The Relentless Persistence and Subsequent Success of Buddy Ebsen

2nd Choice+ 2nd Chance + Perseverance = 1st Rate Success

The preceding is the mathematical equation for the accomplishment that Buddy Ebsen solved and re-solved for 70+ years in his career in the entertainment industry.

From the time dancers Buddy Ebsen and his sister, Vilma, found acclaim as a brother and sister dance team in 1930, it was a whirlwind of exhilaration and success, only to be followed by an avalanche of disappointment and failure to achieve the dreams the young siblings had hoped to accomplish—together. After all, Buddy had arrived in New York in August 1928, and was fired his first week on the job, for being too tall in a chorus. Undefeated, Buddy pursued his goals to make it onto the New York stages as a dancer.

After achieving success sufficient to call for his sister, Vilma, to join him, the world was just about to become their oyster. Billing themselves as the Baby Astaires, one rave paragraph from the New York Daily Mirror’s powerful syndicated columnist Walter Winchell in 1930 found them swamped with over 90 offers for the couple to perform in clubs nationwide. Success was achieved for the devoted duo, ultimately leading to being signed by MGM studios for musicals.

The excitement over “Broadway Melody of 1936” found the duo teamed with Eleanor Powell and the movie led them to hope for even more success in films. Despite having caught the eye of famed director Charles Walter for being a beauty and a dancer, MGM no longer wanted Vilma, just Buddy. Crossroad number one. A decision was made for Buddy to go it alone. Vilma’s life would turn out “just fine” and she was deemed happy to have found two loves of her life, with two children to adore, and a modicum of delightful memories that co-owning and operating a California dance studio would bring. Buddy’s solo parts were great, but secondary, roles.

Buddy married his first wife, Ruth Cambridge in 1933, and they had two daughters, Elizabeth (Libby, d. 2002) and Alexandra (Alix). At 6’3” and limber, he developed a reputation for “eccentric dancing,” a unique genre. The thrill of a lifetime came in 1938 when Buddy was told by Arthur Freed that he was a “sure thing” for the part of the Scarecrow in an upcoming film, “The Wizard of Oz,” that MGM meant to give Disney’s 1937 “Snow White” a little competition in the fantasy genre. For once, Buddy allowed himself a moment to soak in the euphoria of success. It didn’t last.

When Ray Bolger appeared on the studio lot, Buddy knew immediately he’d never last in the role of the Scarecrow. He was right. Bolger got that part. However, there was a second-chance role for Ebsen—the Tin Man. The euphoria at being “saved” didn’t last long. After 10 days of filming on the “Oz” set, Ebsen succumbed to a toxic reaction when pure aluminum powder coated his lungs, almost asphyxiating him, and landed him in the hospital for weeks.

Miraculously, Ebsen recovered, but had lost the Tin Man part to Jack Haley, Jr. Ebsen’s involvement in the iconic project would remain unknown for 50 years. Buddy’s marriage to Ruth ultimately ended in January 1945. He didn’t speak of either disappointment to his family, he just followed the words of Pres. Calvin Coolidge, “Press on.”

The U.S. entry into World War II meant the enlistment of a patriotic Ebsen into the U.S. Coast Guard, having failed to get into the U.S. Navy (his first choice). His Coast Guard service would lead him to meet the second woman of his dreams, Nancy Wolcott, whom he would make his wife six days after the end of World War II. Fourteen months later, their first son, Christian Ebsen, III, would be born, but live only 22 days. The tragic loss presented the young couple with a new crossroad: would they continue to build a family? Three daughters later, Susannah (d. 2019), Cathy, Bonnie, Buddy was finding work acting in “B” westerns mostly, until 1954, when Walt Disney director Norman Foster recommended to Walt Disney that Buddy portray “Davy Crockett” in a series Walt was planning.

At long last Buddy might just have that starring role, but legend has it that James Arness was Walt’s first casting idea.

Until Walt Disney happened to see a Warner Brothers sci-fi film, “Them!” featuring James Arness, and in one scene was a young unknown named Fess Parker, whose plane goes down as UFOs that look like giant ants takes him out, and Fess comes unraveled.

Forget James Arness, forget Buddy Ebsen, Walt chooses Fess Parker as Davy Crockett. Buddy’s hopes of starring are again dashed. The phone rings the next day, though; seems Davy has a best friend, George Russel, and Buddy gets second billing (again). [Right: Fess Parker and Jim Arness in "Them."]

Not long after Buddy becomes a Walt Disney go-to for many things, last daughter Kiersten (Kiki), and son Dustin are born, and the Ebsen family had three age groupings with Kiki and Dusty as young children only knowing Dad as a TV star. Wasn’t everyone’s Dad on TV?

Time and fate would be kinder to Buddy. Television producer/creator Paul Henning saw Buddy on a TV show playing a backwoods hillbilly, and created the part of “Jed Clampett” specifically for Buddy, who—legend has it—had to be talked into the idea for the role by his agent, Jimmy McHugh, and Henning. During the nine-season run of “The Beverly Hillbillies,” a show consistently at the top of the Nielsen ratings, the show was frequently rated #1 each week.

In 1968, mid-Hillbillies, Buddy sailed and crewed his catamaran, "The Polynesian Concept," past James Arness’s “Seasmoke,” as he won the 2,400-miles Transpacific Multi-Hull Ocean race in 1968. Buddy came in first…again.

After CBS Programming Chief Fred Silverman pulled “rural shows” (“The Beverly Hillbillies,” “Green Acres,” “Petticoat Junction,” and “Mayberry RFD”) from its weekly lineup to seek a so-called highbrow audience, Buddy thought about retiring. But he was still young, at age 63. Meanwhile across town, producer Quinn Martin had scored weekly hits with “The FBI,” (1965–1974) and “The Fugitive” (1963–1967) and in 1972 Buddy’s agent got a call that Quinn was looking to stage a new detective show and was interested in him for the title role. [Photo: Quinn Martin gets his star on Hollywood's Walk of Fame, on the North side of the 6600 block of Hollywood Boulevard.]

