a very strong father figure, such as “The Waltons,” “The Andy Griffith Show,” “Leave it To Beaver,” and even “NCIS” with Mark Harmon playing a father who’d lost a child and adopted the co-workers around him as his ersatz family. Fathers lead. Fathers guide. Fathers issue accolades and discipline with almost even frequency. At least that is how it is on television.

Real life isn’t like that. Maybe your own father wasn’t like the other dads you saw on television. Maybe your dad was so memorable that you might write a book about him. Somewhere in between is the fascination of people searching for fathers to identify with, either as they have one or perhaps as they want to be like one they’ve seen at a distance, every week, on your little television.

Ralph Waite was one of those fathers that people admired and thought to be “the best.” The New York Times reported that

In 2004, a TV Guide poll of readers ranked him (Waite) No. 3 on its list of the “50 Greatest TV Dads of All Time,” behind Bill Cosby’s Dr. Cliff Huxtable (No. 1) on “The Cosby Show” and Lorne Greene’s Ben Cartwright on “Bonanza.”

Interestingly, in 2004, one primary role had defined Waite as a father. As the New York Times noted, it was only because of Waite’s role as John Walton that he was considered a “Greatest TV Dad.” Viewers had nine years and 196 episodes of “The Waltons” to admire and regard Waite’s character John Walton, and yet Waite was more popular in his early career as a stage actor. The medium’s often the thing, as far as making a household name out of a truly great actor.

Waite was such a popular actor that from 2009-2013 Waite appeared as Hank Booth, the grandfather of FBI Special Agent Seeley Booth on three episodes of the ABC-TV procedural, “Bones,” as Seeley’s grandfather whom Hank raised as his own. Also in that same time span, Ralph made 94 appearances as “Father Matt,” a priest, on the NBC daytime soap opera, “Days of Our Lives.”

But wait, there’s more. From 2008-2013 in perhaps his most endearing role, Ralph made 8 appearances as Jackson Gibbs, on TV’s current number one scripted drama. Jackson is father to NCIS Special Agent Leroy Jethro Gibbs. Undoubtedly this role is one of the most important of his career, possibly even more so than playing the family patriarch on “The Waltons." On the tote board, that’s three fathers in three shows on three different networks. That has to be an acting record somewhere.

NCIS 9.14 "Life Before His Eyes" 20-second promo (CBS)

NCIS 200th Episode - GIBBS' LIFE FLASHES BEFORE HIS EYES WHEN A PATRON PULLS A GUN DURING A ROUTINE VISIT TO HIS LOCAL DINER, ON THE 200TH EPISODE OF "NCIS," TUESDAY, FEB. 7

In further support of his acting ability, many times you might describe the personal Waite as a simple country man, who saw a lot of hard labor in his life, and he surely must be the perfect father, right? Real-world Waite achieved three marriages in his lifetime and his B.A. degree from Bucknell led to “almost three years of divinity school at Yale. Biographical sources report that Waite’s early youth included time “as a social worker, religious editor for publisher Harper & Row, and Presbyterian minister,” more insight into the collected countenance which Waite brought to his roles, whether portraying a minister or father.

The character of Jackson Gibbs has been and is so important to helping define the character of NCIS Special Agent Leroy Jethro Gibbs. The very thin line between recurring television characters and the actors who portray them was described well many years by the late Sonny Bono, U.S. Congressman, singer/songwriter, and record producer, when he said “Television is a distancing phenomenon. You see us in your home each week; we are a part of your family. You feel like you know us as well as you know members of your own family.” And, Sonny was right.

Poignantly, upon the death of actor-singer-U.S. Congressman Bono, minister-actor-social advocate Waite ran for the seat as a candidate but lost to Sonny’s widow Mary Bono Mack, who served as Congresswoman for 14 years. When you choose to be in the public eye, you may aim for acting at first, but so very often the path to the goal includes rich and relevant side roads you have to traverse before you achieve your dream. Just as importantly the dream of “getting it right” as a father may not come in real life, but it can come across on screen, to the delight of millions of people watching each time. That’s surreal, but true enough.

Particularly through the eyes of Ralph Waite as Jackson Gibbs, the episodes that featured all the rich dialog between Jackson and Jethro spelled out the intense father-son dynamic that came from the mind of “NCIS” creator Donald Bellisario, whose own father, by the way, was named Albert Jethro Bellisario.

Jackson’s character has continued to be expertly extended by show runner and frequent writer, Gary Glasberg. One can only wonder what’s next for “NCIS” without Jackson. Of all of Waite’s appearances on “NCIS,” the 200th episode, “Life Before His Eyes” (Season 9, Episode 14) is perhaps the most important and poignant one to watch for the insight it produces as the backstory develops between Jethro and Jackson. Both silver-haired, blue-eyed strong men, Harmon and Waite, look at one another and say more with looks than with words.

Even beyond the United States, fans of “NCIS” around the world were impacted by the news of Waite’s passing. Jackson Gibbs was gone. In fact, Annie Booker, from Adelaide, South Australia was so moved she created the photo collage shown in this story, in tribute to Waite’s role as Jackson Gibbs. The actor whose real life was never as smooth or joyful as the world he created for all of us, who believed we truly “knew him” from watching him through a digital electronic gateway, has died. The talent of Ralph Waite will be remembered for years to come. The characters he created for us, through the benefit of syndicated television shows, will live on for much longer than that. And you just can’t ask for more than that from any professional. And as the curtain goes down, what’s in order is a final standing ovation for a truly gifted actor, Ralph Waite, with thanks.