It’s only one hour north of Chicago to discover a hidden gem concert venue near the popular resort area of Lake Geneva, Wisconsin. Specifically nestled in beautiful Williams Bay, Wisconsin, is an intimate concert venue that has combined the beauty of an historic setting, and made it into a thriving scene of music entertainment. On Sept. 15 and 16, it will be home to capacity crowds who come to see The Buckinghams in concert.
It’s easy to get to. From their web site, belfrymusictheatre.com, it is located 6 miles West of Lake Geneva, Wisconsin just south of Highway 50 on the corner of Highway 67 and Bailey Road. To assist you in planning your visit, visit their web site to show you exactly how to get there from Milwaukee, Chicago, and other locales. They’ve already done the heavy lifting for you with suggested lodging, lunch and dining options, and free parking to boot. This is a vacation destination!
On Friday and Saturday, Sept. 15 and 16, though, the music of The Buckinghams will ring through the theatre, bringing the best of their 1960s hits and 1970s classic rock favorites in a setting where every seat is a “best seat in the house.” That’s the beauty of intimate venues.
As of this writing, the Saturday, Sept. 16 show is 100% sold out and some tickets remain for the Friday, Sept. 15th show but act NOW. Don’t wait. You don’t want to miss this very special weekend of The Buckinghams at Lake Geneva! Tickets range from $42 to $57 and can be purchased at https://www.belfrymusictheatre.com/event/buckinghams.php
It’s the perfect way to wrap up the 50th anniversary of the Summer of Love as fall ushers in a changing of the seasons. And be sure and sign up for their mailing list. You never know who’s coming, but it’s guaranteed there will be tremendous music ahead for you to enjoy.
For a long time now, too long in fact, vocalist and musician Gigi Worth has been content to reside on the other side of the spotlight, but no longer. It’s most fitting for her to be seen and known by more than just the vast community of Grammy-winning multiplatinum recording artists and concert headliners who call on her to tour with them or sing on their records.
Now, you already actually know Gigi, at least her voice, very well in fact. Even if you don’t get to many live concerts, you’ll instantly recognize the standout style of the charming brunette, who graces numerous videos on YouTube as a featured backing vocalist, master percussionist or guitarist.
You might have seen her on tour with Michael McDonald, Kenny Loggins, or years ago when she stepped forward on tour to sing a duet with Christopher Cross on “Open Up My Window.” Gigi is also featured singing with him on Cross’ 1995 CD, “Window.”
Or you’ve possibly watched Gigi playing killer percussion while singing. Yes, drummers can sing and drum at the same time, well many of them at least. Or, sometimes Gigi just brings her own (anonymous) guitar brilliance to support Christopher Cross’ angelic “Words of Wisdom” as in this video.
Ever watch Don Johnson in “Nash Bridges”? From 1996–2000, Gigi was the one singing the theme song at the show’s opening. Remember the Val Kilmer movie, “At First Sight”? The exceptional vocal on the movie theme, “Love is Where You Are” is indeed all Gigi. Others have covered the song, but the best version belongs to Gigi, unquestionably.
The soundtrack from “Mr. Holland’s Opus” also belongs to Gigi. She’s a prolific studio singer who’s been requested by so many heralded artists to sing on their records as she makes those vocals “hers.” That’s a producer’s dream to find a talent who can do that.
You know Worth’s voice even if you can’t see her, because it is “her” voice that undergirds many signature premier television and radio commercial jingles for national accounts like Toyota, IBM, and Ford, but it doesn’t even phase her. What’s more you’ll never hear her discuss it. She may speak of “working on a project” but that’s it, according to friends who know her well.
How many singers would just love being “the voice of a brand” and then be so excited to tell everyone they knew? Not Gigi. That’s part of her professionalism, though. As a working professional singer and musician, she’d almost be content to be on the sidelines just doing her job, but she really belongs out front in the spotlight, for a change, and from the looks of things, she’s on her way. Once you meet her and hear her sing, unplugged, she’s absolutely unforgettable—a gentle dichotomy of bold reticence. And just call her Gigi. That’s really all you need to identify her.
One of the most beautiful songs from Gigi Worth's solo CD, "Skylark" is "Embraceable You." Her exquisite vocals lift the song to a new level of beauty.