Producers looking at Buddy in starring roles was now the new trend, for a pleasant change. Given that Quinn Martin had a plethora of detective procedurals running, Ebsen hesitated…until he heard that the character actually brought something new to the screen—a “foxy grandpa solving crimes”…that did the trick.

As “Barnaby Jones” from 1973–1980, Buddy Ebsen achieved acclaim and fame far surpassing his roles in Vaudeville, MGM films, Hollywood “B” westerns, and even the successful “Moon River” part as “Doc Golightly.”

After “Barnaby,” costarring with the beautiful Lee Meriwether and featuring newcomer Mark Shera, Ebsen did some stage plays at home, and began writing.

In 1984, Buddy was called to portray a character of “Uncle Roy” for ABC’s “Matt Houston,” a Texas oilman turned private eye, in a series created by Lawrence Gordon and produced by Aaron Spelling of prime-time drama fame. The series starred Lee Horsley and Pamela Hensley and gave Buddy another season of appearing in people’s homes each week in 1984-1985.

As fate would have it though, producer/creative Ron Howard wanted to cast Buddy in a new film he was making and because of contractual obligations to “Matt Houston,” Buddy couldn’t participate. During his 1986 acceptance speech for the Oscar, actor Don Ameche thanked Buddy Ebsen “for not being available to play the role” that Ameche would inherit. Another substantial potential honor lost, because of fate and the luck of the draw.

Parts won, parts lost, fame and fortune was always fleeting for anyone in the entertainment business. It’s one of the riskiest businesses outside of Wall Street. And yet, the rewards for any artist are not built around, nor are they measured by, numbers, statistics, awards, or intangibles. [Photo: Ron Howard surrounded by his cast of "Cocoon," the film he directed that was supposed to feature Buddy Ebsen, who could not appear because of his contractual obligation to his season in the TV show, "Matt Houston."]

Every day, if you do what you love, if you work with people you love, if you have the freedom to make your own plans or schedule, find a group of people who think in sync with the way you believe you want to approach a project, then you have arrived at success in life. The secret to Buddy Ebsen’s success was relentless perseverance of his goals, his ambitions, his dreams, and his ability to tune out the naysayers, to weed through the false or temporary friends, to find the highest caliber of agents and representatives who believed in him and fought for him, and in his own skill to bring his best to any project he was involved in.

“To Dad with Love: A Tribute to Buddy Ebsen” is a love song, written by his youngest daughter Kiki, to honor her dad’s spirit, his dreams, and his accomplishments during his lifetime. There was a costly price Buddy had to pay to be led by his artistic muse but it was not a permanent cost.

His relationship with Ruth created two daughters and brought him joy during the first phase of his career in New York; his relationship with Nancy created two sons and four daughters and brought him more family during the second phase of his career in Los Angeles. His marriage to his third wife and widow Dorothy provided joy during the third phase of his career, as a painter, writer, and bon vivant in a world whose bright lights he’d mostly had abandoned while raising his family. Fame, acclaim, and contentment were ultimately his, and after a lifetime of sacrifices, losses, near hits, near misses, and total obscurity for a time, the one thing that remained about Buddy Ebsen was his indefatigable spirit.

It is that same spirit which flows through the pen of his daughter Kiki, that resonates through her voice when she sings, through her limbs as she dances, and through his son Dustin when he assembled the photographic storyboard of seven decades of his father’s life. If he had only one thing to offer all of his children besides his love it was his soulful spirit of joy in working in the entertainment industry.

Kiki learned from him that no one hands you anything. You work to make your own opportunities. You persevere even when people shake their heads or don’t share your dreams. And you create new art because you must. It’s there to be created. All you have to do is allow the messages to come through and to present your very best self, surrounded by people who love, honor, trust, and regard you as a working professional artist.

StKi Productions, LLC Presents: "To Dad with Love: A Tribute to Buddy Ebsen" runs at Theatre West, 3333 Cahuenga Blvd., Los Angeles, CA. For tickets, visit BuddyEbsenTribute.com or theatrewest.org

“Remember, that of all the elements that comprise a human being, the most important, the most essential, the one that will sustain, transcend, overcome and vanquish obstacles is—Spirit!” ~~Buddy Ebsen

Ridgecrest Earthquake Didn’t Faze the Excitement of Kiki Ebsen’s “Jazzin’ Up the 5th of July" at Feinstein’s at Vitello’s

As she’d just concluded her medley, “You Are My Lucky Star” and “I Got a Feelin’ You’re Foolin’”) from “Broadway Melody of 1936,” entertainer Kiki Ebsen sat at the piano to sing “Missing You,” cowritten by her father, Buddy Ebsen, and his writing partner Zeke Manners. The song is emotional, powerful, and no one else but Kiki can bring it to life as she reflects on the seven-decade career of her father's history. But then a 7.1 earthquake came, at 8:13 p.m, just one day after the foreshock quake in Ridgecrest, CA that was felt as far away as Las Vegas, Nevada.

As the patrons of Feinstein’s at Vitello’s experienced the earthquake, Kiki remained entirely in control, noting to her crowd, "The exits are there (pointing) and there." She waited the minute for things to settle down, and stated casually, “Well, we’ll keep going now, and just remember if this is the end, you’ll hear my dulcet tones as we’re going into the next world.” The audience laughed, relieved. She said, "Not one of you went for the exits! This is MY kind of audience!" and the crowd again erupted with laughter.

