Leaving Shadows Behind, Kiki Ebsen Steps into Spotlight on ‘Scarecrow Sessions'

The thing about musicians is that they are never satisfied with status quo. If they're recording, there's always one more take they can try for, another song to write for an album, or they might completely change up an arrangement of a song that has served them well for a long time. Not all musicians are composers, and not all composers are touring musicians. Kiki Ebsen is a singer, and she's also a songwriter, and she's a touring musician--all of those, individually, or together depending on what genre of music is needed.
Photo credit: Donavan Freberg

She's toured with Christopher Cross, Boz Scaggs, and Chicago in the pop rock/classic rock vein, she's been on tour with Wilson Phillips, Tracy Chapman, and Belinda Carlisle, playing keyboards and singing backing vocals. In jazz, she's found a home on stage with Boney James and Al Jarreau. In the music industry, they categorize her as a first-call musician. In 2014 Kiki has given her full attention to her latest love, jazz, and she's just released her CD entitled, "Scarecrow Sessions," a tribute to the favorite music of her dad, Buddy Ebsen, beloved TV character actor ("The Beverly Hillbillies," "Barnaby Jones," and various music specials), as well as motion picture actor and vaudeville performer.

Music flowed through the genes of the family Ebsen and landed squarely on Kiki, whose CD is finding fast acclaim and new recognition for this established artist. "Scarecrow Sessions" is Kiki's 6th individual release. She's also a featured artist on several rock/adult-contemporary/jazz recordings as well.

It was a pleasure to do a feature story on Kiki and hear of how "Scarecrow Sessions" is being embraced by all who are discovering it. Her album is now in consideration for the ongoing Grammy Award process and she's putting together a performing schedule for 2015.

Story (originally published on examiner.com 10.10.2014) follows:

It was never clearer that 2014 has been a whirlwind year for dynamic singer-songwriter Kiki Ebsen than when she posted on her Facebook page, on Oct. 8, 2014, that she had decided that her upcoming show in the listening room of the trendy Los Angeles bistro, Genghis Cohen, would be free. That’s her gift back to friends and fans who have been her enthusiastic supporters this year on the most exciting musical journey she has had thus far in her illustrative career.

Likely you already know Kiki Ebsen, if only for her background vocals and bright keyboards on stages across the country and around the world. Her passport has about as many stamps in it as the U.S. Post office, ever embodying the traveling troubadour label that befits her. You would have seen her on stage just about anywhere, but you might not have known it was Kiki until the headliner artists did their obligatory band intros.

She began her touring career offstage; no seriously, she was off the stage, or more accurately, behind it, out of site. Ebsen accepted a serendipitous invitation to go on the road with classic rock band, Chicago, in one of their tours years ago, as their MIDI technician and playing keyboards, sight unseen. When Robert Lamm or Bill Champlin would step forward on stage to sing, Kiki took up the keyboard slack and no one had a clue she was there. She said, during a conversation last March for examiner.com, that this experience was really incredibly helpful to show her the truest side of a musician's journey.

If you have enjoyed live concerts featuring the jazz sounds of Boney James, the grooves of Tracy Chapman onstage at the Grammy Awards, the harmonies of Wilson Phillips, the searing soul of Boz Scaggs, the driving rhythms of Belinda Carlisle, or the amazing Al Jarreau, you have heard and seen Kiki.

And you would never have suspected her versatility and talent as a solo artist unless you’d heard and seen the legendary Christopher Cross in concert. Cross brought Kiki into a featured role on stage singing together with him on “Open Up My Window,” “Spinning," and "I Know You Well."

In the past 11 years, this creative artist has stayed true to her musical muse, having written hundreds of her own songs, of hope, of looking to the future, and about the joy and the pain of falling in love, falling out of love, and finding the joy in between. Her songs were recorded by other respected musicians, including Boney James, Eric Marienthal, and Jessy J. Once you know her name, you naturally want to know her music. You can find her albums all on her website, but you have to look beyond the discography to discover the journey.