Gigi’s debut solo CD, “Skylark” is quite the masterpiece and revisits the most beautiful standards ever recorded by the generation that preceded her. Songs like ‘Tenderly,” “Come Rain or Come Shine,” “Almost Like Being in Love,” “Embraceable You,” and “Moonlight in Vermont” belong to the generation of her mother, the exquisite singer and musician Gisele MacKenzie. In fact, Gigi actually recorded the album as a tribute to her mother, who appeared on television, radio, and in commercials for products in Canada and the United States.
A standout, must-hear track of all the beautiful ones, is “Stranger in Paradise,” on which Sony BMG gave their permission to use her mother’s version so that Gigi could add her harmonies on the song. The result is simply phenomenal, almost bringing tears to your eyes except that it’s so uplifting to hear the familial voices resplendent in crossing over time and space.
Gigi’s unique vocal skills remind you that one minute she can be singing “Cry Me a River,” and the next minute she can strum her guitar exactly like Joni does and sing Mitchell’s “Just Like This Train” to perfection. Her go-to bassist Steven Lawrence is on this CD and did the musical arrangement on “Embraceable You” and “Let’s Make a Go of It” (coauthored by Gigi, Catherine Beck and Steven Lawrence).
The CD, “Skylark,” has a special and poignant story behind it, and how it came to be released some ten years ago. There’s a beautiful story from 2011 shared by Susan Frances in “Jazz Review,” wherein Gigi relates how the earliest works in recording the album with her Executive Producer, arranger and keyboardist, Bobby Zee, were literally destroyed in a fire that burned his home and recording studio.
Imagine the feelings of devastation that followed. And yet, both Zee and Gigi agreed they, like the phoenix, would rise from the proverbial ashes and start over. The end result is outstanding and an important must-have for your collection. It’s available from CD Baby, but suggest you get the CD rather than the download as you will want to read the liner notes for the stories behind the songs, plus have the chance to see Gigi’s beloved horse, Miss Easy Street.
The opportunity to meet Gigi Worth came, thanks to her good friend and fellow musician, Kiki Ebsen, who invited this journalist for a behind-the-scenes look at their collaborative band, Trouble Child. Rehearsals were in progress, and the set list was taking shape for the band’s debut at Kiki’s peace.harmony concert at the Healing Equine Ranch earlier this year.
Gigi Worth sings "Free Man in Paris" in debut of Trouble Child, Joni Mitchell tribute concert.
It was a cool but sunny afternoon when the longstanding friends arrived simultaneously at the California home of fellow singer-songwriter and music professional, Guy Thomas. As Gigi unlocked the passenger door, a beautiful whippet named Tippy exited gracefully. “Tippy Whippetsworth” was there as I was, to hear the trio rehearse.
Multitalented musician Gigi Worth and her beloved Tippy Whippetsworth, who has an all-access pass and a great view of the stage.
Worth opened up her case, took out her guitar and then placed her coat inside to line the case. Tippy waited patiently while Mom did that and then curled right up in the case and Gigi covered her up. Rehearsal could begin. Thomas’ dogs Woofie and Sadie (whom Gigi insists on calling ‘Cabbagehead’ for fun) took their places and work began. Guy and Gigi have been playing music as a duo in many venues across Los Angeles recently and they work so well together.
Gigi and Kiki are longtime friends who have also worked together as the beautiful, talented bookends framing the stage with Grammy-winner Christopher Cross for several international tours. Check out some of their tour work as they perform “Alibi.”
Now, in previous rehearsals Kiki and Gigi had already carefully reviewed and considered Joni’s abundant catalog to choose 22 songs from which they would create their musical mosaic. So, this work session would determine which songs to which Guy would be bringing his brilliant guitar solos or adding in a third voice on harmonies. He loves Joni Mitchell’s songs possibly even more than Gigi or Kiki, though that’s a pretty high bar to meet.
Let’s just say that each is equivalently versed in every nuance of Mitchell’s collective body of work. The masters working on the masterworks is basically what was observed by this writer (and Tippy, Sadie, and Woofie). The quality was exceptional and the search for perfection was inspirational that afternoon.
The three-octave range that Joni had as she originally composed so many of these songs was met effortlessly by Worth and Ebsen. Give them a song, any song; they have it down. Gigi can sing brilliantly and richly in the highest parts of Joni’s songs, or she can shift right into alto parts and blend wherever it is called for, and she makes it all look easy. Gigi also has a grand time playing all the songs she knows by virtually any artist.