She re-checked, “Are you all really okay?” They assured her they were. She announced, “This is a song called “Missing You,” but I’m a little concerned that if I sing it, the earth is going to start shaking again.” As though addressing her late parents, she continued, “Let’s cool it up there. When I ask for help, that’s not the kind of help I was asking for!” The audience laughed and, without missing a beat, she went easily into her song.

Videographer Gregory Gast captured the following video of Kiki, before, during and after the quake, and you just have to hear everything she says as she maintains complete calm while sending the audience into gales of laughter. That's the mark of a real professional! This lady deserves her own TV show. Priceless comedy combined with total calm, and she sings so beautifully. Kiki Ebsen is the real deal.

Clifford Bell, jazz and cabaret empressario, offered the perfect bon mot on Facebook. He posted a photo of Kiki onstage with the caption:

At Kiki Ebsen‘s fabulous show with a packed house at Feinstein’s At Vitello’s. And EARTHQUAKE. She handled it beautifully but that was a little like The Poseidon Adventure. And the Chandelier was swinging. I hope she sings ‘The Morning After.’

Kaylene Peoples, musician/composer/publisher, added: “We survived the rolling. Kiki Ebsen is the ultimate performer and handled the situation like the pro that she is!” Those were just two of the real-time social media posts that captured the excitement and the calm of the evening, securely in Kiki’s hands.

After the show, Ebsen said, “Naturally, I realized we'd had an earthquake, but I knew I had a responsibility to my audience to assure we were all safe, the staff was safe, and we could go on with our show, as that’s why everyone had come.” Longtime fan, Jeffrey Dalrymple from North Carolina, in town on business, came dressed Hollywood style; others also chose to adopt the style of the grand old days of Hollywood.

What a difference a new perspective can bring to a performer when they take the stage at a once familiar, yet newly redesigned, venue such as Feinstein’s at Vitello’s was last evening! The evening had just started with jazz instrumental "On Green Dolphin Street."

[L to R: Grant Geissman, Lee Meriwether, Kiki Ebsen, Debby Boone, and Kim Richmond; photo by Annette Lum.] Ebsen invited two dear longtime friends to join her, Grammy-winning singer, entertainer Debby Boone, and actress Lee Meriwether, two-time Golden Globe and Emmy nominee.

Kiki intended this show as a one-time tribute to the golden age of "Old Hollywood," and its brightest stars, including Meriwether. Kiki's teen years intersected with Buddy's "Barnaby Jones" days and she recalled occasional family celebrations in classic venues such as Chasen's and Musso & Frank's. For most of her teen years, the younger Ebsen children lived near the Santa Monica mountains, away from the bright lights, but still Kiki remembered the stories of the grandest days of Hollywood jazz.

She invited renowned jazz pianist Jeff Colella as Musical Director, along with dynamic drummer Kendall Kay, who has worked with Kiki since 1993, superb bass player Granville “Danny” Young, and inimitable saxophonist Kim Richmond (from their "K Project” jazz) to set the mood for the show she called “Jazzing Up the 5th of July.” [Below, L to R: Jeff Colella, Kiki Ebsen, Granville Young, Kendall Kay, and Kim Richmond; photo by Annette Lum.]

Three-time Emmy nominee for composing, jazz guitar great Grant Geissman joined Kiki on four songs. Geissman is prominent in Kiki’s Joni Mitchell Project band, and he's part of Kiki’s new CD of original songs, coming soon. Thus, the perfect evening was set.

Champion of the Great American Songbook, musician/conductor Michael Feinstein, had recently partnered with Vitello’s owner Brad Roen to debut the all-new Feinstein’s at Vitello’s. As the band opened the show with “On Green Dolphin Street,” a 1940s tune that went perfectly with the club’s new ambience.

As Ebsen took the stage, she continued the music of early Hollywood with “You Are My Lucky Star” and “I Got a Feelin’ You’re Foolin’,” both from the movie “Broadway Melody of 1936,” paying tribute to Buddy Ebsen's passing, July 6, 2003.

Kiki continued with “Devil May Care,” written by Harry Warren and Johnny Burke, then was delighted to bring actress and singer Lee Meriwether to the stage to sing “Rendezvous,” a song written by Buddy Ebsen and Zeke Manners. Beginning her Hollywood career officially when she was crowned Miss America 1955, Lee Ann Meriwether has been a star of film and stage for so long, it’s hard to name all the works she’s been famous for. One of her favorite roles, though, was as Buddy Ebsen’s daughter-in-law Betty, on CBS' “Barnaby Jones,” produced by the prolific Quinn Martin. For eight seasons audiences loved Lee, who's said often that she adored the opportunity to work with Buddy.

Ebsen followed with a powerful arrangement of “Twisted,” written by tenor saxophonist Wardell Gray, and lyrics by Annie Ross. Stories about growing up in Hollywood were shared between tunes. Before “Moon River” Ebsen related how excruciating it was as a child to see her father’s heart breaking on that screen every time that film was seen.

As she sang, one can imagine her childhood reaction seeing tears forming in his resplendent blue eyes. Of all the roles Buddy is known for in multiple arts genres, Kiki's audience was shocked to realize that he had achieved exactly “zero” nominations for EMMYs, Oscars, or Tony Awards. Perhaps that’s the secret to having an enduring career for seven decades—work so hard that you never have time for award nominations to catch up with you!

Following another instrumental, Grant Geissman joined Kiki for “Easy to Love” and “Why Dontcha Do Right?” followed by Kiki weaving her own magic around Joni Mitchell's “Goodbye Porkpie Hat.”