Yes, in 1993 she recorded “Red,” and she created the artwork for the CD, covering music and canvas with color. At a vibrant point in her career, she released “Love Loud” in 2000, anthems to her feelings at the time. It was actually named to Muse’s Top 10 albums not long afterwards. She found time to gather friends including Joy Bonner and Tracey Brown and release “Music Heals, Volume 1,” in 2001.

In 2005, she released the self-titled, “Kiki," There are so many treasures on this CD, but the production is such that you don’t have favorite singles, because you’re playing it from start to finish and they all blend together so well. In 2010, she released "Cool Songs, volume 1,” which was her take on standards that she loved, which she styled in her own, original way.

In 2011 her piece de resistance was released. Titled “The Beauty Inside,” it is arguably her best work until now. Every song had a special meaning to Kiki, as a road map of a path she personally traveled. Song highlights include “Darling,” “Better Friend,” “Weird Fascination,” and more. On the strength of this album, Kiki began constructing her own mini-tours, made up of festivals, house concerts, and venues that were geographically nestled and scheduled on her days off from touring with the headliners. Her own following burgeoned forth, and she was content.

And in the meantime, when she was home in California, she found purpose and inspiration in an entirely separate activity, in a project known as The Healing Equine Ranch. This is a nonprofit educational organization that funds equine growth and brings learning programs to the community. Of special note is that all the horses they use in teaching are rescue horses that have been abandoned or considered not worth saving.

Kiki targeted the unwanted horses to use for teaching, as she believes each of the horses that came to them were worthy of being fought for. Her advocacy, or dream, is realized through programs offered at The Healing Equine Ranch such as “Horse Mornings.” Classes are held for both women and men, and it’s a time of strengthened communications, building trust, and understanding interpersonal skills.

In the training, you unplug your electronic devices and concentrate strictly on communicating with the horse one-on-one. Looking for how the horse responds and communicates in its own way, the "be here now" premise overtakes the participants, and they emerge as exceedingly more insightful. In a workplace setting, imagine the impact The Healing Equine Ranch has, organizationally speaking, on the supervisor who (previously) could not communicate well. Following the various training programs, the participant emerges as both better listener and better communicator. The curriculum is exceptional and is worth reading more on their website. There are also videos well worth review.

Participants come to The Healing Equine Ranch in skill levels ranging from knowing about horses by watching “Mr. Ed,” all the way up to having those who may have ridden when they were younger. Being at T.H.E. Ranch is a way to clear your mind of the tension and trauma of daily executive pressures and to find that peace and quieting of spirit that restores and heals. The programs and activities here are, in part, funded by Kiki’s music, as well as other fundraisers, so each album and CD has made it possible to expand, grow. Makes buying her music an even more exciting option when you know how it makes a true difference, beyond beautiful art for art's sake.

So there you have it, the career of Kiki Ebsen until and through 2013, safely tucked away in the shadows of anonymity and continuous production, high quality output, and journeying through life just merrily enjoying the ride and whatever kismet came her way.

But that all changed earlier this year. The thing about creative people is that they are never satisfied with “status quo.” In fact, that’s quite an ugly phrase to them, implying stagnation or resting on one’s laurels.

Digging through a rediscovered box of forgotten memories and mementos, Kiki found some 1930s era scripts and sheet music compositions of her father’s. Yes, Buddy Ebsen also wrote music, in addition to being a song-and-dance vaudeville entertainer, movie actor and TV star. Kiki’s mother was passionately devoted to community theatre.

Now, picture a talented lady with an inspiration, to create a new gift of music and dedicate it to her father, for Father’s Day. Buddy and Zeke Manners co-wrote a tremendous song, “Missing You,” and that song became a centerpiece around which she gathered other songs that were significant to her dad, or of relevance to his career.