Yet, despite a disarming, genuine smile, Gigi is one of the most highly demanding artists you’d ever hope to meet. Yet, it’s only of herself that she demands it, that perfection she seeks to deliver, and she’s hard on herself at times because she won’t settle when she’s called upon to sing Joni’s songs. It’s touching to see how one amazing iconic talent, Joni, has inspired such devotion and discipline for these amazing professionals to “bring it” to do her music such justice.
Kiki and Gigi cofounded this band to honor and perform the music of Joni Mitchell, whom they revere and respect as iconic, influential, trendsetting and unique, the exact same properties many agree they each have as individual artists. When you put the two singers together, musical magic and harmonies emerged that even Mitchell herself would undoubtedly approve.
The concert was already sold out, but online viewing was going to be provided courtesy of the exciting new collaborative, Alert the Globe, who was filming the event for later broadcast and for some exciting simulcasting. The actual concert day and events preceding the concert are described in related articles regarding Kiki Ebsen's peace.harmony concert series at The Healing Equine Ranch.
After the gift of being able to watch Gigi Worth rehearse and later perform in concert later in the week it must be said that she still does not see what all the fuss is about. To her, it’s just what she does. And she loves what she does. Yet, when the audiences and her music colleagues shared their praise and regard for her gifts, she seemed not to understand why they were making such a big fuss over her vocal talents.
It’s likely because, and they all had this in common, they view their voices as their gifts and instruments, they take care of them, and when they are called upon to use their talents to entertain, they are entirely focused on the work, the music, the perfection in delivering the right notes, and they forget to take the time to hear the accolades.
Fortunately, the Alert the Globe network was on hand, thanks to Gary Bergeson, Southern California radio personality at KSBR Radio (he is also affiliated with Alert the Globe), the premiere Trouble Child concert was filmed for a future broadcast and some video clips are sure to emerge. It will be then, and only then, when she hears herself sing that Gigi Worth will finally understand what all the fuss is about.
Speaking of making a fuss, it can be a challenge for Gigi, having a famous, superbly talented mother (who was a television star, host of her own shows, plus a gifted violinist and concert-caliber pianist to boot). Just ask her good friend Kiki Ebsen, who also is finally being seen as the individual talent she has long been, separate and apart from her father (who was a television star, motion picture actor, vaudeville dancer, music composer and artist) and mother (who was a gifted theatre producer and exquisite writer).
Bassist Steven Lawrence had that in common also, as his parents were well known California studio and television singers for several television programs in the 1960s. And Gisele used to favor Steve with the praise by introducing him as “the talented one.” Gigi jokes about it all the time as Lawrence is like her second brother and he does look out for his little sister, whom he fondly calls “My Geege.”
Steven lost his sister, Jules, whom he called “the joy of my life,” to ovarian cancer far too soon, so it would appear that into that void in his heart, he was gifted with another soul to whom he could be brother (and allowed to pick on her just like any annoying brother is capable of doing). Life is full of grand gifts and surprises in times of the most tragic events. A special spirit is everywhere it is needed, it seems.
It’s not about whose daughter or son you are (anymore) that defines the second-generation progeny first and best. Forget their last names or the body of work of their parents. Instead, focus on the voices and faces in front of you and just know they all had great examples by which to develop a professional work ethic. That’s their big secret advantage: they show up prepared and work.
You can call her Gigi MacKenzie if you want to order the CD, “Skylark” or you can call her Gigi Worth, when she’s touring on stage with the Grammy winners like Michael McDonald or Kenny Loggins most recently. But really, this down-to-earth talent with the ethereal voice and tremendous sense of rhythm is best known by only one name.
She’s the unforgettable artist with a voice that heals by creating harmony in a time and place for audiences in search of reasons to forget their day, their past disappointments or failures, and in search of beautiful music by which their souls can simply be healed.
May her voice be heard, now and always, on records and in concerts, in the front of the stage this time, because she has such tremendous gifts to share, so much to offer music lovers. And, you can just call her Gigi.
It's about as easy for Paul Revere for sit at home while his very own beloved Raiders, they of the Paul Revere & the Raiders fame, go out and entertain the legion of fans who want to see him in concert, together. The Raider fans are a special and distinct group of people. Yes, some of them have the tricorner hats, some of them won in contests, others of them acquired as gifts, but when someone is a Paul Revere & the Raiders fan, they know all the songs, all the words to the songs, and chances are good they're seeing a Raiders concert for the 3rd or 4th time in the past 10 years. It's just a Raider thing.