Ebsen then introduced longtime friend, Grammy-award winning singer, Debby Boone, to the stage. Boone shared precious memories of growing up with her family living across the street from the Dean Martin family. She then sang “Everybody Loves Somebody” in a poignant tribute to Martin. Debby's recent album, "Swing This," exhibits her mastery of the music she loves. Boone still tours the country in concert and occasionally performs her "Reflections of Rosemary" as a tribute to her late mother-in-law, Rosemary Clooney.

Kiki returned to the stage to sing “Codfish Ball,” from the Buddy Ebsen–Shirley Temple film, “Captain January.” Ebsen then pulled out a letter that Buddy had written during the filming of that movie, addressed to his parents in Florida. Buddy’s letter and Kiki’s reading of it, sharing insight into a young Shirley Temple were both hilarious. Her rapport with the audience is so clear as Kiki is always at home on stage.

As Ebsen performed “St. Louis Blues,” your mind could easily wander back to the 1958 film “St. Louis Blues,” the story of W. C. Handy, starring Eartha Kitt, and Nat King Cole, Ella Fitzgerald, Pearl Bailey, and Cab Calloway. Kiki mentioned she'd discovered a beautiful magazine photo of Eartha Kitt with her dad in Chasen's, enjoying martinis and conversation. That's part of old Hollywood evenings, time for cocktails, conversation, dinner, and music following. Today's Hollywood entertainment tries hard to recreate the "events" of yesteryear, but at least in the new Feinstein's, the setting is just right.

Ebsen prefaced her last song, “If I Only Had a Brain,” with the story of how Buddy Ebsen was cast as the Original Tin Man. She was joined by Grant Geissman for her powerful rendition as the audience reflected on what it had to have been like for Ebsen to hear he had a major role, as the Scarecrow, and the Tin Man. Yet, he never once revealed that heartbreak to his own children during his life. [Left: Grant Geissman and Kiki Ebsen; photo by Clifford Bell.]

There’s a favorite old saying, “Don’t miss something that only happens once in a lifetime.” As proof of its veracity, concluding the evening, Kiki invited Debby and Lee back to the stage. The trio blended on a priceless rendition of “Our Love Is Here to Stay,” showcasing the loving friendship and admiration shared by two Hollywood generations, each talented on their own.

Kiki then announced to the audience the fall debut of her newly expanded and revised stage presentation, “To Dad with Love: A Tribute to Buddy Ebsen,” set to premiere the weekend of September 6–8 at Hollywood’s oldest continually operating Theatre West. She also invited the audience to visit the ticket link at www.buddyebsentribute.com, to obtain a 20% discount from 7/6–7/22 for Early Bird general admission seats.

With that, the audience jumped to their feet, applauding, reacting to priceless moments of Hollywood magic they’d experienced, for a few fleeting hours in that special club. If you missed it because it was a sold-out show, you have another opportunity to get in on the beauty of more Hollywood excitement of a different type, coming this September.

There’s more magic in the true story of Buddy Ebsen’s legendary career. And with Kiki Ebsen as your guide to the past, you're guaranteed a magnificent presentation of his life, in song, story, and dance. No parent could hope to be remembered as beautifully as Kiki remembers her dad.

A favorite quote from Buddy Ebsen goes:

"Remember, that of all the elements that comprise a human being, the most important, the most essential, the one that will sustain, transcend, overcome and vanquish obstacles is--Spirit."

Just as she soared and flew on the wings of jazz at Feinstein's at Vitello's, continuing her father's tradition, even in the face of an earthquake, Kiki Ebsen will always move you with her spirit, style, and talent.

Lee Meriwether: For a Beautiful Leading Lady on Her Birthday

The titles that have been bestowed upon the lovely and talented Lee Ann Meriwether in her lifetime are numerous. As she celebrates her birthday today, I have been in reflection for many days as to how and why I will always remember this date as “hers” on my calendar. Here she is pictured receiving her crown from Miss America 1954, Evelyn Ay, in what was reportedly the very first live broadcast of the crowning ceremony on TV. The first title I ever learned she’d won was Miss America 1955.

And, I remember exactly where I was when I learned this fact. I was 9 years old and transfixed in front of the television watching an episode of “The Time Tunnel.” This show featured a scientific team, led by Robert Colbert as Dr. Doug Phillips, and teen idol/actor James Darren as Dr. Anthony Newman. They had a machine that involved setting all the target coordinates for time travel and the plot involved a question, the journey, the action, the mystery of whether or not they could return back to present day, and the heroics to get home. It was an early Irwin Allen production of merit.

When I informed my mother that Dr. McGregor was actually Lee Meriwether, as I was an avid credit watcher at a young age, my mother one-upped me and said, “Actually honey, that’s Lee Ann Meriwether, and she’s our Miss America from 1955.” I said, “She’s very intelligent, playing a doctor in a laboratory!” Mom’s reply was, Yes, dear, and she’s a real lady, you can just see it in how she carries herself.” I nodded and watched for that, too. That wouldn’t be the last time we spoke of her.

In the opening of ABC’s “The Time Tunnel,” you saw a colorful montage and ultimate title logo (in a perfect font) with theme music that set the stage for Irwin Allen’s journey. It was amusing to learn that a (very) young Johnny Williams, had written that, and that he’d also go on to write the theme from “Lost in Space.” His career, best known today as John Williams, continues to span six decades of unforgettable scores.

Fast forward a little bit in 1966. During an episode of “Batman” I recall exclaiming joyfully, “She’s Catwoman!! Lee Meriwether is Catwoman!!! And Batman is in trouble now!” Yes, I was only 10 years old, but I knew to look for my favorite actors across episode TV even then. As Batman progressed in its full TV and movie journey, I’d also see Julie Newman and Eartha Kitt portraying Catwoman. All were good, at being bad girls, but my favorite was already Lee. Another note to self: Bad girls certainly were glamorous. I'd remember that, too.