The mosaic of music formed quite a masterpiece. Click on Kiki’s website, and see for yourself the honest feedback from critics and reviewers. You’ll soon see proof that this particular album is the highlight of Kiki’s career, to date. It only surprises people who are hearing her sing for the first time that the acclaim for “Scarecrow Sessions” is flowing in from all over. Her longtime fans simply expected it would be this good.

How the album went from concept to reality is a path of 30 days’ length. A Kickstarter project called “To my dad, Buddy Ebsen, for Father’s Day. Love, Kiki” was launched in March, 2014, and only 30 days was available to complete a project goal of raising $12,000, which she did on Apr. 3. That amount was set but it was only part of the cost to create and produce the CD, which would have to be delivered by June 15, Father’s Day.

You’ll love the story behind how the incredible talent was brought together for the CD. The impetus for the timing was the renowned producer David Mann, a music colleague whom Kiki regards highly. Rather than read more about it, instead, listen to Kiki visiting with Trish Hennessey on her “Hybrid Jazz” radio program. Of additional importance is to hear jazz specialist Hennessey relate how just one time hearing Kiki singing, “If I Only Had a Brain” compelled her to invite Kiki to her program. It’s not surprising that all it has taken, so far, was this first single from the CD to find the all-important radio play that all artists need to be successful.

When you listen to “Scarecrow Sessions,” the CD title that stemmed from Buddy Ebsen’s won (and lost) movie role in “The Wizard of Oz,” you will encounter a musical journey that will invite you to revisit the album again and again. The musicians who make the magic include Chuck Loeb (electric and acoustic guitars), John Patitucci (acoustic and electric bass), Henry Hey (piano and organ), Clint de Ganon (drums), and David Mann (saxophone and flute).

What’s different, special, memorable, and important about “Scarecrow Sessions,” though, is that it is a showcase for the strength, style, and gentle power of Kiki Ebsen as a solo vocalist. You’ve never heard her this way before, no matter where you’ve heard her in concert or on CD. Every song has a more special meaning to her as it fits into the outline of a message of love, daughter for father. Two important backers, of the 180 who joined together to help make her dream come true, are her sister, Bonnie, and her brother, Dustin, who are as excited for her project as she is.

A highlight of the successful Kickstarter program that exceeded its goal was the Father’s Day concert, which was broadcast live and streamed to supporters, on Father’s Day 2014. If you missed it, Kiki's website has selected video clips from that day that you will enjoy.

Since June, a whirlwind of acclamation and support has almost overwhelmed Kiki. And that’s simply what comes with being discovered, being embraced by strangers who have been so touched by her music that they feel like they’ve known her forever, and the music keeps getting added to the radio playlists, from formats of smooth jazz, to easy listening to adult contemporary. All across the radio dial, and up and down the downloads, Kiki Ebsen is becoming more known and beloved than she ever, ever imagined.

She’s close to being caught up in a temporal vortex the way things are moving so quickly. But in the world of entertainment, that’s a good thing, a very good thing. As just one example, “Scarecrow Sessions” is now under voter consideration for Grammy Award nominations in several categories. To those who've listened and excitedly approved her work (see her website), this latest CD seems to fit right in with what is called the Great American Songbook.

During the summer, Ebsen performed in a first wave of concerts in support of the album, including a two-week tour in Scotland, which she found invigorating. She came home to devote some serious time to The Healing Equine Ranch before the road beckoned to her to again venture out.

For her upcoming Oct. 13 show, Kiki wants it to be one more celebration of a dream coming true, which is why she’s made it a free show. The unique bistro, Genghis Cohen, got its name thanks to the iconic Artie Wayne, rock producer and former Warner Brothers executive, whose sense of humor and storytelling are legendary. The restaurant, a New York-style, American-Chinese restaurant and music venue in Fairfax, Los Angeles, was opened by the late Allen Rinde, and many legendary musicians have long held this venue close to their hearts as one of "their own."