What's fine about this hiatus is that it gives Paul Revere a chance to truly rest. He's done a fantastic job of managing to perform and receive medical treatment for some health challenges in the past year, but his spirit and will to be there for the fans is a fine offset to the "kick-you into your recliner" feeling you get when you have to take medicines and are told "sit down, rest, and heal." For more than a few months, as Paul's doctors would chime in with this chorus, he'd come back with "la, la, la, la, I can't hear you." Or something close to that. Today, he's listening.
And go see those Raiders in concert because you'll love every minute of the music of your childhood.
In the story you'll find links to send messages to Paul because--although he can't be on the road right now--he can be on the computer reading Facebook posts and e-mails. Tell him why you love his music. That will keep him in smiles. He's resting up for the 2015 "Where the Action Is" cruise from Concerts at Sea! Want to know more about that? Visit www.concertsatsea.com and Harmon Travel and happy sailing!
I'd heard Rich Spina play keyboards and sing before, when Herman's Hermits starring Peter Noone and The Buckinghams were in concert in Florida, but it was all music I knew all the words to. Noone is surrounded by very talented musicians in his backing band and many of them are singer/songwriters in their own right. Rich Spina, the bandleader for Herman's Hermits, not only has his own new CD, it's truly outstanding and deserves a tremendous audience to hear it. Check out the story here. Find his album at richspina.com
Just another fun night at Veritas, L to R: Karan Chavis, Greg Tivis, and Steve Carr.
When you put Greg Tivis, Karan Chavis and Steve Carr together, there’s no doubt you have an evening of great jazz. Your rushed schedule simply dissolves into a distant memory as you let the music take you away. It’s hard to believe that this hidden treasured trio can be heard often at College Station’s Veritas bistro, and that there are not lines of people waiting to get in to hear them.
Great music and true musical talent for adults who prefer to have their own place is part of the atmosphere carefully cultivated at Veritas, thanks in large measure to musician Greg Tivis, who invites his friends to join him on weekends for some gentle jamming and slow, smooth jazz.
Never mind that Veritas Wine and Bistro is a national treasure, thanks in part to the Food Network’s announcement that Executive Chef Tai Lee had the best food truck in America. At least that is what the dynamo initiative of some devotees of Veritas gathered consensus to prove. And, that’s just the mobile bistro.
If you don’t want to chase the truck, which is always on the move in Bryan-College Station, race no more. Just glide on into the bistro, located in the beautiful University Center location just down the street from Texas A&M. Kick back and hear beautiful music, where you actually know the words to the songs, and your blood pressure is sure to drop 20 points, as you forget whatever was on your mind when you walked in.
Karan Chavis can sing the American songbook and make it look absolutely effortless. Her sultry voice exemplifies her ability to handle any song, classic rock, jazz, blues, soul, and contemporary hits and make it appear entirely effortless.
Greg Tivis and Steve Carr are such gifted musicians that they share the stage generously and know the perfect sound level to play so you actually can enjoy the music, as well as enjoy conversation with your friends when you want it.
Greg has a new CD, “I Got it Bad” that features Kelsey Taylor, part of the Greg Tivis Trio, just released last month. The trio includes Tivis, Taylor and bassist Ron White, a longtime Brazos Valley favorite. Karan Chavis is nearing completion on her next CD as well.
Veritas is a beautiful hidden secret, if you’ve never been there before. But, go there just once for evening jazz, weekends especially, and you’ll start working your schedule around their music, if you’re not already there regularly for the gourmet delicacies.
A note to those watching their wallets: you can afford to enjoy the music here, as there’s no cover charge. Even if you have dined earlier in the evening with commitments elsewhere, you can always stop in for a glass of wine, after dinner drink, or a cappuccino. Dare you to pass up a tempting dessert.
Jazz lovers should keep checking the Veritas web site or call 979-268-3251. Greg Tivis and friends will be there in style. Bon appetit!
The Karan Chavis Band rocked Good Time Charley's last Friday. Photo: West Communications.
Anyone watching the Karan Chavis Band set up at Good Time Charley’s last Friday night would have doubted they could get all their equipment, not to mention the band members themselves, into the small corner of the packed restaurant. But after 25 minutes of unpacking, repacking, and rearranging, the six-person band was tucked away -- cozy, but ready to entertain.
And entertain they did. With classics including Get Your Kicks On Route 66, How Sweet It Is To Be Loved By You, Brown-Eyed Girl, Amarillo By Morning, Rose-Colored Glasses, and Georgia On My Mind, they kept the crowd swaying and cheering. The eatery in the historic downtown section of Bryan, Texas, was packed from the start of the performance. Fortunately, the restaurant has a side room and the staff found places to seat more people coming in throughout the evening.