I gave some serious thought to being a crime fighter, having been influenced earlier by Dame Diana Rigg as the inimitable Mrs. Peel on “The Avengers.” It was going to be hard to be naughty like Catwoman when all my instincts were to be a crimefighter like Mrs. Peel.

You'll remember there are three actresses who portrayed Catwoman, Julie Newman, Lee Meriwether, and Eartha Kitt (pictured). After enjoying her portrayal of such a diverse character change, I realized that I, too, could shift gears anytime I wanted to, and I found myself less interested in science and more interested in the behind-the-scenes of TV productions. My credit watching grew even more intense as I was determined to master the minutia of who did what on what shows, studying how certain talents crossed over between shows, loyal to one network or another, and I almost thought that would be my future career, again behind the scenes. Options...there were always career options; that was my takeway from seeing Dr. Ann McGregor to Catwoman from the same lovely actress.

During high school and college, TV time was tighter but I always made time for “Barnaby Jones,” where I found her again as “Betty Jones,” co-star to Buddy Ebsen and a very capable detective’s assistant who played perfectly with Ebsen’s “Barnaby” character. Betty was behind the scenes of some of Barnaby's breakthroughs and thanks to some brilliant acting, I learned that you could say more with looks and reactions than with two pages of dialogue filling up a script. I filed that fact in the back of my mind for future reference.

I was lucky enough to have her there for eight seasons. Through her role, the role of assistant to a forensic detective with his own in-office laboratory looked just fine as a career choice from this side of the screen! She always looked so capable, and it felt like it went far beyond acting talent. It would be clear later that her projection of confidence invoked confidence in me. Message sent and received. I'd use this fact a few decades later when having to address a room full of scientists on the topic of quantum mechanics. My pre-talk preparation included reminding myself that "Look like you believe in what you're saying, even if you don't!" Thanks to "Betty" with a dash of Susan Lucci's "Erica" thrown in for good measure, I made it through quantum mechanics. I should have sent her a thank-you note...but...

Lee spent a good portion of her career (my graduate school days) acting in movies with occasional guest spots on TV shows. Lee didn’t know this but she was an early role model for me, one I recalled as I was busy carving out my graduate studies in physical chemistry, stuck in the library or the lab most of the time doing research. Turns out I wasn’t the only one. On Father’s Day 2016, I was fortunate to attend Kiki Ebsen’s cabaret version of her theatre show “To Dad with Love,” where Lee Meriwether and her daughter Lesley Aletter were special guests.

Following the show I waited in a (long) line of people waiting to speak with Kiki and Lee, and said to Lee, “Thank you so much for being such a beautiful role model. I went to grad school in science because you made it look beautiful and fun!” She was so gracious, noting “Over the years, I’ve had so many women (and men) come up to me today and say that her year as Dr. Ann McGregor had made such an impact on them, that they, too, earned PhD degrees.” Some were working at NASA and others in chemical laboratories. It was predictable and yet adorable, how she was so modest and humble about inspiring the youth of the day to strive for advanced degrees.

Now, Lee had made it look delightful and even glamorous to be in a lab with a clipboard while wearing makeup. Reality was that my white lab coat had a “Mr. Bill” character over the back saying, “Oh Nooooo!” because I taught chemistry and empathized with my students about the work it was going to bring. I did strive to be like Lee but my lab coat had a few hard-earned ink stains and a few mementos of various reagents.

Life went on and one day in 1996 while playing back the “Beta” recording of “All My Children,” there Lee was again! A complete surprise, I was delighted to see her taking on the role of “Ruth Martin,” one that had been identified so closely with actress Mary Fickett, who inaugurated that role from the beginning of the show on January 5, 1970. That day matched the month and year I’d begun watching Agnes Nixon’s best daytime TV creation and I was one of the regulars who followed the show whenever time and videotape permitted.

Lee’s entrée to this show was opposite actor Ray MacDonnell as Dr. Joe Martin, and to switch out “Ruth Martin” was rather groundbreaking for the show. Frankly, Lee was the only actress who could immediately become known for and “as” a role that had been the mainstay identity of Mary Fickett for 26 years! For the next two years, she held audiences’ favor until Mary Fickett decided to unretire and returned to the show in 1998. Mary stayed two more years and then retired again and Lee returned once again in 2002. Even today, she’s beloved by the acting ensemble of “All My Children” as “one of Pine Valley’s originals.” Equal acceptance and adoration for both actresses highlights her abilities.

Lee’s popularity as actress and voice talent moved forward into the 21st century as she took on the role of “Miss Hastings” with James Garner in “The Ultimate Gift,” a film that’s shown regularly on the Hallmark Channel. She also starred in the sequels, “The Ultimate Life” and “The Ultimate Legacy.” She had an abundant tv career with guest appearances on episodic TV including five roles in 2018 alone.

Because she played in one episode of “Star Trek,” and multiple times in “Batman” and “The Time Tunnel,” Lee spent the past several years traveling as a special guest at Comic Con events, to the delight of everyone there. She patiently posed for photos, answered multiple questions multiple times, and is as gracious today as she was when first greeting the public as Miss America.

Her life and home and away from home, however, has been one of first loves, the team at Theatre West. In recent years during her involvement, her dearest friend, the late Linda L. Rand, was often her sidekick in all good things and joyous occasions. On Feb. 10, 2018, a sold-out audience enjoyed a star-studded tribute to her in “Love Letters to Lee Meriwether,” coinciding with the 55th anniversary of Theatre West. Both James Darren and Robert Colbert were there from “The Time Tunnel,” Betty Garrett’s sons, Garrett Parks and Andrew Parks, represented their mother and father (Larry Parks) in saluting her, as did Kiki Ebsen, representing her father, Buddy Ebsen, in paying tribute and sharing fond memories, as did so many others.