It’s also the first public concert where Kiki will actually be able to showcase all the songs from “Scarecrow Sessions.” If you’re anywhere near Los Angeles, be there Monday night at 7:30 p.m. Witness for yourself the transformation of a keyboard player and backing vocalist, who came to the forefront occasionally on national tours with Christopher Cross, Boney James, Belinda Carlisle, Tracy Chapman, Michael McDonald, or Chicago. Today, Ebsen is ready to add a new adventure to her list of "can-do" loves.

She's the complete solo singer, keylight kind of stylist, who's being received and embraced as such. It didn't take long for that to happen, but it's nice that it occurred as a result of her generous gift of time and talents offered out of love. Just seven months after she said, “I’d like to create something for my father,” Kiki Ebsen has an exceptional CD product in “Scarecrow Sessions.”

Further, and most importantly, this CD adds an entirely separate, new dimension for audiences to meet and know her. Even if you knew her as just one kind of singer before, "Scarecrow Sessions" is the breakout vehicle she's needed to reach that next performance level that was waiting for her. Kiki Ebsen's versatility now encompasses the singer-songwriter of original love songs, whom most have come to know, backing artist and musician for household names in rock and pop; a first-call recording artist for supporting work in rock, jazz, blues, and pop; and now, as a solo chanteuse who can deliver the jazz standards beloved by three generations as though they were her first, and only, repertoire. Any father would be proud, especially the one for whom she dedicated 2014 to honoring.

And so it is, where Kiki Ebsen's musical journey is now beginning to enter a new dimension, yet again. She remains the same person, just viewed under different spotlights. It hasn't changed her a bit. Kiki is ever as understatedly modest, generous with praise for her colleagues, and simply excited to be creating something that’s being discovered as “a new treasure.” She’s been there all along, same talent and creative capacity, but you just might have missed her before, because she was so at home behind the scenes. With "Scarecrow Sessions" she has reached new heights, and her future is indeed bright, with more dreams yet to be realized. At last, Kiki Ebsen has moved out of the performing shadows, into the spotlight, where she belongs.

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Music on her own terms: Kiki Ebsen’s Kickstarter and Father’s Day love message

Kiki Ebsen is one of the most accomplished musicians, who's toured with Christopher Cross, Boz Scaggs, Chicago, Bill Champlin, Peter Cetera, Tracy Chapman, Al Jarreau, Michael McDonald, Karla Bonoff, to name just a few, and she writes as beautifully as she sings. Her Kickstarter project to pay special tribute to her father, the late acting icon, Buddy Ebsen, will move you to want to join and be a part of this very special event. Read the full story and join in the fun of the Kickstarter Program!

Chances are good you’ve seen Nancy Kiersten (Kiki) Ebsen onstage if you’ve attended rock and jazz concerts around the country over the past fifteen years. A truly gifted musician in her own right, Ebsen granted examiner.com a special interview to share good news about her latest Kickstarter project, “to my dad, Buddy Ebsen, for Father’s Day. Love, Kiki.”

Thinking her name is familiar? It should be. Kiki is a singer-songwriter whose own compositions are a celebration of jazz, rock, and soul; her emotions flow effortlessly as she plays. When she sings, the power of her vocals conveying the lyrics is mesmerizing. She has a good sense of humor and rapport with the audience when headlining her own house concerts. Basically she was born to be on stage, somewhere, anywhere, everywhere.

You definitely have seen her, if you’ve attended a concert headlined by Christopher Cross, Al Jarreau, Boz Scaggs, Bill Champlin, Peter Cetera, Karla Bonoff, Michael McDonald, and Tracy Chapman, or even just listened to their albums. She’s there.

In addition to being on so many other artists’ music projects, Ebsen has released several of her own albums, including “Red,” “Kiki,” “Cool Songs, Vol. 1,” and “The Beauty Inside.”