Chavis explained that she’d been battling a cold all week, but it didn’t harm her soulful style. Her voice was as smooth as the Smooth Operator she sang about. Maybe there were a few more instrumental breaks than usual. Maybe the band members stepped up to the mic to take the vocals a little more often than they sometimes do. But with so much talent on display from band members Monte Mann, Larry Seyer, Kevin Hall, David Webb, and Craig Nietfeld, the audience relished each song. When Karan did belt out a number, her voice was as strong and smooth and sultry as ever.
Good Time Charley’s is named for the historic Charles Hotel Building, where the restaurant has occupied the ground floor for less than a year. During its operation from 1939 to the 1980s, the Charles Hotel must certainly have seen its share of good times, and if Good Time Charley’s continues to bring in talented bands like the Karan Chavis Band, good food and good music will continue to thrive in historic Downtown Bryan.
[Note: Story originally published on examiner.com on Sept. 17, 2011.]
[Karan Chavis and her band perform for V-Twins Rock: Motorcycle Enthusiasts & Musicians Join Forces To Fight Cancer, the 2010 Breast Cancer Awareness special event, University Towne Center, Oct. 2, 2010, College Station, Texas. Band: Monte Mann on guitar, Mark R. Harris, bass guitar, Art Kidd, drums, Ryan Murphy, Keyboards.]
When Karan Chavis sings a favorite classic rock song, she owns it. Her version of “Proud Mary” is such that Tina Turner would nod her head in approval. Chavis was singing “At Last” in shows long before the Etta James version came to the forefront. The blues are the blues when Karan belts them out as few others can. Gospel takes on a new level when just her acapella offerings are moving and powerful.
The works of Ella Fitzgerald were part of Karan’s repertoire last summer in Austin in a tribute concert performed at the One World Theatre. And yet, she doesn’t have to sing ‘just like’ someone to be given kudos. The versatile Chavis also composes her own music as well in an upbeat, powerful style that is truly her own. She's been working on a new CD project when time permits.
It’s seemingly all too rare that she perfoms in the Bryan-College Station area, because other cities keep booking her first. That’s good for Chavis, but it’s better for Aggieland that she’s in concert this weekend. And since it’s a football weekend with TAMU hosting Idaho on Saturday evening, visitors will be looking for great music, so locals need to arrive early Friday night.
On Friday, September 16, Karan and her band will be performing at Goodtime Charlie's. Music begins at 7:00 pm and will go through 11:00 pm. The downtown Bryan club is located at 201 S. Main (the old Papa Perez location). Word to the wise: nearby parking is plentiful, but get there early.
Chavis is delighted to have her band with her for this performance. Many who’ve seen her before enjoy seeing Larry Seyer and Monte Mann on guitar, Kevin Hall on drums, and David Webb on keys. They’ll all be here.
Later this month, on Wednesday, September 28th, there’s also a chance to see Karan in Austin as she’ll lend her vocals to an evening of Blues & Swing with The Fenno-Hilboldt Project. The backdrop of another colorful Austin sunset in the hills, an outdoor special event at Central Market Westgate. Perfect for a late September evening.
The Fenno-Hilboldt group consists of leader Jimmy Fenno (drums/vocals), Jamie Hilboldt (keys/vocals), Sean Hopper (bass), and Karan Chavis will sing. The evening begins at 6:30 and goes til 9:30 pm. For directions to Central Market Westgate, click here. Hilboldt and Chavis are a familiar team, having played in musical events together years ago in Austin, all the way back to even days occasionally singing on dates where Rotel & The Hot Tomatoes were holding forth with their power-rock 50s/60s/70s tributes.
Hilboldt also travels the country as keyboardist and musical director for classic rock star Gary Puckett (“Young Girl”, “Lady Willpower”, etc.), and everything he plays is perfectly styled and suited for Karan’s soulful voice that embodies the blues. Fenno’s strengths and specialties include the standards by Frank Sinatra, Louis Prima, Louis Jordan, and Louis Armstrong. Chances are good, then, for Karan to sing her signature “Satchmo Blues,” where she voices both Louis Armstrong and Miss Ella Fitzgerald in echoes and answers to the lines. Two must-see, must-hear events.
For more on Karan's latest activities, check out her web site www.karanchavis.com