Lee’s involvement in Theatre West spans many decades as both board member and actress. Her stage involvement is of long-standing. Her one-woman rendition of the show “The Women of Spoon River” was highly acclaimed. In April 2000, she starred in Doug Haverty’s play, “Come Baby, Cradle and All,” the world premiere at Theatre West; at age 78 she starred in William Blinn’s play, “A Short Stay at Carranor,” and in the Los Angeles Times, she referenced the longevity and bright career of her former co-star, Buddy Ebsen: “He really worked at being at the top of his game. You had to keep up with him. I adored him. I think he had feelings for me too.”

In February, 2018, coincident with the event “Love Letters to Lee,” Theatre West members paid tribute to her talents, as seen in this beautiful YouTube salute:

This is just a sampling of the heartfelt thoughts and memories of theatre colleagues—playwrights, actors, producers and directors. In December 2015, Lee was invited by Cabarabia producer Clifford Bell to participate in his and Tiffany Bailey’s showcase, “Season’s Greetings from the Corner of Jazz and Cabaret.” Lee’s medley had a funny story that she shared, and unsurprisingly it involved Theatre West. Enjoy it here:

As she celebrates her 84th birthday today, Lee is fortunate to have two her loving daughters, Lesley Aletter and Kyle Aletter, as the best gifts in her life she can count among the likely multiple accolades via social media, phone calls, and good old-fashioned greeting cards she received today. Her birthday was listed first in newspapers across the country today, as just one small example of how faithfully she is remembered by those she will never know or meet in person.

Last summer, Lee was out on the town with her daughter Lesley and dear friend, the late Linda Rand, to hear Kiki Ebsen sing jazz at the San Gabriel Mission Playhouse. Sharing this picture because no matter where she is, you will always see Lee smiling, from the inside out.

L to R: Lesley Aletter, Linda L. Rand, Kiki Ebsen, and Lee Meriwether [Photo: Steve Wallace]

In this way she reminds us that projecting joy is a great way to feel that joy. Lee continues to be an advocate for live theatre, one “home base” that she loves so much. For just this one writer, I will always appreciate the example of beauty, grace, style, class, intelligence, strength of character, devotion to family, and the ability to take whatever life throws at you and never look dismayed or perturbed as “life happens.” She’s been a role model to so many for so long.

Today, she stands as an example of elegance as a gently aging star in our present-day galaxy. Hollywood needs to return to that day and time where people took time to prepare thoroughly for the roles we play in life. It was best in a day and time in life where we were kind and gracious to others, mentoring those behind us, while paying tribute to those who paved the way for us. Perhaps we can return to that kind of life once again. There’s always hope.

Love, light, laughter, and bouquets of pink roses to Lee. Happy birthday and many, many more.

Reflections on “Sizzling Cold Case” (The Legend of Lori London) — A Barnaby Jones Novel (by Buddy Ebsen with Darlene Quinn)

The original plan for the book “Sizzling Cold Case,” by Buddy Ebsen with Darlene Quinn, was originally intended to be a teleplay, but author Buddy Ebsen also realized it could be a standalone book as well. He’d filled many yellow legal pads with his handwritten prose (his favored way of writing) with exactly that dual intent, before he became ill and died on July 6, 2003 at age 95. His widow, Dorothy Ebsen, was determined to share his final book with all who loved him, as her collective gift to her husband’s fans. Enter family friend and author Darlene Quinn, who was clearly the right person to take Buddy’s manuscript and complete it.

This information was learned from listening to a recent interview shared on Kiki Ebsen’s web site, “Buddy Ebsen Birthday Chat,”—a lovely discussion between Kiki, Dorothy Ebsen and Darlene Quinn. They reminisced over some great memories, and shared some insight on the book. First published in hardback, and later in paperback and for Kindle, there’s an entirely new format that caught my eye, or ear, rather—audiobook.

Chalk it up to a nice quality of William E. Fortier’s voice as narrator, but while listening, it was so easy to visualize the old television show “Barnaby Jones” episodes I used to watch that I thought I was right back in the 1970s waiting for the familiar theme by Jerry Goldsmith to come on and open the CBS weekly program.

As you hear the theme, you see the puzzle piece-type squares coming together to read “Barnaby Jones, A QM Production,” and the opening photo of Buddy dressed in a blue suit and tie that compliments his eyes. Remember, he’s reading a report at his desk? I listened to the announcer, Henry F. (Hank) Simms, saying “Barnaby Jones, starring Buddy Ebsen” followed by “Also starring, Lee Meriwether” followed by his saying “with Guest Stars”…and then at the very end, you could see the final “A QM Production” slate again.

From the very opening chapter (there are 66 of them) in the book, you’re pulled back into Barnaby’s reminiscence of how his son, Hal, had been murdered, and now a thread from the past introduced a connection to understanding what really happened in what would be Hal’s last case that he was working on before his death. The reopening of the Lori London case began immediately.

Hearing the scene describing a location familiar to everyone who lives in or has toured Los Angeles…the iconic Walk of Fame on Hollywood Boulevard. It is there where Barnaby surveils someone putting a single rose on the star of the late actress Lori London, whose life story is central to the theme of the book and whose passing was previously considered a suicide, when Barnaby’s late son, Hal, didn’t believe that for a minute. Barnaby takes up where Hal left off, even though it had been a few years since he’d been active.

Also, watching this event from a different purview is a newly christened detective, Craig Scott, and then the story takes off. A red Ferrari driven by a gentleman who placed a red rose on the sidewalk, stood silently for a moment, and as fast as that car drives away, you’re whisked away on quite the adventure. Cold cases are always the most interesting of mysteries for any reader to unravel, because you must learn the predicate of the case, then you think through along with the detective about current events and wonder how to deconstruct the case to ultimately find a correct logical solution to the crime that was mis-solved and remained unsolved all this time.