Her first Kickstarter project was born when she was rummaging through an old trunk of some of her mother’s memorabilia and came upon the sheet music for a song her dad had written, “Missing You.” As she held that sheet music and heard the melody in her mind, she was inspired to record that song and other song standards that were also important to her dad, about the time that he’d written “Missing You.” She thought, “it would be great to have it done in time for my Father’s Day card to him, even though he’s not here to hear it.”

You might not have made the connection between the singer and her well-known father, beloved actor, dancer and musician, born Christian Ludolph Ebsen, Jr. Or, perhaps Baby Boomers might easily have typecast Buddy as Jed Clampett, of “The Beverly Hillbillies,” rather than a multitalented actor, dancer, singer and songwriter who was first known from his movies, stage productions and even vaudeville shows.

Long before the days of the Clampetts, Ebsen was a popular cast member in “Broadway Melody” movies, and he played “Captain January” alongside the late Shirley Temple. The diverse Ebsen was as popular on stage as he was on television. Still, you saw the versatile actor guest on “Burke’s Law, “Davy Crockett,” “Bonanza,” “Red Skelton,” “Gunsmoke,” and later on another weekly show, “Barnaby Jones,” with Lee Meriwether, a Quinn Martin production.

In fact, when they were growing up, Kiki and her brother, Dustin, knew that their mother was a writer and had a community theatre; that was “her job.” And their father had “his job” on television. They weren’t exactly sure when he was on TV, but they thought that everyone’s dad worked on television because their dad did. That’s the extent to which they were a show-biz family.

One evening, Kiki and Dustin sat down to look for their dad across all the channels to see where he actually was. They tried one channel, then another, and they “sort of, kind of thought” they’d found him, but they weren’t sure. The duo changed the dial through a series of programs and actors until they settled on one man. Both agreed that was indeed “Dad.” Surely that was him! As their mother, Nancy Wolcott McKeown Ebsen, walked into the room, they announced, “Mom, we found Dad on TV!” Nancy said, “No, that’s Lawrence Welk.” Oh well, they kept on watching anyway.

As they grew older Nancy, Dustin, and their siblings, Susannah, Cathy, and Bonnie (by Ebsen’s marriage to Nancy McKeown) and older siblings, Elizabeth and Alix (by Ebsen’s first marriage to Ruth Cambridge) grew up surrounded by as much of a normal non-Hollywood life as you could imagine. Everyone in the family had talent in some form or fashion; it was definitely a creative environment to grow up in, but no pressure to enter show business.

Young Nancy Kiersten Ebsen showed early signs of being a maverick, if not a baby renegade. Her older siblings started calling her “Kirstie,” but she announced one day that she was “Kiki,” and that’s what they should call her. They did. The next sign that she had early talents that were unique and non-mainstream came soon thereafter. Her grandmother played piano, her mother played, and an older sister played, so Kiki was started on lessons. Turns out she didn’t really need them.

Kiki was an obedient child, and so she pleasantly sat for lessons, but once she saw and heard the teacher play a piece, she was able to immediately reproduce the song by ear. Encouraged to “read” rather than “play by ear,” Kiki decided upon a silent compromise. She sat at the piano pretending to read the music, while playing by ear. Don’t you just love her already? Music on her terms.

As she grew, Kiki had many opportunities to find her father on television. Yet outside his regular series roles on “The Beverly Hillbillies,” “Barnaby Jones” and “Matt Houston,” Buddy’s movie talents became clearer, as Kiki discovered her dad’s tremendous dancing in Broadway chorus spots, and later in feature films including “Captain January” and portraying Doc Golightly, the man Holly Golightly left behind in her wake.

Kiki saw how Buddy effortlessly portrayed diverse characters in true-life fashion. One role was too true-to-life. In fact, he was originally supposed to be the scarecrow in “The Wizard of Oz,” but wound up being re-cast as the Tin Man. This was years before producers could use CGI for skin color. In being subjected to repeated applications of alum powder to his skin, Ebsen developed a severe reaction and illness, which landed him in the hospital and out of the movie, “man of tin” no more.