The dialogue is fresh and really, it’s just as though you’d stepped into Barnaby’s world just a few years later. Barnaby Jones was so much more than a milk-drinking crime-solver who knew what Geritol was and how to use it. Originally, he was the lead partner and father in a father-son detective agency, Jones & Jones. Further, Barnaby was different than virtually every other Quinn Martin series detective in that he was a forensic scientist and criminologist. You used to see him in his home laboratory with test tubes, Bunsen burners, beakers and all the trappings of forensics pre-Abby Sciuto’s lab in “NCIS.”

So, aside from a propensity to wear a carnation or drink a glass of milk, two charming contrived visuals from Edward Hume (who also created “Cannon,” “The Streets of San Francisco,” and “Toma”), he’s the very same man. The first episode of Barnaby Jones, “Requiem for a Son,” “found a retired Barnaby leaving retirement to find his son’s killer.”

Therefore, in Buddy’s mind, when circumstances of his late son’s final case, which Hal knew not to be a suicide, were resurrected and refreshed, one more time (Buddy decided) that Barnaby would leave retirement and solve the incorrectly resolved case. Thus, the plot is perfectly plausible in 2017 as it was in 2002 when Buddy began working on it.

Once again, he envisioned Hal Jones’ wife Betty, Lee Meriwether, had been the agency’s right hand for before and since her husband’s death would be part of the story, although in more cursory fashion. The reminder of beautiful Lee Meriwether was a lovely memory to consider; even Jedediah (played on TV by Mark Shera) makes an appearance in the novel, though Fortier gives him a less strong character voice possibly to express youthfulness.

So, why should you acquire this book (reprints are available in paperback on Amazon.com) some 37 years after the TV show ended? Because you won’t be disappointed. So many times when we revisit beloved childhood favorites (for Baby Boomers) or contemporary friends (among the Greatest Generation), we end up wishing we hadn’t gone there. Remakes of movies such as “Bewitched” or breathing new life into “Full House” is an example of returns to the originals gone wrong.

On the other hand, the “new” Barnaby Jones novel, is an extremely successful journey back home, to the days when TV detectives caught the bad guys without “CSI,” “Law & Order,” and the invention of the word “procedurals” to describe 60-minute (or 48-minute) storyboards where you already knew who-dun-it and had to watch the good guys catch the bad guys. This time, you get to walk alongside Barnaby and use your own deductive reasoning to consider who might be the bad actor in the case. When Barnaby resolves the case, you might (or might not) know who did it. The joy is in the journey of looking for clues on your path. Thanks to Darlene Quinn, we all have a fun book to enjoy, one which helps us relive the grand old days of detectives we know and loved.

You can find more info on Ms. Quinn's other books on her web site. Barnaby Jones was, and remains, a thinking person’s detective, armed with an equal dose of charm, sage pondering, and reflective questioning before settling on an answer, and a perpetrator. It’s great television of yesteryear and fulfilling reading/listening present day. Get the book, in whatever format you want it. Case closed.

Clifford Bell Finds the Corner of Jazz and Cabaret is a Perfect Avenue for Philanthropy

Have you heard about “Season’s Greetings from the Corner of Jazz and Cabaret”? Set for Sunday, Dec. 20, at 7:00 p.m. in the popular E Spot Lounge in Studio City, California, all the buzz on Facebook promises an unforgettable evening of holiday music, jazz standards, and Broadway entertainment. Producers Tiffany Bailey and Clifford Bell are hosting a benefit in support of vocalist Kiki Ebsen’s nonprofit, The Healing Equine Ranch, in Agoura Hills. In an interview exclusively for examiner.com, Clifford Bell told us how plans for this incredible evening happened.

It was classic Hollywood kismet, where the universe reached out to a central LA jazz force, to begin a conversation with a cosmic Broadway and cabaret producer. Together they agreed that audiences love bringing jazz and cabaret together for an evening. Discussion ensued, and cosmic brilliance happened. Oh, and the elegant, talented actress and singer, Lee Meriwether, is the surprise angel, who floats down to top the beautiful musical Christmas tree they’re decorating for just one night. Only in Hollywood.

Cathy Segal-Garcia is known best as an acclaimed jazz performer, recording artist and international vocal leader and mentor, whose inspirational workshops have launched many career artists. There’s a reason she was nominated for the Jazz Del Corazon Award this year (“or Women Movers-and-Shakers of the L.A. Jazz scene”). Clifford Bell, replete with an impressive Broadway and cabaret producer, talent managing, and entertainment resume, brings all his talents to the discussion.

Then, Cathy immediately recommended Kiki Ebsen, whose recent concert evenings singing jazz in New York and Los Angeles have actually started to overarch her golden reputation as a first-call touring singer and musician. The conversation is then even more animated and exciting, exploring the possibilities.

Ultimately, the organizational plan for the event went safely into Bell’s hands, as his other credits include producing and directing beloved TV and film actors from Broadway stages and performing arts centers. If you’ve never heard Peter Gallagher (“The Good Wife,” “The O.C.,” “While You Were Sleeping”) sing, you’ve missed out. Actress, comedienne, and Golden Globe winner, Katey Sagal (“Sons of Anarchy,” “Married with Children”), a powerful vocalist, and her band, toured the country under Bell’s direction.

Conversation continues as Bell brought in his newest friend to co-produce; Tiffany Bailey is a talented singer whose career work includes the nonprofit “Autism Speaks.” Bell staged his Thanksgiving-themed “Giving Thanks” concert in November for Bailey’s favorite cause. Now picture what happens when the conversation ramps up. These “discussions” resulted in what promises to be an unforgettable night of music at The E Spot Lounge, a popular intimate venue above Vitello’s in Studio City.