Television would ultimately call him next, just a wish away. Ebsen was a man of many talents—song, dance, composition, and acting.

Staying true to your talent is what Kiki gleaned from watching her dad; that, and the value of working hard and doing your best, which she learned from both parents. Kiki’s mom, Nancy, was a full-time mom who also had her own California playhouse and produced many community theatre shows there regularly.

Kiki’s career in music was strengthened through high school and college. She graduated with a degree in classical voice (BFA '84) from California Institute of the Arts (CalArts).

Her first job after graduation came as a result of fortuitous happenstance. A good friend was offered the opportunity to tour with the iconic band, Chicago, playing keyboards (offstage) whenever Robert Lamm and Bill Champlin would leave their keyboards to take center stage on a song. Turns out, Kiki’s friend didn’t want to tour, so she said, “well if you won’t take that job, I will!” Her first tour with Chicago led to all of the other “big name” artists with whom she would see the country.

Even though her career was filled with backing stars, opening for stars, or perfectly showcasing the compositions of stars, that’s been what Kiki has wanted to do. Music on her terms. Simply the love of making music with people she regarded and respected, of being part of a greater effort, and contributing to a product of excellent has been more than “enough” thus far.

And yet, you can’t keep the creative person confined to structure too long before something inside them propels them to find a new path, at least for a time. All through the years and miles of touring, Kiki was writing her own material, spurred on by the joy of simply making music at the highest level. Her style dares to be confined to a single genre. In fact, it’s not. She writes rock, jazz, and more—material that would fit perfectly on the pickiest terrestrial adult-contemporary station (if they were likely to play anything that was outside their formulaic “The Eagles-Journey-John Mellencamp” tightly packed programming).

Ebsen’s own compositions have been “covered by Boney James, Eric Marienthal and Jessy J.” Plus, she’s been on television with Blake Shelton, Kenny Loggins, Glen Campbell, Michele Branch, Gloria Estefan, Melissa Etheridge, and her two hands-down favorites, Robert Goulet and Dolly Parton. No doubt about it—Kiki Ebsen is a first-call musician and has the respect of all the biggest names in the business today.

Yet, like 95% of quality musicians today, the days of the big record labels and singles launched on the radio we used to know are gone. Today, artists create their music, build and grow their following, and produce their CDs to sell to people who already know their work. It’s worked well for the past 10 years to develop this path. Social media is a powerful tool that helps artists by-pass traditional major labels. Facebook pages help fans track upcoming concerts. Twitter encourages direct contact between artists and fans.

In fact, constituencies and contingencies of music fans flourish on Twitter; just ask Will Champlin, a new young talent and musician who rocketed to national awareness last year on NBC’s “The Voice.” Champlin has 87,700 followers on Twitter, and one of those followers is Kiki Ebsen, as she’s known him since he was about 3 years old. Remember Ebsen played offstage for Chicago and later toured (separately) with Peter Cetera and Bill Champlin. It’s just one big musical family out there. Turns out Will and Kiki were on the same music bill recently and she had a chance “to hug his neck and tell him how proud she is of how well he is doing making his own music.”

Not long ago, as Kiki considered her own musical roots and family, it led her to look through some old trunks of things saved from her family’s home. As she pored over prized history, Ebsen discovered something that would ultimately change her life: a song that her father had written captured her eye and her imagination.

As Kiki shares in her own words on her current Kickstarter campaign:

A few years ago I discovered buried in my mother’s attic a box of original scripts and music from my father’s career. Among them were Born To Dance, Yokel Boy and even a songbook from The Wizard of Oz with his handwritten notes in it. I also found a tune my father had written called “Missing You," a song so beautiful and poignant it felt like a gift just for me. I began to include it in my shows and got chills before performing it, as if my dad was there with me.

Kiki’s drive to make an album of jazz standards in tribute to her father would then begin with “Missing You” as the centerpiece, her returning her father’s gift—years in finding its way to her—back to him, with love. She then decided to include songs she knew were her dad’s favorites, including:

“Moon River” (because he was in “Breakfast in Tiffany’s), “Somewhere Over the Rainbow” (because he was supposed to originally portray the Scarecrow in “The Wizard of Oz” and was switched to the Tin Man, until the alum poisoning took him from the movie altogether) “Easy to Love” (from the Broadway Melody movie series he was in) “Laura” (his favorite song) “Codfish Ball” (from “Captain January,” the movie with Shirley Temple where he portrayed the title role) “St. Louis Blues” (the first song that Buddy taught his maverick maiden on the piano) “Tea for Two” (Buddy’s signature dance routine that took his vaudeville skills ultimately into the movies).

The Kickstarter campaign is an opportunity for Ebsen to focus time and effort to complete her tribute to her dad in time for Father’s Day. In just 3 weeks, as of March 24, 2014, Ebsen has already raised pledges of $9,580 of her $12,000 goal from 123 backers. This is only by word-of-mouth, with people discovering that this gift of love for her father is on Kiki’s mind. The album is tentatively entitled “Scarecrow,” and with a successfully funded Kickstarter (or Keekstarter as she wryly titled one of her YouTube updates), she’ll be on her way to finishing. The album title also reminds you that a scarecrow is often overlooked but serves a valuable role out in the field standing all alone.

Ever the upstart, Ebsen has made a major financial commitment to animal rescue as well as to her Healing Equine Ranch, a nonprofit that brings people together with an opportunity for spiritual renewal via communication with nature, to study the intelligence of and learn by interacting with horses. That’s in her spare time.

To enjoy some of Kiki’s past performances that showcase her singing and playing, click on any of the links that follow to hear and see her work:

Kiki Ebsen, "Woodstock"; Christopher Cross “Never Be the Same” with Kiki Ebsen on keyboards and backing vocals; Christopher Cross duet with Kiki Ebsen, “Spinning” performed in Tokyo, Japan; Christopher Cross duet with Kiki Ebsen, “Open Up My Window”.

Preview a song from the upcoming “Scarecrow Sessions,” and consider a special Kickstarter contribution of support: Check out “Missing You” written by Buddy Ebsen (with Zeke Manners), performed by Kiki Ebsen. Musicians she’s joined by include David Mann as producer (plus sax and flute), John Patitucci (acoustic bass), Henry Hey (piano), and Clint de Ganon (drums).

Remember that Ebsen has neither craved, nor sought, a spotlight before, nor has she ever used her famous family name to direct attention her way. Instead, she has preferred to push herself—on her own—to create and share her music in intimate settings and venues when she’s not on the road. Perhaps as her amazing talent becomes better known, she’ll find more individual showcases for travel and performance on her own, as well as with all the artists who seek her to join them.

Opportunities to share your support for Kiki’s vision begin at an affordable $10, $15, $25, $50, $100, and more. Once you hear her voice, you’ll want to be a part of this outstanding opportunity to lift up a daughter’s love for her father. Don’t let the $12,000 end goal limit your enthusiasm, because anyone who’s followed a musician’s career knows that it takes money after the music is made to get the project out for distribution. The full project cost is somewhere closer to $22,000. Music on her terms.

For every daughter who loves her father, from every father who loves his daughter, and for those who wish they could still hug their loved ones’ necks today, here’s your chance. Join Kiki in her Kickstarter campaign, help her reach her goal, and take her over the top so others can discover her, too. You’ll be glad you did, come Father’s Day.

As a nice postscript, six months later, I discovered this video on YouTube:

As an even nicer postscript, the results of Kiki's Kickstarter project were entirely successful, and the Kickstarter site noted that "180 backers came together to pledge $13,216 (exceeding her goal) to help bring this project to life." And true to her word, the "Scarecrow Sessions" CD was in the hands of backers by Father's Day and you could watch her online in her Father's Day 2014 concert debuting the music if you couldn't attend in person. Bravo!