(Photo by Greg Spurlock: Tiffany Bailey, Al Garcia, Dori Amarilio)

So, when Clifford heard Kiki Ebsen’s album, “Scarecrow Sessions,” produced by David Mann, a comprehensive jazz tribute to the music of Buddy Ebsen’s (her father) career, he invited Kiki to join him in discussing her music career as well as her equal passion, The Healing Equine Ranch, and its mission. His interview with Kiki on his “Cabarabia” podcast on Global Voices Broadcasting with Dec. 14 can be heard here.

And now a few words about the surprise. One of Buddy Ebsen’s premiere television roles was his show, “Barnaby Jones,” co-starring the lovely and talented Lee Meriwether. From the day she earned the title of Miss America, until present day, Meriwether has remained a consummate talent and beauty, still very active in films. A colleague of Bell’s had worked with Lee in an independent film that garnered close to 20 Film Festival awards. And, she’d been a recent guest on Clifford Cabarabia podcast. Said Bell, “She’s every bit as lovely as she always was, sweet as she can be.” So, with the upcoming event in the works, Clifford was determined to surprise Kiki. He invited Meriwether to the event in support Kiki’s The Healing Equine Ranch, she immediately accepted, saying, “Absolutely, I’d love to join you all.” The chance for Kiki to be reunited with Lee, such a dear friend and respected colleague of Buddy’s —in support of The Healing Equine Ranch—was destined to be the brightest package under Kiki’s Christmas tree this season. Thus, it’s appropriate for Clifford to be wearing that Santa hat you see in the profile photo!

(Photo: Kiki Ebsen and Lee Meriwether, Photo by Greg Spurlock)

Bell also shared about the talented singers assembled for the evening: “Francesca Amari is a very celebrated cabaret performer, who just had a very successful engagement in New York, with her tribute show about Gilda Radner, celebrating the 40th year since Gilda began her career on “Saturday Night Live.”

Valerie Swift Bird has had a career in musical theatre and dance, played Cassie in “A Chorus Line” and she’s transitioning into a career in jazz. “She’s very beautiful and she’s going to do a really fun set.” L. Aviva Diamond is “a newcomer to the jazz scene and she’s fascinating, because she has a background as an award-winning network TV journalist. She was an on-air reporter, tracking down amazing stories, and she’s had a lot of success as a fine artist. About a year ago, Aviva began classes with Cathy, and this show will be her very first jazz debut. She will be wonderful!”

(Photo Right: Greg Spurlock Photo, Tiffany Bailey and Valerie Swift Bird.)

Daniel Friedman is a friend of Tiffany Bailey’s, Bell explained. “He is a talented cantor who has this gorgeous voice. And, he spent 20 years on Broadway with a wonderful musical career, including “Cats” and “Les Miserables.” He is an amazing singer.”

“Cathy also invited the lovely and talent vocalist, Karen Celeste Kruz to join us; Karen and Al Garcia (our bass player for the evening) are a very popular musical duo here; they will both get raves!”

David Lucky is a “very celebrated singer/songwriter who is coming up the ranks. Virtually every review of his performances reflects his style as being a very young Randy Newman in many ways. He plays the piano and writes really brilliant, funny, moving songs; he’s a really hot property in the cabaret world,” Clifford allows.

Bell said, “What’s so exciting to me is the hybrid of the theatrical, lyric-driven cabaret people and the jazz people, where the emphasis is most on the musicianship , compared to the lyrical aspect, while focused on the tempos and the rhythms. That’s a very broad distinction, but I’m always a big proponent of mixing it up, because the two forms really do belong together, and many will appreciate the chemistry among the group of people we’ve gathered for the evening.”

Bryan Miller is one of the “kings of the piano bar world in Los Angeles and has been so for many years here. He and his partner, singer Gilmore Rizzo, are fantastic together and have a lot of fun, crowd-pleasing entertainment-oriented shows that are vastly popular here!”

Alexandra Theodora Spurlock, at age 18, has just completed her first semester at the Boston Conservatory of Music. “She’s a young woman who I’ve had the privilege of working with since she was 14 years old. An exceptional talent, the best way to describe her is as a powerhouse belter. That says it all.” “This ingénue will raise the roof,” Bell assures.

Of Kiki Ebsen, Bell shared on his Facebook page, “Her CD, ‘Scarecrow Sessions’ is so exquisite and heartwarming that I spent the evening wrapped in its spell…beautifully conceived and executed; first class vocals, arrangements, and production.”

Photo by Greg Spurlock: Clifford Bell, Kiki Ebsen, Lee Meriwether

Now, making all the great music happen behind this vocal collective, the band for the evening includes musical directors Mark Massey and Steve Rawlins on piano. Bell said, “Both are extraordinary guys with big jazz chops. Rawlins tours a lot with Steve March-Tormé, Mel’s son, and he’s written several books on jazz arranging; he’s very accomplished.” Mark Massey, I met through Karen about six months ago, and he is unbelievable, jaw-dropping great.” Dori Amarilio on guitar is truly outstanding; and we’re delighted to welcome Al Garcia on bass for the first time this evening.” “Tom Bowe has been on drums on virtually every show I produce; he’s just the best,” allowed Bell, who will direct the entire evening.

Set for Sunday, Dec. 20, from 7:00 – 9:00 p.m., at The E Spot Lounge in Studio City, upstairs in Vitello’s Restaurant. Click here for VIP and general admission ticket info. If you don’t have tickets yet, you’re going to want to move quickly. The mission of The Healing Equine Ranch, “to educate, empower, and enlighten people through the natural interaction with horses,” is definitely in good hands, and can be located in Studio City, California on Sunday night, at the corner of jazz and cabaret.